Transcultural cinema:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Princeton, NJ
Princeton Univ. Press
1998
|
| Subjects: | |
| Online Access: | Table of contents Publisher description Inhaltsverzeichnis |
| Physical Description: | X, 318 S. Ill. |
| ISBN: | 0691012342 9780691012346 |
Staff View
MARC
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| 650 | 7 | |a Films ethnographiques |2 ram | |
| 650 | 4 | |a Motion pictures in ethnology | |
| 650 | 4 | |a Documentary films -- History and criticism | |
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| 650 | 4 | |a Ethnographic films |x History and criticism | |
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Record in the Search Index
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| adam_text | Contents Illustrations vii
Preface ix
Introduction by Lucien Taylor 3
PART ONE
1. The Fate of the Cinema Subject 25
2. Visual Anthropology and the Ways of Knowing 61
3. The Subjective Voice in Ethnographic Film 93
PART TWO
4. Beyond Observational Cinema 125
5. Complicities of Style 140
6. Whose Story Is It? 150
7. Subtitling Ethnographic Films 165
8. Ethnographic Film: Failure and Promise 178
PART THREE
9. Unprivileged Camera Style 199
10. When Less Is Less 209
11. Film Teaching and the State of Documentary 224
12. Films of Memory 231
13. Transcultural Cinema 245
Bibliography 279
Filmography 293
Index 303
Illustrations 1. A sharecropper family, Alabama, 1936. Photograph by Walker
Evans from Let Us Now Praise Famous Men (1960 edition). Courtesy
of U.S. Farm Security Administration Collection, Prints and Photo¬
graphs Division, Library of Congress. 26
2. Jean Pierre Leaud / Antoine Doinel in Les Quatre cents coups
(1959). Photograph by Andre Dino. Courtesy of Les Films du Car
rosse. 31
3. From Au Hasard, Balthazar (1966). Courtesy of the Pacific Film
Archive. 38
4. Pietro Balisai Soddu, during the filming of Tempus de Batistas,
1992. Photograph by David MacDougall. 47
5. Franchiscu Balisai Soddu, during the filming of Tempus de Baris
tas, 1992. Photograph by David MacDougall. 49
6. The look into the camera. From Living Hawthorn (1906). 99
7. Interior dramatization. From Finis Terrae (1929). Courtesy of the
British Film Institute. 104
8. Psychodrama. Angelo and Landry in Chronique d un ete (1961).
Photograph courtesy of the British Film Institute, reproduced by per¬
mission of Jean Rouch and the Comite du Film Ethnographique,
Musee de l Homme. 112
9. Ethnobiography. Imaginero (1970). Photograph courtesy of Jorge
Preloran. 115
10. Subtitled speech. From To Live with Herds (1972). 117
11. Turkana oratorical style. From The Wedding Camels (1977). 143
12. A heraldic culture. Photograph made during the filming of
Good bye Old Man, 1975. Courtesy of the Australian Institute of Abo¬
riginal and Torres Strait Islander Studies. 147
13. Photographic postcard of Maasai man. Kenya. 1930s. Photograph
by C. Zagourski, Leopoldville, Belgian Congo. 151
14. The duck which is also a rabbit. 152
viii ILLUSTRATIONS
15. Ian Pootchemunka in the cattle yard at Ti Tree outstation. From
Three Horsemen (1982). Courtesy of the Australian Institute of Abo¬
riginal and Torres Strait Islander Studies. 153
16. Angus Namponan and his children near Cape Keerweer. northern
Queens land. From Familiar Places (1980). Courtesy of the Austra¬
lian Institute of Aboriginal and Torres Strait Islander Studies. 160
17. Chrissie Namponan introduces one of her children to the spirits.
From Familiar Places (1980). Courtesy of the Australian Institute of
Aboriginal and Torres Strait Islander Studies. 162
18. In a Jie compound, Uganda, 1968. From To Live with Herds
(1972). 199
19. Celso and Cora (1983). Photograph courtesy of Ronin Films. 206
20. Arwoto s compound, during the filming of The Wedding Camels,
1974. Photograph by Judith MacDougall. 208
21. A family photograph from Antti Peippo s Sijainen (1989). Cour¬
tesy of The Finnish Film Contact. 241
22. From Eisenstein s October (1928). Courtesy of the Museum of
Modern Art, Film Stills Archive. 243
23. A leopard skin chief, from E. E. Evans Pritchard s The Nuer.
(Plate XXIV.) Photograph by F. D. Corfield. Courtesy of the Pitt Riv¬
ers Museum, University of Oxford. 250
24. Youth (Eastern Gaajok) fastening giraffe hair necklace on friend,
from E. E. Evans Pritchard s The Nuer. (Plate I.) Courtesy of the Pitt
Rivers Museum, University of Oxford. 251
25. Boy collecting dung fuel (Lou), from E. E. Evans Pritchard s The
Nuer. (Plate XVII.) Courtesy of the Pitt Rivers Museum, University of
Oxford. 253
|
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| discipline | Allgemeines Soziologie Anglistik / Amerikanistik Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
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| spelling | MacDougall, David 1939- Verfasser (DE-588)129593702 aut Transcultural cinema David MacDougall Princeton, NJ Princeton Univ. Press 1998 X, 318 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cinéma et ethnologie Etnografische films gtt Films documentaires Films documentaires ram Films ethnographiques ram Motion pictures in ethnology Documentary films -- History and criticism Documentary films History and criticism Ethnographic films History and criticism Visuelle Medien (DE-588)4188423-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Anthropologie (DE-588)4002230-4 gnd rswk-swf Ethnologie (DE-588)4078931-7 gnd rswk-swf Ethnologie (DE-588)4078931-7 s Film (DE-588)4017102-4 s DE-604 Visuelle Medien (DE-588)4188423-1 s Anthropologie (DE-588)4002230-4 s http://www.loc.gov/catdir/toc/prin032/98021197.html Table of contents http://www.loc.gov/catdir/description/prin021/98021197.html Publisher description HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008501776&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | MacDougall, David 1939- Transcultural cinema Cinéma et ethnologie Etnografische films gtt Films documentaires Films documentaires ram Films ethnographiques ram Motion pictures in ethnology Documentary films -- History and criticism Documentary films History and criticism Ethnographic films History and criticism Visuelle Medien (DE-588)4188423-1 gnd Film (DE-588)4017102-4 gnd Anthropologie (DE-588)4002230-4 gnd Ethnologie (DE-588)4078931-7 gnd |
| subject_GND | (DE-588)4188423-1 (DE-588)4017102-4 (DE-588)4002230-4 (DE-588)4078931-7 |
| title | Transcultural cinema |
| title_auth | Transcultural cinema |
| title_exact_search | Transcultural cinema |
| title_full | Transcultural cinema David MacDougall |
| title_fullStr | Transcultural cinema David MacDougall |
| title_full_unstemmed | Transcultural cinema David MacDougall |
| title_short | Transcultural cinema |
| title_sort | transcultural cinema |
| topic | Cinéma et ethnologie Etnografische films gtt Films documentaires Films documentaires ram Films ethnographiques ram Motion pictures in ethnology Documentary films -- History and criticism Documentary films History and criticism Ethnographic films History and criticism Visuelle Medien (DE-588)4188423-1 gnd Film (DE-588)4017102-4 gnd Anthropologie (DE-588)4002230-4 gnd Ethnologie (DE-588)4078931-7 gnd |
| topic_facet | Cinéma et ethnologie Etnografische films Films documentaires Films ethnographiques Motion pictures in ethnology Documentary films -- History and criticism Documentary films History and criticism Ethnographic films History and criticism Visuelle Medien Film Anthropologie Ethnologie |
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