The Soviet photograph: 1924 - 1937
Tupitsyn challenges the view that the Soviet avant-garde peaked in the 1920s and was subsequently forced to conform with Bolshevik politics. Instead she asserts that photography during this period represented the last "great experiment" in the search for the most effective ways to connect...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven [u.a.]
Yale Univ. Press
1996
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Tupitsyn challenges the view that the Soviet avant-garde peaked in the 1920s and was subsequently forced to conform with Bolshevik politics. Instead she asserts that photography during this period represented the last "great experiment" in the search for the most effective ways to connect art, radical politics, and the masses. Investigating the means by which the new visual tools for disseminating revolutionary messages were adapted to the needs of Stalinist propaganda, Tupitsyn relates major examples of single-frame photography and photomontage to such events as the implementation of the New Economic Policy, Lenin's death, and Stalin's first and second Five-Year Plans, and to mounting censorship of the arts. She also establishes a link between the writings of critics and the development of photography and photomontage at this time. The book presents previously unpublished material from Klutsis's letters, Rodchenko's public lectures, Lissitzky's late writings on the mass media, and Kulagina's personal diaries, as well as many previously unknown photographs. |
| Beschreibung: | X, 198 S. zahlr. Ill. |
| ISBN: | 0300064500 |
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| 520 | 3 | |a Tupitsyn challenges the view that the Soviet avant-garde peaked in the 1920s and was subsequently forced to conform with Bolshevik politics. Instead she asserts that photography during this period represented the last "great experiment" in the search for the most effective ways to connect art, radical politics, and the masses. Investigating the means by which the new visual tools for disseminating revolutionary messages were adapted to the needs of Stalinist propaganda, Tupitsyn relates major examples of single-frame photography and photomontage to such events as the implementation of the New Economic Policy, Lenin's death, and Stalin's first and second Five-Year Plans, and to mounting censorship of the arts. She also establishes a link between the writings of critics and the development of photography and photomontage at this time. The book presents previously unpublished material from Klutsis's letters, Rodchenko's public lectures, Lissitzky's late writings on the mass media, and Kulagina's personal diaries, as well as many previously unknown photographs. | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1924-1937 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Communisme |2 gtt | |
| 650 | 7 | |a Fotografie |2 gtt | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Kommunismus | |
| 650 | 4 | |a Photography -- Soviet Union -- History -- 20th century | |
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Datensatz im Suchindex
| _version_ | 1804125662425907200 |
|---|---|
| adam_text | CONTENTS ACKNOWLEDGMENTS, IX INTRODUCTION, 1 ONE LENIN S DEATH AND THE
BIRTH OF POLITICAL PHOTOMONTAGE, 9 TWO THE PHOTOGRAPHER IN THE SERVICE
OF THE COLLECTIVE, 35 THREE PHOTO-STILL VERSUS PHOTO-PICTURE: THE
POLITICS OF (DE)FRAMING, 66 FOUR DEBATING THE PHOTOGRAPHIC IMAGE, 99
FIVE THE RESTRUCTURING OF A PHOTOGRAPHER, 1 27 NOTES, 175 INDEX, 191
|
| any_adam_object | 1 |
| author | Tupitsyn, Margarita 1955- |
| author_GND | (DE-588)172856922 |
| author_facet | Tupitsyn, Margarita 1955- |
| author_role | aut |
| author_sort | Tupitsyn, Margarita 1955- |
| author_variant | m t mt |
| building | Verbundindex |
| bvnumber | BV011168500 |
| callnumber-first | T - Technology |
| callnumber-label | TR85 |
| callnumber-raw | TR85.T87 1996 |
| callnumber-search | TR85.T87 1996 |
| callnumber-sort | TR 285 T87 41996 |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 94250 AP 99050 KK 1030 |
| ctrlnum | (OCoLC)33665224 (DE-599)BVBBV011168500 |
| dewey-full | 770/.947/0904220 770/.947/09042 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770/.947/09042 20 770/.947/09042 |
| dewey-search | 770/.947/09042 20 770/.947/09042 |
| dewey-sort | 3770 3947 49042 220 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines Slavistik |
| era | Geschichte 1900-2000 Geschichte 1924-1937 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1924-1937 |
| format | Book |
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| institution | BVB |
| isbn | 0300064500 |
| language | English |
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| spelling | Tupitsyn, Margarita 1955- Verfasser (DE-588)172856922 aut The Soviet photograph 1924 - 1937 Margarita Tupitsyn New Haven [u.a.] Yale Univ. Press 1996 X, 198 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Tupitsyn challenges the view that the Soviet avant-garde peaked in the 1920s and was subsequently forced to conform with Bolshevik politics. Instead she asserts that photography during this period represented the last "great experiment" in the search for the most effective ways to connect art, radical politics, and the masses. Investigating the means by which the new visual tools for disseminating revolutionary messages were adapted to the needs of Stalinist propaganda, Tupitsyn relates major examples of single-frame photography and photomontage to such events as the implementation of the New Economic Policy, Lenin's death, and Stalin's first and second Five-Year Plans, and to mounting censorship of the arts. She also establishes a link between the writings of critics and the development of photography and photomontage at this time. The book presents previously unpublished material from Klutsis's letters, Rodchenko's public lectures, Lissitzky's late writings on the mass media, and Kulagina's personal diaries, as well as many previously unknown photographs. Geschichte 1900-2000 Geschichte 1924-1937 gnd rswk-swf Communisme gtt Fotografie gtt Geschichte Kommunismus Photography -- Soviet Union -- History -- 20th century Art and state -- Soviet Union Fotografie (DE-588)4045895-7 gnd rswk-swf Sowjetunion Sowjetunion (DE-588)4077548-3 gnd rswk-swf Sowjetunion (DE-588)4077548-3 g Fotografie (DE-588)4045895-7 s Geschichte 1924-1937 z DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007487274&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tupitsyn, Margarita 1955- The Soviet photograph 1924 - 1937 Communisme gtt Fotografie gtt Geschichte Kommunismus Photography -- Soviet Union -- History -- 20th century Art and state -- Soviet Union Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)4045895-7 (DE-588)4077548-3 |
| title | The Soviet photograph 1924 - 1937 |
| title_auth | The Soviet photograph 1924 - 1937 |
| title_exact_search | The Soviet photograph 1924 - 1937 |
| title_full | The Soviet photograph 1924 - 1937 Margarita Tupitsyn |
| title_fullStr | The Soviet photograph 1924 - 1937 Margarita Tupitsyn |
| title_full_unstemmed | The Soviet photograph 1924 - 1937 Margarita Tupitsyn |
| title_short | The Soviet photograph |
| title_sort | the soviet photograph 1924 1937 |
| title_sub | 1924 - 1937 |
| topic | Communisme gtt Fotografie gtt Geschichte Kommunismus Photography -- Soviet Union -- History -- 20th century Art and state -- Soviet Union Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Communisme Fotografie Geschichte Kommunismus Photography -- Soviet Union -- History -- 20th century Art and state -- Soviet Union Sowjetunion |
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