The myth of creation: a puppet show in three acts
The Myth of Creation [Afsaneh-ye Afarinesh] is one of the earliest works by Iran's best-known twentieth-century writer, Sadeq Hedayat, whose popularity outside Iran is due mostly to his short novel, The Blind Owl. Little has been written in critical literature about this work, perhaps because c...
Gespeichert in:
1. Verfasser: | |
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Weitere Verfasser: | , |
Format: | Buch |
Sprache: | English Persian |
Veröffentlicht: |
Costa Mesa, California
Mazda Publishers
1998
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Schriftenreihe: | Bibliotheca Iranica. Performing arts series
no. 4 |
Schlagworte: | |
Zusammenfassung: | The Myth of Creation [Afsaneh-ye Afarinesh] is one of the earliest works by Iran's best-known twentieth-century writer, Sadeq Hedayat, whose popularity outside Iran is due mostly to his short novel, The Blind Owl. Little has been written in critical literature about this work, perhaps because critics find the subject matter too sensitive for its generally Jewish, Christian and Moslem audiences Given the general plot line of this story, Hedayat demonstrates an open skepticism towards the three major Middle Eastern religions, particularly Islam, by casting the characters of his story in the form of puppets. This suggests that even the "creator," as perceived by these three religions, is a mere puppet controlled by unseen hands |
Beschreibung: | viii, 54 Seiten Illustrationen |
ISBN: | 1568590660 |
Internformat
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240 | 1 | 0 | |a Afsāna-i āfarinaš |
245 | 1 | 0 | |a The myth of creation |b a puppet show in three acts |c Sadeq Hedayat ; translated from the Persian by M.R. Ghanoonparvar ; illustrated by Kaya Behkalam |
246 | 1 | 0 | |a Afsānah-i āfarīnish |
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300 | |a viii, 54 Seiten |b Illustrationen | ||
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490 | 1 | |a Bibliotheca Iranica. Performing arts series |v no. 4 | |
520 | 3 | |a The Myth of Creation [Afsaneh-ye Afarinesh] is one of the earliest works by Iran's best-known twentieth-century writer, Sadeq Hedayat, whose popularity outside Iran is due mostly to his short novel, The Blind Owl. Little has been written in critical literature about this work, perhaps because critics find the subject matter too sensitive for its generally Jewish, Christian and Moslem audiences | |
520 | |a Given the general plot line of this story, Hedayat demonstrates an open skepticism towards the three major Middle Eastern religions, particularly Islam, by casting the characters of his story in the form of puppets. This suggests that even the "creator," as perceived by these three religions, is a mere puppet controlled by unseen hands | ||
650 | 4 | |a Puppet plays, Persian |v Translations into English | |
700 | 1 | |a Ghanoonparvar, Mohammad Reza |d 1943- |0 (DE-588)1055756264 |4 trl | |
700 | 1 | |a Behkalam, Kaya |d 1978- |0 (DE-588)1165179369 |4 ill | |
830 | 0 | |a Bibliotheca Iranica. Performing arts series |v no. 4 |w (DE-604)BV011398043 |9 4 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-008189848 |
Datensatz im Suchindex
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any_adam_object | |
author | Hidāyat, Ṣādiq 1903-1951 |
author2 | Ghanoonparvar, Mohammad Reza 1943- Behkalam, Kaya 1978- |
author2_role | trl ill |
author2_variant | m r g mr mrg k b kb |
author_GND | (DE-588)118547585 (DE-588)1055756264 (DE-588)1165179369 |
author_facet | Hidāyat, Ṣādiq 1903-1951 Ghanoonparvar, Mohammad Reza 1943- Behkalam, Kaya 1978- |
author_role | aut |
author_sort | Hidāyat, Ṣādiq 1903-1951 |
author_variant | ṣ h ṣh |
building | Verbundindex |
bvnumber | BV012093038 |
callnumber-first | P - Language and Literature |
callnumber-label | PK6561 |
callnumber-raw | PK6561.H43 |
callnumber-search | PK6561.H43 |
callnumber-sort | PK 46561 H43 |
callnumber-subject | PK - Indo-Iranian |
classification_rvk | EV 6768 |
ctrlnum | (OCoLC)40073988 (DE-599)BVBBV012093038 |
dewey-full | 891/.5533 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 891 - East Indo-European and Celtic literatures |
dewey-raw | 891/.5533 |
dewey-search | 891/.5533 |
dewey-sort | 3891 45533 |
dewey-tens | 890 - Literatures of other languages |
discipline | Indoiranistik Literaturwissenschaft |
format | Book |
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id | DE-604.BV012093038 |
illustrated | Illustrated |
indexdate | 2024-07-09T18:21:36Z |
institution | BVB |
isbn | 1568590660 |
language | English Persian |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-008189848 |
oclc_num | 40073988 |
open_access_boolean | |
owner | DE-473 DE-BY-UBG DE-188 |
owner_facet | DE-473 DE-BY-UBG DE-188 |
physical | viii, 54 Seiten Illustrationen |
publishDate | 1998 |
publishDateSearch | 1998 |
publishDateSort | 1998 |
publisher | Mazda Publishers |
record_format | marc |
series | Bibliotheca Iranica. Performing arts series |
series2 | Bibliotheca Iranica. Performing arts series |
spelling | Hidāyat, Ṣādiq 1903-1951 Verfasser (DE-588)118547585 aut Afsāna-i āfarinaš The myth of creation a puppet show in three acts Sadeq Hedayat ; translated from the Persian by M.R. Ghanoonparvar ; illustrated by Kaya Behkalam Afsānah-i āfarīnish Costa Mesa, California Mazda Publishers 1998 viii, 54 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Bibliotheca Iranica. Performing arts series no. 4 The Myth of Creation [Afsaneh-ye Afarinesh] is one of the earliest works by Iran's best-known twentieth-century writer, Sadeq Hedayat, whose popularity outside Iran is due mostly to his short novel, The Blind Owl. Little has been written in critical literature about this work, perhaps because critics find the subject matter too sensitive for its generally Jewish, Christian and Moslem audiences Given the general plot line of this story, Hedayat demonstrates an open skepticism towards the three major Middle Eastern religions, particularly Islam, by casting the characters of his story in the form of puppets. This suggests that even the "creator," as perceived by these three religions, is a mere puppet controlled by unseen hands Puppet plays, Persian Translations into English Ghanoonparvar, Mohammad Reza 1943- (DE-588)1055756264 trl Behkalam, Kaya 1978- (DE-588)1165179369 ill Bibliotheca Iranica. Performing arts series no. 4 (DE-604)BV011398043 4 |
spellingShingle | Hidāyat, Ṣādiq 1903-1951 The myth of creation a puppet show in three acts Bibliotheca Iranica. Performing arts series Puppet plays, Persian Translations into English |
title | The myth of creation a puppet show in three acts |
title_alt | Afsāna-i āfarinaš Afsānah-i āfarīnish |
title_auth | The myth of creation a puppet show in three acts |
title_exact_search | The myth of creation a puppet show in three acts |
title_full | The myth of creation a puppet show in three acts Sadeq Hedayat ; translated from the Persian by M.R. Ghanoonparvar ; illustrated by Kaya Behkalam |
title_fullStr | The myth of creation a puppet show in three acts Sadeq Hedayat ; translated from the Persian by M.R. Ghanoonparvar ; illustrated by Kaya Behkalam |
title_full_unstemmed | The myth of creation a puppet show in three acts Sadeq Hedayat ; translated from the Persian by M.R. Ghanoonparvar ; illustrated by Kaya Behkalam |
title_short | The myth of creation |
title_sort | the myth of creation a puppet show in three acts |
title_sub | a puppet show in three acts |
topic | Puppet plays, Persian Translations into English |
topic_facet | Puppet plays, Persian Translations into English |
volume_link | (DE-604)BV011398043 |
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