The second practice of nineteenth century tonality:
Saved in:
| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Lincoln, Neb. [u.a.]
Univ. of Nebraska Press
1996
|
| Subjects: | |
| Item Description: | Introduction / William Kinderman -- 1. The origins and general principles of tonal pairing and directional tonality: Some early examples of tonal pairing: Schubert's "Meeres Stille" and "Der Wanderer" / Harald Krebs ; Chopin's alternatives to monotonality: a historical perspective / Jim Samson ; Directional tonality and intertextuality: Brahms's Quintet op. 88 and Chopin's Ballade op. 38 / Kevin Korsyn -- 2. The second practice of nineteenth-century tonality: an evolutionary perspective on nineteenth-century semitonal relations / Patrick McCreless ; The mind's chronology: narrative times and harmonic disruption in postromantic music / Christopher Lewis -- 3. Studies of works: Franz Liszt, Carl Friedrich Weitzmann, and the augmented triad / R. Larry Todd ; Dramatic recapitulation and tonal pairing in Wagner's Tristan und Isolde and Parsifal / William Kinderman ; Wolf's dissonant prolongations / John Williamson ; Tonal dualism in Bruckner's Eighth Symphony / William E. Benjamin. |
| Physical Description: | 279 S. Notenbeisp. |
| ISBN: | 0803227248 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV010994509 | ||
| 003 | DE-604 | ||
| 005 | 20130925 | ||
| 007 | t| | ||
| 008 | 961010s1996 xx gl|| |||| 00||| engod | ||
| 020 | |a 0803227248 |9 0-8032-2724-8 | ||
| 035 | |a (OCoLC)32348135 | ||
| 035 | |a (DE-599)BVBBV010994509 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-B170 | ||
| 050 | 0 | |a ML3811 | |
| 082 | 0 | |a 781.2/6/09034 |2 20 | |
| 084 | |a 9,2 |2 ssgn | ||
| 245 | 1 | 0 | |a The second practice of nineteenth century tonality |c ed. by William Kinderman and Harald Krebs |
| 264 | 1 | |a Lincoln, Neb. [u.a.] |b Univ. of Nebraska Press |c 1996 | |
| 300 | |a 279 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Introduction / William Kinderman -- 1. The origins and general principles of tonal pairing and directional tonality: Some early examples of tonal pairing: Schubert's "Meeres Stille" and "Der Wanderer" / Harald Krebs ; Chopin's alternatives to monotonality: a historical perspective / Jim Samson ; Directional tonality and intertextuality: Brahms's Quintet op. 88 and Chopin's Ballade op. 38 / Kevin Korsyn -- 2. The second practice of nineteenth-century tonality: an evolutionary perspective on nineteenth-century semitonal relations / Patrick McCreless ; The mind's chronology: narrative times and harmonic disruption in postromantic music / Christopher Lewis -- 3. Studies of works: Franz Liszt, Carl Friedrich Weitzmann, and the augmented triad / R. Larry Todd ; Dramatic recapitulation and tonal pairing in Wagner's Tristan und Isolde and Parsifal / William Kinderman ; Wolf's dissonant prolongations / John Williamson ; Tonal dualism in Bruckner's Eighth Symphony / William E. Benjamin. | ||
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1815-1900 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Musique - 19e siècle - Histoire et critique | |
| 650 | 7 | |a Muziek |2 gtt | |
| 650 | 7 | |a Tonaliteit |2 gtt | |
| 650 | 4 | |a Tonalité | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |y 19th century |x History and criticism | |
| 650 | 4 | |a Tonality | |
| 650 | 0 | 7 | |a Harmonik |0 (DE-588)4129030-6 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Harmonik |0 (DE-588)4129030-6 |D s |
| 689 | 0 | 1 | |a Geschichte 1815-1900 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Kinderman, William |d 1952- |0 (DE-588)140853243 |4 edt | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-007359281 | |
Record in the Search Index
| _version_ | 1822769526455926784 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Kinderman, William 1952- |
| author2_role | edt |
| author2_variant | w k wk |
| author_GND | (DE-588)140853243 |
| author_facet | Kinderman, William 1952- |
| building | Verbundindex |
| bvnumber | BV010994509 |
| callnumber-first | M - Music |
| callnumber-label | ML3811 |
| callnumber-raw | ML3811 |
| callnumber-search | ML3811 |
| callnumber-sort | ML 43811 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)32348135 (DE-599)BVBBV010994509 |
| dewey-full | 781.2/6/09034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.2/6/09034 |
| dewey-search | 781.2/6/09034 |
| dewey-sort | 3781.2 16 49034 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1800-1900 Geschichte 1815-1900 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1815-1900 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV010994509</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20130925</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">961010s1996 xx gl|| |||| 00||| engod</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0803227248</subfield><subfield code="9">0-8032-2724-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)32348135</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV010994509</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-B170</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3811</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.2/6/09034</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The second practice of nineteenth century tonality</subfield><subfield code="c">ed. by William Kinderman and Harald Krebs</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Lincoln, Neb. [u.a.]</subfield><subfield code="b">Univ. of Nebraska Press</subfield><subfield code="c">1996</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">279 S.</subfield><subfield code="b">Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction / William Kinderman -- 1. The origins and general principles of tonal pairing and directional tonality: Some early examples of tonal pairing: Schubert's "Meeres Stille" and "Der Wanderer" / Harald Krebs ; Chopin's alternatives to monotonality: a historical perspective / Jim Samson ; Directional tonality and intertextuality: Brahms's Quintet op. 88 and Chopin's Ballade op. 38 / Kevin Korsyn -- 2. The second practice of nineteenth-century tonality: an evolutionary perspective on nineteenth-century semitonal relations / Patrick McCreless ; The mind's chronology: narrative times and harmonic disruption in postromantic music / Christopher Lewis -- 3. Studies of works: Franz Liszt, Carl Friedrich Weitzmann, and the augmented triad / R. Larry Todd ; Dramatic recapitulation and tonal pairing in Wagner's Tristan und Isolde and Parsifal / William Kinderman ; Wolf's dissonant prolongations / John Williamson ; Tonal dualism in Bruckner's Eighth Symphony / William E. Benjamin.</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1815-1900</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musique - 19e siècle - Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Muziek</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Tonaliteit</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Tonalité</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="y">19th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Tonality</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Harmonik</subfield><subfield code="0">(DE-588)4129030-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Harmonik</subfield><subfield code="0">(DE-588)4129030-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1815-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kinderman, William</subfield><subfield code="d">1952-</subfield><subfield code="0">(DE-588)140853243</subfield><subfield code="4">edt</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-007359281</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV010994509 |
| illustrated | Illustrated |
| indexdate | 2025-01-31T13:01:21Z |
| institution | BVB |
| isbn | 0803227248 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007359281 |
| oclc_num | 32348135 |
| open_access_boolean | |
| owner | DE-12 DE-B170 |
| owner_facet | DE-12 DE-B170 |
| physical | 279 S. Notenbeisp. |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| publisher | Univ. of Nebraska Press |
| record_format | marc |
| spelling | The second practice of nineteenth century tonality ed. by William Kinderman and Harald Krebs Lincoln, Neb. [u.a.] Univ. of Nebraska Press 1996 279 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Introduction / William Kinderman -- 1. The origins and general principles of tonal pairing and directional tonality: Some early examples of tonal pairing: Schubert's "Meeres Stille" and "Der Wanderer" / Harald Krebs ; Chopin's alternatives to monotonality: a historical perspective / Jim Samson ; Directional tonality and intertextuality: Brahms's Quintet op. 88 and Chopin's Ballade op. 38 / Kevin Korsyn -- 2. The second practice of nineteenth-century tonality: an evolutionary perspective on nineteenth-century semitonal relations / Patrick McCreless ; The mind's chronology: narrative times and harmonic disruption in postromantic music / Christopher Lewis -- 3. Studies of works: Franz Liszt, Carl Friedrich Weitzmann, and the augmented triad / R. Larry Todd ; Dramatic recapitulation and tonal pairing in Wagner's Tristan und Isolde and Parsifal / William Kinderman ; Wolf's dissonant prolongations / John Williamson ; Tonal dualism in Bruckner's Eighth Symphony / William E. Benjamin. Geschichte 1800-1900 Geschichte 1815-1900 gnd rswk-swf Musique - 19e siècle - Histoire et critique Muziek gtt Tonaliteit gtt Tonalité Musik Music 19th century History and criticism Tonality Harmonik (DE-588)4129030-6 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Harmonik (DE-588)4129030-6 s Geschichte 1815-1900 z DE-604 Kinderman, William 1952- (DE-588)140853243 edt |
| spellingShingle | The second practice of nineteenth century tonality Musique - 19e siècle - Histoire et critique Muziek gtt Tonaliteit gtt Tonalité Musik Music 19th century History and criticism Tonality Harmonik (DE-588)4129030-6 gnd |
| subject_GND | (DE-588)4129030-6 (DE-588)4143413-4 |
| title | The second practice of nineteenth century tonality |
| title_auth | The second practice of nineteenth century tonality |
| title_exact_search | The second practice of nineteenth century tonality |
| title_full | The second practice of nineteenth century tonality ed. by William Kinderman and Harald Krebs |
| title_fullStr | The second practice of nineteenth century tonality ed. by William Kinderman and Harald Krebs |
| title_full_unstemmed | The second practice of nineteenth century tonality ed. by William Kinderman and Harald Krebs |
| title_short | The second practice of nineteenth century tonality |
| title_sort | the second practice of nineteenth century tonality |
| topic | Musique - 19e siècle - Histoire et critique Muziek gtt Tonaliteit gtt Tonalité Musik Music 19th century History and criticism Tonality Harmonik (DE-588)4129030-6 gnd |
| topic_facet | Musique - 19e siècle - Histoire et critique Muziek Tonaliteit Tonalité Musik Music 19th century History and criticism Tonality Harmonik Aufsatzsammlung |
| work_keys_str_mv | AT kindermanwilliam thesecondpracticeofnineteenthcenturytonality |