A history of Scandinavian theatre:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
1996
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XV, 384 S. Ill. |
| ISBN: | 0521392373 |
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Datensatz im Suchindex
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| adam_text | Contents
List of illustrations page ix
Preface xiii
I FROM THE MIDDLE AGES TO A GOLDEN AGE
1 Early stages 3
Miracles and morality 6
Shrovetide farces 75
Humanist theatre 18
2 Theatre at court 29
Ballets de cour 31
Royal troupes and strollers 40
French influences 44
3 Playhouses oftheeighteenth Century 50
The first vernacular theatre 50
Holberg s theatricality 54
Theatres royal and populär 61
A theatre built for a queen ji
The last court theatre 73
4 The Gustavian age 76
The second decade 85
The founding of Dramaten 92
5 The romantic theatre and its aftermath 96
From gothic to romantic 97
The Heiberg years 110
The rise of the director 122
vii
II PIONEERS OF MODERN AND POSTMODERN
THEATRE
6 Ibsen s Norway 131
Theatre and the nationalist cause 137
Ibsen s early years 142
7 Naturalism and the director 162
The Bloch generation 168
At the Century s turn 187
8 The Strindberg challenge 193
In search of a form 194
Toward a new theatre 204
The Intima experiment 216
9 The modernist revolt 224
Director s theatre 227
The second transition 242
Modernism reviled and revivified 248
Three new voices 262
10 Tradition and experiment since 1945 269
An actor s theatre 280
New stages for old 292
Theatresof revolt 302
Playwriting in transition 310
11 The plurality of postmodern theatre 318
A theatre of alternatives 328
Notes 343
Sehet bibliography 357
Index 368
Illustrations
1 Medieval fool leads the procession to Golgotha. Fresco in Bellinge
Church, Odense (1496). Courtesy of Nationalmuseet, Copenhagen page 7
2 Medieval hell mouth. Fresco in Tybjerg Church, near Prxste (c. 1450).
Courtesy of Nationalmuseet, Copenhagen page 8
3 Christ s harrowing of hell. Fresco in Vallensbsek Church, near Copenhagen
(1450 75). Courtesy of Nationalmuseet, Copenhagen page 9
4 Medieval elevated paradise. Fresco in Tybjerg Church (c. 1450). Courtesy
of Nationalmuseet, Copenhagen page 10
5 A devil snatches a soul. Fresco in Sseby Church, jutland. Courtesy of
Nationalmuseet, Copenhagen page 11
6 Simultaneous staging in The Tragedy ofthe Vtrtues and the Vices
(Copenhagen, 1634). Courtesy of Det Kongelige Bibliotek, Copenhagen
page 16
7 Sketch ofCalumnia, from Hegelund s Susanna (published 1578) page 25
8 Triumphal arch in the coronation procession of Christian IV in 1596
page 31
9 Painting by Wolfgang Heimbach of Queen Sophie Amalie in
Unterschiedliche Oracula (1655). Courtesy of Rosenborg Slot, Copenhagen
page 38
10 A formal hall: Berain d Olivet design for Charles XII s French troupe
in Stockholm, 1699. Courtesy of Nationalmuseum, Stockholm page 45
11 Berain d Olivet design for a street setting (1699). Courtesy of
Nationalmuseum, Stockholm page 45
12 Berain d Olivet design for a basic tragedy decor (1699). Courtesy of
Nationalmuseum, Stockholm page 46
13 Projected design by Jacopo Fabris for a great hall, reconstructed from his
manuscript (1760) by Harald Langberg page 67
14 Elisabeth Caroline Amalie Bettger in Colardeau s Caliste(1765), sketched
by the designer Peter Cramer. Courtesy of Det Kongelige Bibliotek,
Copenhagen page 70
15 Painting by Pehr Hilleström of a scene from Orpheus and Eurydice
(Swedish Royal Opera, 1773). Courtesy of Kungliga teatern, Stockholm
page 79
ix
16 Photograph of a Carlo Bibiena setting for a Gustavian opera (c. 1774).
Courtesy of Drottningholms Teatermuseum page 81
17 Painting by Hilleström of a scene from Gluck s Alceste(1781). Courtesy of
Drottningholms Teatermuseum page 82
18 Painting by Hilleström of a scene from Marmontel and Piccini s Roland
(1781). Courtesy of Drottningholms Teatermuseum page 83
19 Painting by Hilleström of a scene from Marmontel and Gretry s Zimireet
Azor(ijy8). Courtesy of Drottningholms Teatermuseum page 84
20 Painting by Hilleström of the Gustavian pageant, The Conquest ofthe Caltar
Rock (1779). Courtesy of Drottningholms Teatermuseum page 85
21 Painting by Hilleström of a scene from Helmfeh, by Gustav III. Courtesy of
Drottningholms Teatermuseum page 88
22 Design by Louis Jean Desprez for Kellgren s Queen Christina (1785).
Courtesy of Drottningholms Teatermuseum page 89
23 Design by Desprez for Kellgren s Gustav Wasa (1786). Courtesy of
Nationalmuseum, Stockholm page 91
24 Painting by Peter Cramer ofthe final tableau in Ewalds TheDeath ofBalder
(1779). Courtesy ofTeatermuseet, Copenhagen page 98
25 Design by Thomas Bruun for Samsee s Dyveke(ijg6). Courtesy of Det
Kongelige Teaters Bibliotek, Copenhagen page 101
26 Undated design by Aron Wallich for a gothic dungeon. Courtesy of Det
Kongelige Teaters Bibliotek page 109
27 Design project by Troels Lund for a great hall (1828). Courtesy of
Teatermuseet, Copenhagen page 110
28 Working design by C. F. Christensen for his backdrop in Bournonville s
ballet The Festival in Albano (1839). Courtesy of Det Kongelige Teaters
Bibliotek page m
29 Pencil drawing by Edvard Lehmann of Phister and Fru Heiberg in No
(1836). Courtesy ofTeatermuseet, Copenhagen page 114
30 Engraving by C. Bruun of Johanne Luise Heiberg as Fenella in La Muette de
Porr/c; (1830). Courtesy ofTeatermuseet, Copenhagen page 118
31 Design by P. F. Wergmann for Andreas Munch s DukeSkule(1863).
Courtesy of Det Kongelige Teaters Bibliotek, Copenhagen page 135
32 Sketch by Wergmann of a log house inferior, presumably for Bjornson s
Between the Battles (Christiania Theatre, 1857). Courtesy of Det Kongelige
Teaters Bibliotek, Copenhagen page 138
33 Costume designs by Henrik Ibsen for Olaf Liljekrans (1857). Courtesy of
Universitetsbiblioteket, Oslo pages 152, 153
34 Design by P. F. Wergmann for Ibsen s ThePretenders (Christiania
Theatre, 1864). Courtesy of Det Kongelige Teaters Bibliotek, Copenhagen
page 155
35 From the world premiere of Ibsen s Peer Gynt (1876): heliotype in Ny
Illustrem Tidende. Courtesy of Universitetsbiblioteket, Oslo page 160
36 Studio photograph of the world premiere of A Doll sHouse(i8jg). Courtesy
of Teatermuseet, Copenhagen pdge 166
37 The Ekdal Studio: design by Valdemar Gyllich for The Wild Duck (Danish
Royal Theatre, 1885). Courtesy of Det Kongelige Teaters Bibliotek,
Copenhagen pdge 178
38 Design by Gyllich for the interior loft in The Wild Duck (1885). Courtesy
of Teatermuseet, Copenhagen pdge 179
39 Preliminary design sketch by Jens Wang for When We Dead Awdken
(Nationaltheatret, 1900). Courtesy of Universitetsbiblioteket, Oslo
pdge 186
40 Photograph of the setting for Bloch s production of Holberg s The
Lying in Room (1904). Courtesy of Det Kongelige Bibliotek, Copenhagen
pdge 190
41 Photograph of the setting for William Bloch s production of Holberg s
Jeppe on the Hill, Danish Royal Theatre, 1903. Courtesy of Det Kongelige
Bibliotek, Copenhagen pdge 191
42 Photograph of the Asylutn scene in the world premiere of Strindberg s To
Ddmdscusi (Dramaten, 1900). Courtesy of Drottningholms Teatermuseum
pdge 209
43 By the sea: photograph from the 1900 production of To Ddmdscus 1.
Courtesy of Drottningholms Teatermuseum pdge 210
44 By the sea: Ingmar Bergman s production of To Ddmdscus i ll, Dramaten,
1974. Photograph by Beata Bergström pdge 211
45 The Growing Castle: design by Carl Grabow for the world premiere of
A Dredm Pldy (Svenska teatern, 1907). Courtesy of Drottningholms
Teatermuseum pdge 212
46 Design by Grabow for the Theatre Corridor in A Dredm Pldy (1907).
Courtesy of Drottningholms Teatermuseum pdge 213
47 Design by Svend Gade for A Dredm Pldy (Lorensberg Theatre, Gothenburg,
1916). Courtesy of Drottningholms Teatermuseum pdge 232
48 Design by Knut Ström for Shakespeare s Romeo dndjuliet (Lorensberg
Theatre, 1922). Courtesy of Drottningholms Teatermuseum pdge 234
49 Design by Ström for Strindberg s The Sdga ofthe Folkungs (Lorensberg
Theatre, 1920). Courtesy of Drottningholms Teatermuseum pdge 235
50 Design by Isaac Grünewald for Sdmson andDelildh, act 1 (Royal Swedish
Opera, 1921). Courtesy of Drottningholms Teatermuseum pdge 239
51 Design by Grünewald for Sdmson and Delildh, act 2. Courtesy of
Drottningholms Teatermuseum pdge 240
52 Design by Grünewald for Samson and Delildh, act 3. Courtesy of
Drottningholms Teatermuseum pdge 240
53 Design by John Jon And for Racine s Phedre (Dramaten, 1927). Courtesy of
Drottningholms Teatermuseum pdge 244
54 Design by Edward Gordon Craig for the opening scene of Ibsen s The
Pretenders(Danish Royal Theatre, 1926). From Craig, A Production, Oxford
University Press page 251
55 Stage settings by Sven Erik Skawonius for A Dream Play (Dramaten, 1935).
Courtesyof Kungliga dramatiska teaterns arkiv och bibliotek page 255
56 Projection design by Grünewald for A Dream Play (Fairhaven), Dramaten,
1935. Courtesy of Drottningholms Teatermuseum page 256
57 Stage setting by Arne Walentin for A Dream Play (the Cathedral), Oslo,
1965. Photograph courtesy of Det Norske Teatret page 260
58 Design by Sven Erixson for Shakespeares Richard HI (Dramaten, 1947).
Courtesy of Drottningholms Teatermuseum page 272
59 Scene 2 in Alf Sjöberg s production of Brechts Galileo, Dramaten, 1974.
Photograph by Beata Bergström page 278
60 Scene 3 in Alf Sjöberg s production of Galileo. Photograph by Beata
Bergström page 279
61 Stage setting by Marik Vos for Strindberg s The Ghost Sonatd, scene 1
(Dramaten, 1973). Photograph by Beata Bergström page 285
62 Stage setting by Mago for the Bergman production of Ibsen s Hedda Gabler
(Dramaten, 1964). Photograph by Beata Bergström page 288
63 Scene from Bergman s production of The Wild Duck (Dramaten, 1972).
Photograph by Beata Bergström page 288
64 Stage setting by Oliver Messel for Sheridan s The School for Scandal(New
Theatre, Copenhagen, 1958). Photograph byMydtskov page 294
65 Settings by Walentin for Ibsen s PeerGynt(Det Norske Teatret, 1948).
Courtesy of Universitetsbiblioteket, Oslo page 296
66 Setting by Walentin for Brecht s The Caucasian Chalk Circle (Det Norske
Teatret, 1962). Photograph courtesy of Det Norske Teatret page 298
67 Design by Helge Refn for Abell s Daysona Cloud(Danish Royal Theatre,
1947). Courtesy ofTeatermuseet, Copenhagen page 311
68 Design by Erik Nordgreen for Abell s The Blue Pekinese (Danish Royal
Theatre, 1954). Courtesy of Bodil Kjer and the designer page 312
69 Scene from LongDay sjourney intoNight, directed by Ingmar Bergman,
1988. Photograph by Bengt Wanselius page 325
70 Scene from Mourning Becomes Electra, directed by Jan Maagaard, 1991.
Photograph courtesy of Rigmor Mydtskov page 331
71 Scene from The Threepenny Opera, directed by Peter Langdal, 1988.
Photograph by Bengt Wanselius page 333
72 Scene from The Dance ofDeath, directed by Lars Noren, 1993. Photograph
by Bengt Wanselius page 337
73 Scene from The Winters Tale, directed by Ingmar Bergman, 1994.
Photograph by Bengt Wanselius page 338
|
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| author | Marker, Frederick J. Marker, Lise-Lone |
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| discipline | Allgemeines Germanistik / Niederlandistik / Skandinavistik |
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| spelling | Marker, Frederick J. Verfasser aut A history of Scandinavian theatre Frederick J. Marker ; Lise-Lone Marker 1. publ. Cambridge [u.a.] Cambridge Univ. Press 1996 XV, 384 S. Ill. txt rdacontent n rdamedia nc rdacarrier Toneel gtt Geschichte Theater Theater Scandinavia History Theater (DE-588)4059702-7 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Skandinavien Dänemark (DE-588)4010877-6 gnd rswk-swf Skandinavien (DE-588)4055209-3 gnd rswk-swf Skandinavien (DE-588)4055209-3 g Theater (DE-588)4059702-7 s Geschichte (DE-588)4020517-4 s DE-604 Dänemark (DE-588)4010877-6 g Marker, Lise-Lone Verfasser aut HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007506533&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Marker, Frederick J. Marker, Lise-Lone A history of Scandinavian theatre Toneel gtt Geschichte Theater Theater Scandinavia History Theater (DE-588)4059702-7 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4020517-4 (DE-588)4010877-6 (DE-588)4055209-3 |
| title | A history of Scandinavian theatre |
| title_auth | A history of Scandinavian theatre |
| title_exact_search | A history of Scandinavian theatre |
| title_full | A history of Scandinavian theatre Frederick J. Marker ; Lise-Lone Marker |
| title_fullStr | A history of Scandinavian theatre Frederick J. Marker ; Lise-Lone Marker |
| title_full_unstemmed | A history of Scandinavian theatre Frederick J. Marker ; Lise-Lone Marker |
| title_short | A history of Scandinavian theatre |
| title_sort | a history of scandinavian theatre |
| topic | Toneel gtt Geschichte Theater Theater Scandinavia History Theater (DE-588)4059702-7 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Toneel Geschichte Theater Theater Scandinavia History Skandinavien Dänemark |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007506533&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT markerfrederickj ahistoryofscandinaviantheatre AT markerliselone ahistoryofscandinaviantheatre |