The films of Michelangelo Antonioni:
"The Films of Michelangelo Antonioni provides an overview of the Italian director's life and work and examines six of his most important and intellectually challenging films. L'avventura, La notte, and L'eclisse, released in the early 1960s, form the trilogy that first brought th...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
1998
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Cambridge film classics
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "The Films of Michelangelo Antonioni provides an overview of the Italian director's life and work and examines six of his most important and intellectually challenging films. L'avventura, La notte, and L'eclisse, released in the early 1960s, form the trilogy that first brought the director to international attention. Red Desert was his first film in color. Blow-up, shot in English and set in swinging London, became one of the best-known (and most notorious) films of its era. The Passenger, starring Jack Nicholson, is the greatest work of Antonioni's maturity. Rather than emphasizing the angst and alienation of Antonioni's characters, Peter Brunette places the films in the context of the director's ongoing social and political analysis of the Italy of the great postwar economic boom and demonstrates how they depend on painterly abstraction for their expressive effects."--BOOK JACKET. |
Beschreibung: | XIII, 186 S. Ill. |
ISBN: | 0521380855 0521389925 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV012448072 | ||
003 | DE-604 | ||
005 | 20070802 | ||
007 | t | ||
008 | 990311s1998 a||| |||| 00||| eng d | ||
020 | |a 0521380855 |9 0-521-38085-5 | ||
020 | |a 0521389925 |9 0-521-38992-5 | ||
035 | |a (OCoLC)38132651 | ||
035 | |a (DE-599)BVBBV012448072 | ||
040 | |a DE-604 |b ger |e rakddb | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-M472 |a DE-29 |a DE-473 | ||
050 | 0 | |a PN1998.3.A58 | |
082 | 0 | |a 791.43/0233092 |2 21 | |
084 | |a AP 51020 |0 (DE-625)7585: |2 rvk | ||
100 | 1 | |a Brunette, Peter |d 1943-2010 |e Verfasser |0 (DE-588)1015527809 |4 aut | |
245 | 1 | 0 | |a The films of Michelangelo Antonioni |c Peter Brunette |
250 | |a 1. publ. | ||
264 | 1 | |a Cambridge [u.a.] |b Cambridge Univ. Press |c 1998 | |
300 | |a XIII, 186 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Cambridge film classics | |
520 | 1 | |a "The Films of Michelangelo Antonioni provides an overview of the Italian director's life and work and examines six of his most important and intellectually challenging films. L'avventura, La notte, and L'eclisse, released in the early 1960s, form the trilogy that first brought the director to international attention. Red Desert was his first film in color. Blow-up, shot in English and set in swinging London, became one of the best-known (and most notorious) films of its era. The Passenger, starring Jack Nicholson, is the greatest work of Antonioni's maturity. Rather than emphasizing the angst and alienation of Antonioni's characters, Peter Brunette places the films in the context of the director's ongoing social and political analysis of the Italy of the great postwar economic boom and demonstrates how they depend on painterly abstraction for their expressive effects."--BOOK JACKET. | |
600 | 1 | 4 | |a Antonioni, Michelangelo - Critique et interprétation |
600 | 1 | 4 | |a Antonioni, Michelangelo <1912-> - Criticism and interpretation |
600 | 1 | 4 | |a Antonioni, Michelangelo |x Criticism and interpretation |
600 | 1 | 7 | |a Antonioni, Michelangelo |d 1912-2007 |0 (DE-588)11864971X |2 gnd |9 rswk-swf |
650 | 7 | |a Films |2 gtt | |
650 | 4 | |a Film | |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Antonioni, Michelangelo |d 1912-2007 |0 (DE-588)11864971X |D p |
689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 0 | |5 DE-604 | |
856 | 4 | 2 | |m HBZ Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008447259&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-008447259 |
Datensatz im Suchindex
_version_ | 1804127086326054912 |
---|---|
adam_text | Contents
List of Illustrations page ix
Acknowledgments xi
Introduction i
1 Uavventura (i960) 2.8
2 La notte (1961) 5Z
3 L eclisse (1962) 73
4 Red Desert (1964) 9°
5 Blow up (1966) 109
6 T e Passenger (1975) Ii7
Filmography 147
Notes 155
Selected Bibliography 181
Jwdejc 183
ix
Illustrations
INTRODUCTION
1. The rapacious Sandro (Gabriele Ferzetti) makes
his first amorous moves toward Claudia
(Monica Vitti) in L avventura page 10
2. Giuliana (Monica Vitti) confronts husband Ugo
(Carlo de Pra) and friend Corrado (Richard Harris)
in her abstractly smeared shop in Red Desert 12
l avventura
3. Anna (Lea Massari) disrobes for her lover Sandro
(Gabriele Ferzetti) 35
4. A moment of joy, with both foreground and
background in focus, between Claudia (Monica
Vitti) and Sandro 41
5. Girl talk (the doubling of women): Claudia and
Patrizia (Esmeralda Ruspoli) 43
LA NOTTE
6. Giovanni (Marcello Mastroianni) and Valentina
(Monica Vitti) at the party 65
7. More female doubling: Valentina and Lidia (Jeanne
Moreau) 67
8. The final desperate moments in the marriage of
Giovanni and Lidia 71
xi
l eclisse
9. The Milan stock exchange: Piero (Alain Delon) in
his element 81
10. Vittoria (Monica Vitti) and the exoticism of Africa 85
11. The last gasp of love: Piero and Vittoria 86
RED DESERT
12. Giuliana (Monica Vitti) lost among the
accouterments of the modern, technological
world of Red Desert 93
13. The scene in the shack: Max (Aldo Grotti) and
Giuliana 99
14. Corrado (Richard Harris) sexually consoles
Giuliana in his hotel room IO5
BLOW UP
15. The photographer (David Hemmings) indulges in
some pretend sex with his model Verushka II2
16. The woman (Vanessa Redgrave) pays a call on the
photographer IJ3
17. The blow up in Blow up 1T9
THE PASSENGER
18. David Locke (Jack Nicholson) attempts some
cross cultural communication I2 8
19. Locke and his deceased alter ego Robertson (Chuck
Mulvehill) 12.9
2.0. The Woman (Maria Schneider), Rachel (Jenny
Runacre), the police inspector (Angel del Pozo), and
the hotelkeeper (Jose Maris Cafarel) Surround the
dead Locke 144
xii
|
any_adam_object | 1 |
author | Brunette, Peter 1943-2010 |
author_GND | (DE-588)1015527809 |
author_facet | Brunette, Peter 1943-2010 |
author_role | aut |
author_sort | Brunette, Peter 1943-2010 |
author_variant | p b pb |
building | Verbundindex |
bvnumber | BV012448072 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1998 |
callnumber-raw | PN1998.3.A58 |
callnumber-search | PN1998.3.A58 |
callnumber-sort | PN 41998.3 A58 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 51020 |
ctrlnum | (OCoLC)38132651 (DE-599)BVBBV012448072 |
dewey-full | 791.43/0233092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/0233092 |
dewey-search | 791.43/0233092 |
dewey-sort | 3791.43 6233092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
edition | 1. publ. |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02691nam a2200469 c 4500</leader><controlfield tag="001">BV012448072</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20070802 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">990311s1998 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0521380855</subfield><subfield code="9">0-521-38085-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0521389925</subfield><subfield code="9">0-521-38992-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)38132651</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV012448072</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1998.3.A58</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/0233092</subfield><subfield code="2">21</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 51020</subfield><subfield code="0">(DE-625)7585:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brunette, Peter</subfield><subfield code="d">1943-2010</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1015527809</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The films of Michelangelo Antonioni</subfield><subfield code="c">Peter Brunette</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge [u.a.]</subfield><subfield code="b">Cambridge Univ. Press</subfield><subfield code="c">1998</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XIII, 186 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge film classics</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"The Films of Michelangelo Antonioni provides an overview of the Italian director's life and work and examines six of his most important and intellectually challenging films. L'avventura, La notte, and L'eclisse, released in the early 1960s, form the trilogy that first brought the director to international attention. Red Desert was his first film in color. Blow-up, shot in English and set in swinging London, became one of the best-known (and most notorious) films of its era. The Passenger, starring Jack Nicholson, is the greatest work of Antonioni's maturity. Rather than emphasizing the angst and alienation of Antonioni's characters, Peter Brunette places the films in the context of the director's ongoing social and political analysis of the Italy of the great postwar economic boom and demonstrates how they depend on painterly abstraction for their expressive effects."--BOOK JACKET.</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Antonioni, Michelangelo - Critique et interprétation</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Antonioni, Michelangelo <1912-> - Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Antonioni, Michelangelo</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Antonioni, Michelangelo</subfield><subfield code="d">1912-2007</subfield><subfield code="0">(DE-588)11864971X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Films</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Antonioni, Michelangelo</subfield><subfield code="d">1912-2007</subfield><subfield code="0">(DE-588)11864971X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HBZ Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008447259&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-008447259</subfield></datafield></record></collection> |
id | DE-604.BV012448072 |
illustrated | Illustrated |
indexdate | 2024-07-09T18:27:45Z |
institution | BVB |
isbn | 0521380855 0521389925 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008447259 |
oclc_num | 38132651 |
open_access_boolean | |
owner | DE-12 DE-M472 DE-29 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-M472 DE-29 DE-473 DE-BY-UBG |
physical | XIII, 186 S. Ill. |
publishDate | 1998 |
publishDateSearch | 1998 |
publishDateSort | 1998 |
publisher | Cambridge Univ. Press |
record_format | marc |
series2 | Cambridge film classics |
spelling | Brunette, Peter 1943-2010 Verfasser (DE-588)1015527809 aut The films of Michelangelo Antonioni Peter Brunette 1. publ. Cambridge [u.a.] Cambridge Univ. Press 1998 XIII, 186 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cambridge film classics "The Films of Michelangelo Antonioni provides an overview of the Italian director's life and work and examines six of his most important and intellectually challenging films. L'avventura, La notte, and L'eclisse, released in the early 1960s, form the trilogy that first brought the director to international attention. Red Desert was his first film in color. Blow-up, shot in English and set in swinging London, became one of the best-known (and most notorious) films of its era. The Passenger, starring Jack Nicholson, is the greatest work of Antonioni's maturity. Rather than emphasizing the angst and alienation of Antonioni's characters, Peter Brunette places the films in the context of the director's ongoing social and political analysis of the Italy of the great postwar economic boom and demonstrates how they depend on painterly abstraction for their expressive effects."--BOOK JACKET. Antonioni, Michelangelo - Critique et interprétation Antonioni, Michelangelo <1912-> - Criticism and interpretation Antonioni, Michelangelo Criticism and interpretation Antonioni, Michelangelo 1912-2007 (DE-588)11864971X gnd rswk-swf Films gtt Film Film (DE-588)4017102-4 gnd rswk-swf Antonioni, Michelangelo 1912-2007 (DE-588)11864971X p Film (DE-588)4017102-4 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008447259&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Brunette, Peter 1943-2010 The films of Michelangelo Antonioni Antonioni, Michelangelo - Critique et interprétation Antonioni, Michelangelo <1912-> - Criticism and interpretation Antonioni, Michelangelo Criticism and interpretation Antonioni, Michelangelo 1912-2007 (DE-588)11864971X gnd Films gtt Film Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)11864971X (DE-588)4017102-4 |
title | The films of Michelangelo Antonioni |
title_auth | The films of Michelangelo Antonioni |
title_exact_search | The films of Michelangelo Antonioni |
title_full | The films of Michelangelo Antonioni Peter Brunette |
title_fullStr | The films of Michelangelo Antonioni Peter Brunette |
title_full_unstemmed | The films of Michelangelo Antonioni Peter Brunette |
title_short | The films of Michelangelo Antonioni |
title_sort | the films of michelangelo antonioni |
topic | Antonioni, Michelangelo - Critique et interprétation Antonioni, Michelangelo <1912-> - Criticism and interpretation Antonioni, Michelangelo Criticism and interpretation Antonioni, Michelangelo 1912-2007 (DE-588)11864971X gnd Films gtt Film Film (DE-588)4017102-4 gnd |
topic_facet | Antonioni, Michelangelo - Critique et interprétation Antonioni, Michelangelo <1912-> - Criticism and interpretation Antonioni, Michelangelo Criticism and interpretation Antonioni, Michelangelo 1912-2007 Films Film |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008447259&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT brunettepeter thefilmsofmichelangeloantonioni |