Die Rezeption der Symphonien Gustav Mahlers zu Lebzeiten des Komponisten:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | German |
| Veröffentlicht: |
Frankfurt am Main ; Berlin ; Bern ; New York ; Paris ; Wien
Lang
1999
|
| Schriftenreihe: | Europäische Hochschulschriften / 36
193 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 359 S. |
| ISBN: | 3631350368 |
Internformat
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Datensatz im Suchindex
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| adam_text | Titel: Die Rezeption der Symphonien Gustav Mahlers zu Lebzeiten des Komponisten
Autor: Wandel, Juliane
Jahr: 1999
INHALT
EINLErrUNG................................................................................................................11
1. DIE SYMPHONIEN.....................................................................................................17
1.1 SYMPHONIE NR. I D-DUR.......................................................................................17
Werkangaben................................................................................................17
1.1.1 Eine Vorbesprechung..................................................................................18
1.1.2 Die Uraufführung: Budapest 1889............................................................20
1.1.3 Hamburg 1893...............................................................................................22
1.1.4 Weimar 1894.................................................................................................24
1.1.5 Berlin 1896.....................................................................................................25
1.1.6 Prag 1898.........................................................................................................27
1.1.7 Wien 1900......................................................................................................28
1.1.8 Folgeaufführungen......................................................................................32
1.1.9 Zwischenergebnisse.....................................................................................37
1.2 SYMPHONIE NR. IIC-MOLL....................................................................................40
Werkangaben................................................................................................40
1.2.1 Uraufführungen: Berlin 1895....................................................................41
1.2.2 Definitionsversuche: Programmusik......................................................46
1.2.3 Wien 1898/1899............................................................................................48
1.2.4 München 1900...............................................................................................52
1.2.5 Meinungen....................................................................................................53
1.2.6 Folgeaufführungen......................................................................................56
1.2.7 Zwischenergebnisse.....................................................................................64
1.3 SYMPHONIE NR. III D-MOLL..................................................................................66
Werkangaben................................................................................................66
1.3.1 Einzelsätze.....................................................................................................67
1.3.2 Die Uraufführung: Krefeld 1902...............................................................70
1.3.3 Die programmusikalische Frage...............................................................75
1.3.4 Folgeaufführungen 1897-1922...................................................................76
1.3.5 Zwischenergebnisse.....................................................................................81
1.4 SYMPHONIE NR. IV G-DUR....................................................................................84
Werkangaben................................................................................................84
1.4.1 Stilistische Zäsur..........................................................................................85
1.4.2 Eine Humoreske .......................................................................................87
1.4.3 Die einzelnen Sätze.....................................................................................90
1.4.4 Symphonische Rätselecke ......................................................................92
1.4.5 Gedenkfeiern 1911/1912..............................................................................96
1.5 SYMPHONIE NR. V....................................................................................................99
Werkangaben................................................................................................99
1.5.1 Die absolute Symphonie?......................................................................100
1.5.2 Wien 1905....................................................................................................105
1.5.3 DasAdagietto..............................................................................................107
1.5.4 Zwischenergebnisse...................................................................................108
1.6 SYMPHONIE NR. VI A-Moll..................................................................................111
Werkangaben..............................................................................................111
1.6.1 Erste Begegnungen 1906............................................................................112
1.6.2 Folgeaufführungen....................................................................................120
1.7 SYMPHONIE NR. VJJ E-Moll.................................................................................128
Werkangaben..............................................................................................128
1.7.1 Die Uraufführung in Prag 1908 und die einzelnen Sätze.................129
1.7.2 Folgeaufführungen....................................................................................136
1.7.3 Zwischenergebnisse...................................................................................138
1.8 SYMPHONIE NR. VIII ES-DUR.............................................................................141
Werkangaben..............................................................................................141
1.8.1 Die Uraufführung: München 1910.........................................................142
1.8.1.1 Im Vorfeld...................................................................................................142
1.8.1.2 Nach dem Ereignis.....................................................................................144
1.8.1.3 Text und Titel..............................................................................................146
1.8.1.4 Erfolg und Opposition...............................................................................149
1.8.1.5 Ein Rassen -Problem................................................................................155
1.8.2 Postume Aufführungen...........................................................................159
1.9 DAS LIED VON DER ERDE.....................................................................................165
Werkangaben..............................................................................................165
1.9.1 Die Uraufführung: München 1911.........................................................166
1.9.1.1 Eine Gedenkfeier........................................................................................166
1.9.1.2 Gattungsproblematik.................................................................................168
1.9.1.3 Der Text........................................................................................................170
1.9.2 Zwischenergebnisse und Folgeaufführungen 1912............................174
1.10 SYMPHONIE NR. IX D-DUR..................................................................................178
Werkangaben..............................................................................................178
1.10.1 Die Uraufführung: Wien 1912................................................................179
1.10.2 Berlin 1913...................................................................................................188
1.10.3 Zwischenergebnisse...................................................................................191
2. SYSTEMATISCHE AUSWERTUNG.....................................................................193
2.1 SYMPHONIE-CHARADE -
ZUR SYMPHONISCHEN PROGRAMMUSIK....................................................193
2.1.1 Die Gattungstradition................................................................................193
2.1.2 Stimmen der Zeit: Klauwell und Klatte zur Programmusik...........195
2.1.3 Mahlers Symphonik und die programmusikalische
Diskussion...................................................................................................204
2.1.3.1 Mahler..........................................................................................................204
2.1.3.2 Julius Korngold..........................................................................................209
2.1.3.3 Paul Stefan...................................................................................................210
2.1.3.4 Georg Göhler...............................................................................................211
2.1.3.5 Ernst Otto Nodnagel..................................................................................212
2.1.3.6 Bruno Walter..............................................................................................214
2.2 GUSTAV MAHLER UND RICHARD STRAUSS:
EIN REZEPTIONSVERGLEICH..............................................................................216
2.2.1 Positionen....................................................................................................216
2.2.2 Die Rätselfrage Programm...................................................................218
2.2.3 Wort und Tat..............................................................................................221
2.2.4 Abgrenzungen und Argumentationen.................................................224
2.2.5 Zeitgemäß und unzeitgemäß..................................................................228
2.3 ANTISEMITISMUS ALS REZEPTIONSASPEKT...............................................231
2.4 DIE GIFTIGEN HERREN VOM TINTENFAß .................................................240
2.4.1 Die Rolle der Kritik....................................................................................240
2.4.2 Mahler und die Kritik...............................................................................244
2.4.3 Die Wiener Kritik und ihre Verfasser...................................................246
2.5 ZUR BEDEUTUNG DES DIRIGENTEN...............................................................251
2.5.1 Mahler als Dirigent....................................................................................251
2.5.2 Mahler-Dirigenten.....................................................................................255
3. ERGEBNISSE..............................................................................................................263
4. DOKUMENTATION.................................................................................................289
4.1 PRESSESTIMMEN UND KOMMENTARE
ZU MAHLERS SYMPHONIK.................................................................................290
4.1.1 Symphonie Nr. 1 D-Dur...........................................................................290
4.1.2 Symphonie Nr. II c-moll..........................................................................295
4.1.3 Symphonie Nr. III d-moll........................................................................299
4.1.3.1 Aufführungen..................................................................:.........................299
4.1.3.2 Zur Programmatik der III. Symphonie.................................................302
4.1.4 Symphonie Nr. IV G-Dur.........................................................................306
4.1.5 Symphonie Nr. V.......................................................................................312
4.1.6 Symphonie Nr. VI a-moll........................................................................317
4.1.7 Symphonie Nr. VII e-moll.......................................................................321
4.1.8 Symphonie Nr. VIII Es-Dur.....................................................................325
4.1.9 Das Lied von der Erde...............................................................................330
4.1.10 Symphonie Nr. IX D-Dur.........................................................................333
4.2 PRESSESTIMMEN UND KOMMENTARE ZU MAHLER...............................336
4.3 MAHLER: AUSSAGEN ZU SEINEM WERK......................................................346
4.3.1 Die Symphonien........................................................................................346
4.3.2 Die Symphonik...........................................................................................351
5. BIBLIOGRAPHIE........................................................................................................353
5.1 Vondenhoff-Dokumentation..................................................................353
5.2 Abkürzungen..............................................................................................354
5.3 Ausgewählte Literatur..............................................................................356
|
| any_adam_object | 1 |
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| indexdate | 2024-07-09T18:28:41Z |
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| series2 | Europäische Hochschulschriften / 36 |
| spelling | Wandel, Juliane Verfasser aut Die Rezeption der Symphonien Gustav Mahlers zu Lebzeiten des Komponisten Juliane Wandel Frankfurt am Main ; Berlin ; Bern ; New York ; Paris ; Wien Lang 1999 359 S. txt rdacontent n rdamedia nc rdacarrier Europäische Hochschulschriften / 36 193 Zugl.: Hamburg, Univ., Diss. 1998 Mahler, Gustav <1860-1911> Symphonies Mahler, Gustav <1860-1911> Appreciation Mahler, Gustav 1860-1911 (DE-588)118576291 gnd rswk-swf Geschichte 1889-1911 gnd rswk-swf Symphony Zeitgenossen (DE-588)4131582-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Sinfonie (DE-588)4055087-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Mahler, Gustav 1860-1911 (DE-588)118576291 p Sinfonie (DE-588)4055087-4 s Rezeption (DE-588)4049716-1 s Zeitgenossen (DE-588)4131582-0 s DE-604 Geschichte 1889-1911 z 36 Europäische Hochschulschriften 193 (DE-604)BV000001943 193 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008485573&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wandel, Juliane Die Rezeption der Symphonien Gustav Mahlers zu Lebzeiten des Komponisten Mahler, Gustav <1860-1911> Symphonies Mahler, Gustav <1860-1911> Appreciation Mahler, Gustav 1860-1911 (DE-588)118576291 gnd Symphony Zeitgenossen (DE-588)4131582-0 gnd Rezeption (DE-588)4049716-1 gnd Sinfonie (DE-588)4055087-4 gnd |
| subject_GND | (DE-588)118576291 (DE-588)4131582-0 (DE-588)4049716-1 (DE-588)4055087-4 (DE-588)4113937-9 |
| title | Die Rezeption der Symphonien Gustav Mahlers zu Lebzeiten des Komponisten |
| title_auth | Die Rezeption der Symphonien Gustav Mahlers zu Lebzeiten des Komponisten |
| title_exact_search | Die Rezeption der Symphonien Gustav Mahlers zu Lebzeiten des Komponisten |
| title_full | Die Rezeption der Symphonien Gustav Mahlers zu Lebzeiten des Komponisten Juliane Wandel |
| title_fullStr | Die Rezeption der Symphonien Gustav Mahlers zu Lebzeiten des Komponisten Juliane Wandel |
| title_full_unstemmed | Die Rezeption der Symphonien Gustav Mahlers zu Lebzeiten des Komponisten Juliane Wandel |
| title_short | Die Rezeption der Symphonien Gustav Mahlers zu Lebzeiten des Komponisten |
| title_sort | die rezeption der symphonien gustav mahlers zu lebzeiten des komponisten |
| topic | Mahler, Gustav <1860-1911> Symphonies Mahler, Gustav <1860-1911> Appreciation Mahler, Gustav 1860-1911 (DE-588)118576291 gnd Symphony Zeitgenossen (DE-588)4131582-0 gnd Rezeption (DE-588)4049716-1 gnd Sinfonie (DE-588)4055087-4 gnd |
| topic_facet | Mahler, Gustav <1860-1911> Symphonies Mahler, Gustav <1860-1911> Appreciation Mahler, Gustav 1860-1911 Symphony Zeitgenossen Rezeption Sinfonie Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008485573&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000001943 |
| work_keys_str_mv | AT wandeljuliane dierezeptiondersymphoniengustavmahlerszulebzeitendeskomponisten |