Lyric wonder: rhetoric and wit in Renaissance English poetry
James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Ithaca [u.a.]
Cornell Univ. Pr.
1997
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Rhetoric & society
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wondercabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the "admirable" style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event. |
Beschreibung: | X, 226 S. |
ISBN: | 0801433134 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV011480356 | ||
003 | DE-604 | ||
005 | 19990421 | ||
007 | t | ||
008 | 970812s1997 |||| 00||| eng d | ||
020 | |a 0801433134 |9 0-8014-3313-4 | ||
035 | |a (OCoLC)35650925 | ||
035 | |a (DE-599)BVBBV011480356 | ||
040 | |a DE-604 |b ger |e rakddb | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-20 |a DE-384 |a DE-355 |a DE-473 |a DE-188 | ||
050 | 0 | |a PR411 | |
082 | 0 | |a 811/.309 |2 20 | |
084 | |a HI 1249 |0 (DE-625)49804: |2 rvk | ||
100 | 1 | |a Biester, James |e Verfasser |4 aut | |
245 | 1 | 0 | |a Lyric wonder |b rhetoric and wit in Renaissance English poetry |c James Biester |
250 | |a 1. publ. | ||
264 | 1 | |a Ithaca [u.a.] |b Cornell Univ. Pr. |c 1997 | |
300 | |a X, 226 S. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Rhetoric & society | |
520 | 3 | |a James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wondercabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the "admirable" style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event. | |
648 | 7 | |a Geschichte 1550-1700 |2 gnd |9 rswk-swf | |
648 | 7 | |a Geschichte 1500-1600 |2 gnd |9 rswk-swf | |
650 | 4 | |a Anglais (Langue) - 1500-1700 (Moderne) - Rhétorique | |
650 | 7 | |a Anglais (langue) - 1500-1700 (moderne) - Rhétorique |2 ram | |
650 | 7 | |a Engels |2 gtt | |
650 | 7 | |a Gedichten |2 gtt | |
650 | 7 | |a Humor (grappigheden) |2 gtt | |
650 | 4 | |a Humour anglais - Histoire et critique | |
650 | 7 | |a Humour anglais - Histoire et critique |2 ram | |
650 | 4 | |a Poésie anglaise - 16e siècle - Histoire et critique | |
650 | 7 | |a Poésie anglaise - 16e siècle - Histoire et critique |2 ram | |
650 | 7 | |a Poésie anglaise - 17e siècle - Histoire et critique |2 ram | |
650 | 4 | |a Renaissance - Angleterre | |
650 | 7 | |a Renaissance |2 gtt | |
650 | 7 | |a Retorica |2 gtt | |
650 | 7 | |a Rhétorique - Histoire |2 ram | |
650 | 4 | |a Rhétorique de la Renaissance | |
650 | 4 | |a Englisch | |
650 | 4 | |a Lyrik | |
650 | 4 | |a Rhetorik | |
650 | 4 | |a English language |y Early modern, 1500-1700 |x Rhetoric | |
650 | 4 | |a English poetry |y Early modern, 1500-1700 |x History and criticism | |
650 | 4 | |a English wit and humor |x History and criticism | |
650 | 4 | |a Renaissance |z England | |
650 | 4 | |a Rhetoric, Renaissance | |
650 | 0 | 7 | |a Metaphysical poets |0 (DE-588)4169651-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Rhetorik |0 (DE-588)4076704-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Lyrik |0 (DE-588)4036774-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Renaissance |0 (DE-588)4049450-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Poetik |0 (DE-588)4046449-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Concetto |0 (DE-588)4272863-0 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 0 | 1 | |a Lyrik |0 (DE-588)4036774-5 |D s |
689 | 0 | 2 | |a Rhetorik |0 (DE-588)4076704-8 |D s |
689 | 0 | 3 | |a Geschichte 1550-1700 |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 1 | 1 | |a Lyrik |0 (DE-588)4036774-5 |D s |
689 | 1 | 2 | |a Concetto |0 (DE-588)4272863-0 |D s |
689 | 1 | 3 | |a Geschichte 1550-1700 |A z |
689 | 1 | |5 DE-604 | |
689 | 2 | 0 | |a Metaphysical poets |0 (DE-588)4169651-7 |D s |
689 | 2 | |5 DE-604 | |
689 | 3 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 3 | 1 | |a Lyrik |0 (DE-588)4036774-5 |D s |
689 | 3 | 2 | |a Rhetorik |0 (DE-588)4076704-8 |D s |
689 | 3 | 3 | |a Geschichte 1500-1600 |A z |
689 | 3 | |5 DE-604 | |
689 | 4 | 0 | |a Renaissance |0 (DE-588)4049450-0 |D s |
689 | 4 | 1 | |a Lyrik |0 (DE-588)4036774-5 |D s |
689 | 4 | 2 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 4 | 3 | |a Rhetorik |0 (DE-588)4076704-8 |D s |
689 | 4 | |5 DE-604 | |
689 | 5 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
689 | 5 | 1 | |a Poetik |0 (DE-588)4046449-0 |D s |
689 | 5 | 2 | |a Geschichte 1550-1700 |A z |
689 | 5 | |5 DE-604 | |
856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007723053&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-007723053 |
Datensatz im Suchindex
_version_ | 1804125998734639104 |
---|---|
adam_text | Lyric Wonder
Rhetoric and Wit in
Renaissance English Poetry
JAMES BIESTER
CORNELL UNIVERSITY PRESS
ITHACA AND LONDON
Contents
Foreword, by Wayne A Rebhom ix
Acknowledgments xi
Note on Transcriptions and Citations xii
Introduction i
1 Strange and Admirable Methods 23
2 The Most Dangerous Game: Wonder, Melancholy, 67
and Satire
3 Suspicious Boldness 94
4 Powerful Insinuations: Obscurity as Catalyst and Veil 128
5 Passing Wonder or Wonder Passing? 155
Bibliography 201
Index 221
|
any_adam_object | 1 |
author | Biester, James |
author_facet | Biester, James |
author_role | aut |
author_sort | Biester, James |
author_variant | j b jb |
building | Verbundindex |
bvnumber | BV011480356 |
callnumber-first | P - Language and Literature |
callnumber-label | PR411 |
callnumber-raw | PR411 |
callnumber-search | PR411 |
callnumber-sort | PR 3411 |
callnumber-subject | PR - English Literature |
classification_rvk | HI 1249 |
ctrlnum | (OCoLC)35650925 (DE-599)BVBBV011480356 |
dewey-full | 811/.309 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 811 - American poetry in English |
dewey-raw | 811/.309 |
dewey-search | 811/.309 |
dewey-sort | 3811 3309 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
edition | 1. publ. |
era | Geschichte 1550-1700 gnd Geschichte 1500-1600 gnd |
era_facet | Geschichte 1550-1700 Geschichte 1500-1600 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05316nam a2201033 c 4500</leader><controlfield tag="001">BV011480356</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">19990421 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">970812s1997 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0801433134</subfield><subfield code="9">0-8014-3313-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)35650925</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV011480356</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PR411</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">811/.309</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 1249</subfield><subfield code="0">(DE-625)49804:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Biester, James</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Lyric wonder</subfield><subfield code="b">rhetoric and wit in Renaissance English poetry</subfield><subfield code="c">James Biester</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ithaca [u.a.]</subfield><subfield code="b">Cornell Univ. Pr.</subfield><subfield code="c">1997</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">X, 226 S.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Rhetoric & society</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wondercabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the "admirable" style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1550-1700</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1500-1600</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Anglais (Langue) - 1500-1700 (Moderne) - Rhétorique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Anglais (langue) - 1500-1700 (moderne) - Rhétorique</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Engels</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Gedichten</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Humor (grappigheden)</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Humour anglais - Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Humour anglais - Histoire et critique</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Poésie anglaise - 16e siècle - Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Poésie anglaise - 16e siècle - Histoire et critique</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Poésie anglaise - 17e siècle - Histoire et critique</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Renaissance - Angleterre</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Renaissance</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Retorica</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Rhétorique - Histoire</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Rhétorique de la Renaissance</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Englisch</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Lyrik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Rhetorik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English language</subfield><subfield code="y">Early modern, 1500-1700</subfield><subfield code="x">Rhetoric</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English poetry</subfield><subfield code="y">Early modern, 1500-1700</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English wit and humor</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Renaissance</subfield><subfield code="z">England</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Rhetoric, Renaissance</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Metaphysical poets</subfield><subfield code="0">(DE-588)4169651-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rhetorik</subfield><subfield code="0">(DE-588)4076704-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Renaissance</subfield><subfield code="0">(DE-588)4049450-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Poetik</subfield><subfield code="0">(DE-588)4046449-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Concetto</subfield><subfield code="0">(DE-588)4272863-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Rhetorik</subfield><subfield code="0">(DE-588)4076704-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1550-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Concetto</subfield><subfield code="0">(DE-588)4272863-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte 1550-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Metaphysical poets</subfield><subfield code="0">(DE-588)4169651-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="2"><subfield code="a">Rhetorik</subfield><subfield code="0">(DE-588)4076704-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="3"><subfield code="a">Geschichte 1500-1600</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="4" ind2="0"><subfield code="a">Renaissance</subfield><subfield code="0">(DE-588)4049450-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="1"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="2"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="3"><subfield code="a">Rhetorik</subfield><subfield code="0">(DE-588)4076704-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="5" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="1"><subfield code="a">Poetik</subfield><subfield code="0">(DE-588)4046449-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="2"><subfield code="a">Geschichte 1550-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="5" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007723053&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-007723053</subfield></datafield></record></collection> |
id | DE-604.BV011480356 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T18:10:28Z |
institution | BVB |
isbn | 0801433134 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007723053 |
oclc_num | 35650925 |
open_access_boolean | |
owner | DE-12 DE-20 DE-384 DE-355 DE-BY-UBR DE-473 DE-BY-UBG DE-188 |
owner_facet | DE-12 DE-20 DE-384 DE-355 DE-BY-UBR DE-473 DE-BY-UBG DE-188 |
physical | X, 226 S. |
publishDate | 1997 |
publishDateSearch | 1997 |
publishDateSort | 1997 |
publisher | Cornell Univ. Pr. |
record_format | marc |
series2 | Rhetoric & society |
spelling | Biester, James Verfasser aut Lyric wonder rhetoric and wit in Renaissance English poetry James Biester 1. publ. Ithaca [u.a.] Cornell Univ. Pr. 1997 X, 226 S. txt rdacontent n rdamedia nc rdacarrier Rhetoric & society James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wondercabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the "admirable" style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event. Geschichte 1550-1700 gnd rswk-swf Geschichte 1500-1600 gnd rswk-swf Anglais (Langue) - 1500-1700 (Moderne) - Rhétorique Anglais (langue) - 1500-1700 (moderne) - Rhétorique ram Engels gtt Gedichten gtt Humor (grappigheden) gtt Humour anglais - Histoire et critique Humour anglais - Histoire et critique ram Poésie anglaise - 16e siècle - Histoire et critique Poésie anglaise - 16e siècle - Histoire et critique ram Poésie anglaise - 17e siècle - Histoire et critique ram Renaissance - Angleterre Renaissance gtt Retorica gtt Rhétorique - Histoire ram Rhétorique de la Renaissance Englisch Lyrik Rhetorik English language Early modern, 1500-1700 Rhetoric English poetry Early modern, 1500-1700 History and criticism English wit and humor History and criticism Renaissance England Rhetoric, Renaissance Metaphysical poets (DE-588)4169651-7 gnd rswk-swf Rhetorik (DE-588)4076704-8 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Poetik (DE-588)4046449-0 gnd rswk-swf Concetto (DE-588)4272863-0 gnd rswk-swf Englisch (DE-588)4014777-0 s Lyrik (DE-588)4036774-5 s Rhetorik (DE-588)4076704-8 s Geschichte 1550-1700 z DE-604 Concetto (DE-588)4272863-0 s Metaphysical poets (DE-588)4169651-7 s Geschichte 1500-1600 z Renaissance (DE-588)4049450-0 s Poetik (DE-588)4046449-0 s HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007723053&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Biester, James Lyric wonder rhetoric and wit in Renaissance English poetry Anglais (Langue) - 1500-1700 (Moderne) - Rhétorique Anglais (langue) - 1500-1700 (moderne) - Rhétorique ram Engels gtt Gedichten gtt Humor (grappigheden) gtt Humour anglais - Histoire et critique Humour anglais - Histoire et critique ram Poésie anglaise - 16e siècle - Histoire et critique Poésie anglaise - 16e siècle - Histoire et critique ram Poésie anglaise - 17e siècle - Histoire et critique ram Renaissance - Angleterre Renaissance gtt Retorica gtt Rhétorique - Histoire ram Rhétorique de la Renaissance Englisch Lyrik Rhetorik English language Early modern, 1500-1700 Rhetoric English poetry Early modern, 1500-1700 History and criticism English wit and humor History and criticism Renaissance England Rhetoric, Renaissance Metaphysical poets (DE-588)4169651-7 gnd Rhetorik (DE-588)4076704-8 gnd Lyrik (DE-588)4036774-5 gnd Renaissance (DE-588)4049450-0 gnd Englisch (DE-588)4014777-0 gnd Poetik (DE-588)4046449-0 gnd Concetto (DE-588)4272863-0 gnd |
subject_GND | (DE-588)4169651-7 (DE-588)4076704-8 (DE-588)4036774-5 (DE-588)4049450-0 (DE-588)4014777-0 (DE-588)4046449-0 (DE-588)4272863-0 |
title | Lyric wonder rhetoric and wit in Renaissance English poetry |
title_auth | Lyric wonder rhetoric and wit in Renaissance English poetry |
title_exact_search | Lyric wonder rhetoric and wit in Renaissance English poetry |
title_full | Lyric wonder rhetoric and wit in Renaissance English poetry James Biester |
title_fullStr | Lyric wonder rhetoric and wit in Renaissance English poetry James Biester |
title_full_unstemmed | Lyric wonder rhetoric and wit in Renaissance English poetry James Biester |
title_short | Lyric wonder |
title_sort | lyric wonder rhetoric and wit in renaissance english poetry |
title_sub | rhetoric and wit in Renaissance English poetry |
topic | Anglais (Langue) - 1500-1700 (Moderne) - Rhétorique Anglais (langue) - 1500-1700 (moderne) - Rhétorique ram Engels gtt Gedichten gtt Humor (grappigheden) gtt Humour anglais - Histoire et critique Humour anglais - Histoire et critique ram Poésie anglaise - 16e siècle - Histoire et critique Poésie anglaise - 16e siècle - Histoire et critique ram Poésie anglaise - 17e siècle - Histoire et critique ram Renaissance - Angleterre Renaissance gtt Retorica gtt Rhétorique - Histoire ram Rhétorique de la Renaissance Englisch Lyrik Rhetorik English language Early modern, 1500-1700 Rhetoric English poetry Early modern, 1500-1700 History and criticism English wit and humor History and criticism Renaissance England Rhetoric, Renaissance Metaphysical poets (DE-588)4169651-7 gnd Rhetorik (DE-588)4076704-8 gnd Lyrik (DE-588)4036774-5 gnd Renaissance (DE-588)4049450-0 gnd Englisch (DE-588)4014777-0 gnd Poetik (DE-588)4046449-0 gnd Concetto (DE-588)4272863-0 gnd |
topic_facet | Anglais (Langue) - 1500-1700 (Moderne) - Rhétorique Anglais (langue) - 1500-1700 (moderne) - Rhétorique Engels Gedichten Humor (grappigheden) Humour anglais - Histoire et critique Poésie anglaise - 16e siècle - Histoire et critique Poésie anglaise - 17e siècle - Histoire et critique Renaissance - Angleterre Renaissance Retorica Rhétorique - Histoire Rhétorique de la Renaissance Englisch Lyrik Rhetorik English language Early modern, 1500-1700 Rhetoric English poetry Early modern, 1500-1700 History and criticism English wit and humor History and criticism Renaissance England Rhetoric, Renaissance Metaphysical poets Poetik Concetto |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007723053&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT biesterjames lyricwonderrhetoricandwitinrenaissanceenglishpoetry |