Resistance, parody, and double consciousness in African American theatre: 1895 - 1910
The history of African American performance and theatre is a topic that few scholars have closely studied or discussed as a critical part of American culture. In this fascinating interdisciplinary volume, David Krasner reveals such a history to be a tremendously rich one, focusing particularly on th...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York
St. Martin's Press
1997
|
| Edition: | 1. publ. |
| Subjects: | |
| Summary: | The history of African American performance and theatre is a topic that few scholars have closely studied or discussed as a critical part of American culture. In this fascinating interdisciplinary volume, David Krasner reveals such a history to be a tremendously rich one, focusing particularly on the end of the nineteenth century and the beginning of the twentieth. The fields of history, black literary theory, cultural studies, performance studies, and postcolonial theory are utilized in an examination of several major productions. In addition, Krasner looks at the aesthetic significance of African American performers on the American stage and the meaning of the technique entitled "cakewalking." |
| Physical Description: | VI, 218 S. |
| ISBN: | 0312173636 |
Staff View
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| spelling | Krasner, David 1952- Verfasser (DE-588)132123398 aut Resistance, parody, and double consciousness in African American theatre 1895 - 1910 David Krasner 1. publ. New York St. Martin's Press 1997 VI, 218 S. txt rdacontent n rdamedia nc rdacarrier The history of African American performance and theatre is a topic that few scholars have closely studied or discussed as a critical part of American culture. In this fascinating interdisciplinary volume, David Krasner reveals such a history to be a tremendously rich one, focusing particularly on the end of the nineteenth century and the beginning of the twentieth. The fields of history, black literary theory, cultural studies, performance studies, and postcolonial theory are utilized in an examination of several major productions. In addition, Krasner looks at the aesthetic significance of African American performers on the American stage and the meaning of the technique entitled "cakewalking." Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1895-1910 gnd rswk-swf Drama swd Théâtre américain - Auteurs noirs américains - Histoire et critique Théâtre noir américain - Histoire - 19e siècle Théâtre noir américain - Histoire - 20e siècle Geschichte Schwarze. USA African American theater History 19th century African American theater History 20th century African Americans in literature African Americans Intellectual life 19th century African Americans Intellectual life 20th century American drama African American authors History and criticism Theater (DE-588)4059702-7 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Schwarze swd USA swd USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Theater (DE-588)4059702-7 s Schwarze (DE-588)4116433-7 s Geschichte 1895-1910 z DE-604 Drama (DE-588)4012899-4 s 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Krasner, David 1952- Resistance, parody, and double consciousness in African American theatre 1895 - 1910 Drama swd Théâtre américain - Auteurs noirs américains - Histoire et critique Théâtre noir américain - Histoire - 19e siècle Théâtre noir américain - Histoire - 20e siècle Geschichte Schwarze. USA African American theater History 19th century African American theater History 20th century African Americans in literature African Americans Intellectual life 19th century African Americans Intellectual life 20th century American drama African American authors History and criticism Theater (DE-588)4059702-7 gnd Drama (DE-588)4012899-4 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4012899-4 (DE-588)4116433-7 (DE-588)4078704-7 |
| title | Resistance, parody, and double consciousness in African American theatre 1895 - 1910 |
| title_auth | Resistance, parody, and double consciousness in African American theatre 1895 - 1910 |
| title_exact_search | Resistance, parody, and double consciousness in African American theatre 1895 - 1910 |
| title_full | Resistance, parody, and double consciousness in African American theatre 1895 - 1910 David Krasner |
| title_fullStr | Resistance, parody, and double consciousness in African American theatre 1895 - 1910 David Krasner |
| title_full_unstemmed | Resistance, parody, and double consciousness in African American theatre 1895 - 1910 David Krasner |
| title_short | Resistance, parody, and double consciousness in African American theatre |
| title_sort | resistance parody and double consciousness in african american theatre 1895 1910 |
| title_sub | 1895 - 1910 |
| topic | Drama swd Théâtre américain - Auteurs noirs américains - Histoire et critique Théâtre noir américain - Histoire - 19e siècle Théâtre noir américain - Histoire - 20e siècle Geschichte Schwarze. USA African American theater History 19th century African American theater History 20th century African Americans in literature African Americans Intellectual life 19th century African Americans Intellectual life 20th century American drama African American authors History and criticism Theater (DE-588)4059702-7 gnd Drama (DE-588)4012899-4 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Drama Théâtre américain - Auteurs noirs américains - Histoire et critique Théâtre noir américain - Histoire - 19e siècle Théâtre noir américain - Histoire - 20e siècle Geschichte Schwarze. USA African American theater History 19th century African American theater History 20th century African Americans in literature African Americans Intellectual life 19th century African Americans Intellectual life 20th century American drama African American authors History and criticism Theater Schwarze USA |
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