Studien zur Musik John McLaughlins:
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | German |
| Published: |
1992
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 204 S. Notenbeisp. |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV010888705 | ||
| 003 | DE-604 | ||
| 005 | 19980218 | ||
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| 008 | 960730s1992 gw gl|| m||| 00||| ger d | ||
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| 035 | |a (OCoLC)37715803 | ||
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| 049 | |a DE-384 |a DE-739 |a DE-29 |a DE-19 |a DE-12 |a DE-473 |a DE-355 |a DE-824 |a DE-11 |a DE-188 | ||
| 050 | 0 | |a MT146.M | |
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Dannullis, Alexander |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Studien zur Musik John McLaughlins |c von Alexander Dannullis |
| 264 | 1 | |c 1992 | |
| 300 | |a 204 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |a Hamburg, Univ., Diss., 1992 | ||
| 600 | 1 | 4 | |a McLaughlin, John <1942-> |x Criticism and interpretation |
| 600 | 1 | 7 | |a McLaughlin, John |d 1942- |0 (DE-588)119351420 |2 gnd |9 rswk-swf |
| 650 | 7 | |a Jazz |2 gtt | |
| 650 | 4 | |a Jazz |x Analysis, appreciation | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a McLaughlin, John |d 1942- |0 (DE-588)119351420 |D p |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007280789&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-007280789 | |
Record in the Search Index
| _version_ | 1807503128999755776 |
|---|---|
| adam_text |
STUDIEN
ZUR
MUSIK
JOHN
MCLAUGHLIN
INHALTSVERZEICHNIS
1.
EINLEITUNG
.
1
1.1.
ALLGEMEINE!
.
1
1.2.
AUFBAU
DER
ARBEIT
.
2
1.2.1.
TRAMKRIPTIONEN
.
3
1.2.2.
UNTERIUCHUNGEN
.
5
1.3.
KURZBIOGRAPHIE
.
10
2.
ANALYSEN
.
13
2.1.
THE
GRAU
II
GREENER
(GRAHAM
BOND/MCLAUGHLIN)
.
14
2.2.
EXTRAPOLATION
.
16
2.2.1.
EXTRAPOLATION
.
19
2.2.2.
IFI
FUNNY
.
21
2.2.3.
ARGEN'I
BAG/BINK/I
BEAM
.
24
2.2.4.
PETE
THE
POET
.
27
2.2.5.
THI
II
FOR
U
TO
SHARE
.
29
2.2.6.
SPECTRUM
.
31
2.2.7.
REAUY
YOU
KNOW
.
37
2.2.8.
TWO
FOR
TWO
.
40
2.2.9.
PEAOE
PIECE
.
42
2.3.
WALTZ
FOR
BILL
EVANI
(CHICK
COREA
)-BEARBEITUNGEN
.
43
2.4.
ONCE
I
LOVED
(ANTONIO
CARLOS
JOBIM
)-BEARBEITUNG
.
49
2.5.
THE
DANCE
OF
MAYA
.
52
2.5.1.
HARMONIK
.
53
2.5.2.
RHYTHMIK
.
55
2.5.3.
GITARRENSOLO
.
56
2.6.
THOUIAND
ILLAND
PARK
.
58
2.7.
BEZIEHUNGEN
ZUR
INDISCHEN
MUSIK
.
61
JOHN
MCLAUGHLIN
UND
SHAKTI
.
62
2.7.1.
MILES
BEYOND
.
65
2.7.2.
KRITI/
SAMAYAMIDHE
(TRAD.)
.
67
2.7.3.
GET
DOWN
AND
SRUTI
.
70
2.7.4.
TWO
SIITEN
.
74
2.7.5.
COME
ON
BABY
DANCE
WLTH
ME/
PADIYERL
NAN
VARUVEN
(L.SHANKAR)
.
75
2.7.6.
WHEN
BLUE
TURAS
GOLD
.
76
2.7.7.
SUNJOG
(ZAKIR
HUSSEIN)
.
78
2.7.8.
SABAH
(ZAKIR
HUSSEIN)
.
T)
2.8.
DO
YOU
HEAR
THE
VOICES
(THAT
YOU
LEIT
BEHLND)
.
80
2.9.
ARE
YOU
THE
ONE?
ARE
YOU
THE
ONE?
.
83
2.10.
ELECTRIC
DREAMS
ELECTRIC
SIGHS
.
85
2.11.
WALTZ
FOR
KATIA
.
88
2.11.1.
KOMPOSITION
.
89
2.11.2.
IMPROVISATION
.
91
2.12.
CHIQUITO
(PACO
DE
LUCIA)
.
92
2.12.1.
KOMPOSITION
.
93
2.12.2.
IMPROVISATION
.
95
2.12.2.1.
L.SOLO-DI
MEOLE
.
95
2.12.2.2.
2.SOLO-DE
LUCIA
.
96
2.12.2.3.3.
SOLO-MCLAUGHLIN
.
96
2.13.
JUST
IDEAS
(MITCH
FORMEN)/
JOZY
.
98
2.14.
JOHN
MCLAUGHLIN
UND
MILES
DAVIS
.
101
3.
TRANSKRIPTIONEN
.
106
3.1.
THE
GRASS
IS
GREENER
(GRAHAM
BOND/MCLAUGHLIN)
(THEMA
UND
GITARRENIMPROVISATION)
.
107
3.2.
EXTRAPOLATION
(THEMA)
.
110
3.3.
IT*A
FUMQR
(THEMA
UND
GITARRENIMPROVISATION)
.
111
3.4.1.
ARGEN'S
BAG
(THEMA
UND
GITARRENIMPROVISATION)
.
U4
3.4.2.
PETE
THE
POET
(UEBERLEITUNG
VON
ARGEN'S
BAG
ZUM
THEMA,
SOWIE
THEMA)
.
116
3.4.3.
BINKY'S
BEAM
(THEMA)
.
117
3.4.3.1.CELESTIAL
TERRESTIAL
COMMUTERS
(EIN
TAKT
AUS
DEM
THEMA)
.
118
3.5.
THIS
IS
FOR
US
TO
SHARE
(THEMA)
.
119
3.6.
SPECTRUM
(THEMA;
GITARRENIMPROVISATIONEN
DER
EXTRAPOLATION-FASSUNG
UND
DER
TONY
WILLIAMS
LIFETIME
-
FASSUNG)
.
120
3.7.
REALLY
YOU
KNOW
(THEMA)
.
124
3.8.
TWO
FOR
TWO
(THEMA)
.
125
3.9.
WALTZ
FOR
BILL
EVANS
(ORIGINALTHEMA
VON
C.
COREA)
.
126
3.10.
TO
WHOM
IT
MAY
CONOORA
A.THOM
B.
UA
(TONY
WILLIAMS
LI/ERIMC-FASSUNG;THEMA
UND
IMPROVISATION)
.
127
3.11.
WALTZ
FOR
BILL
EVANS
(FASSUNG
FUER
SOLO-GITARRE)
.
131
3.12.
ONOE
I
LOVED
(ORIGINALTHEMA
VON
A.CJOBIM)
.
132
3.13.
ONCE
I
LOVED
(BEARBEITUNG
DER
TONY
WILLIAMS
LIFETIME)
.
133
3.14.
THE
DANCE
OF
MAYA
(THEMA)
.
136
3.15.
THE
DANOE
OF
MAYA
(GITARRENIMPROVISATION)
.
138
3.16.
THOUSAND
ISLAND
PARK
(THEMA)
.
141
3.17.
MILES
BCYOND
(GITARRE/SCHLAGZEUG-DUO)
.
144
3.18.
KRITI/
SAMAYAMIDHE
(VOLLSTAENDIGE
KOMPOSITION)
.
145
3.19.
GET
DOWN
AND
SNITI
(THEMA
UND
GITARRENIMPROVISATION)
.
150
3.20.
TWO
SIITERA
(THEMA)
.
153
3.21.
COME
ON
BABY
DANOE
WLTH
MO/
PADIYERI
NAN
VARUVEN
(L.SHANKAZ)
(VOLLSTAENDIGE
KOMPOSITION)
.
154
3.22.
WHEN
BLUE
TUNIS
GOLD
(VOLLSTAENDIGE
KLAVIEREINLEITUNG)
.
156
3.23.
SUNJOG
(ZAKIR
HUSSEIN)
(THEMA
UND
GITARRENIMPROVISATION)
.
159
3.24.
SABAH
(ZAKIR
HUSSEIN)
(GITARREN-PATTEM
UND
SCHLUBTHEMA)
.
160
3.25.
DO
YOU
HEAR
THE
VOICES
(THAT
YOU
LEFT
BEHIND)
(THEMA
UND
GITARRENIMPROVISATION)
.
161
3.26.
ARE
YOU
THE
ONE?
ARE
YOU
THE
ONE?
(THEMA)
.
163
3.27.
ELEOTRIO
DREAMS
ELEOTRIO
SLGHS
(VOLLSTAENDIGE
GITARREN
EINLEITUNG)
.
164
3.28.
WALTZ
FOR
KATIA
(THEMA
UND
GITARRENIMPROVISATION)
.
168
3.29.
CHIQUITO
(PACO
DE
LUCIA)
(THEMA
UND
IMPROVISATIONEN
VON
DI
MEOLA,
DE
LUCIA
UND
MCLAUGHLIN)
.
177
3.30.
JUST
IDEAS
(MITCH
FORMAN)
(THEMA)/
JOZY
(EINLEITUNG)
.185
3.31.
FRAGMENTE
AUS
DEN
MILES
DAVIS-STUECKEN
YESTERNOW,
RIGHT
OFF,
KATIA
UND
DEN
STUECKEN
MCLAUGHLINS
TOMORROW'S
STORY
NOT
THE
SAME,
THE
NOONWARD
RACE,
MIND
ECOLOGY,
MILES
DAVIS
UND
ONE
MELODY
.
187
3.32.
SOLO-AUSSCHNITT
AUS
DEM
GITARREN-SOLO
VON
ALLAN
HOLDSWORTH
AUS
DESSEM
STUECK
DEVIL
TAKE
THE
HINDMOST
.189
4.
FOLGERUNGEN
.
190
4.1.
MCLAUGHLINS
SPIELWEISE
UND
IHR
EINFLUSS
AUF
DAS
SCHAFFEN
ANDERER
MUSIKER
.
190
4.2.
DIE
MUSIK
MCLAUGHLINS
UND
DIE
ENTWICKLUNG
DER
FUSION
.
197
5.
QUELLEN
1M2
LITERATURVERZEICHNIS
.
201
5.1.
MCLAUGHLINS
SOLO-LPS
.
201
5.2.
MCLAUGHLIN
ALS
BETEILIGTER
MUSIKER
.
201
5.3.
BIBLIOGRAPHIE
.
203
3.9.
WALTZ
FOR
BILL
EVANS
(ORIZINALTHEMA
VON
C.
COREA)
.
126
3.10.
TO
WHOM
IT
MAY
COAOORN
A.THEM
B.
UA
(TONY
WILLIAMS
LIFEIIME-FASSUNG;THEMA
UND
IMPROVISATION)
.
127
3.11.
WALTZ
FOR
BILL
EVANS
(FASSUNG
FUER
SOLO-GITARRE)
.
131
3.12.
ONOO
I
LOVED
(ORIGINALTHEMA
VON
A.CJOBIM)
.
132
3.13.
ONOO
I
LOVED
(BEARBEITUNG
DER
TONY
WILLIAMS
LIFETIME)
.
133
3.14.
THE
DANCE
OF
MAYA
(THEMA)
.
136
3.15.
THE
DANCE
OF
MAYA
(GITARRENIMPROVISATION)
.
138
3.16.
THOUSAND
ISLAND
PARK
(THEMA)
.
141
3.17.
MLLEA
BEYOND
(GITARREZSCHLAGZEUG-DUO)
.
144
3.18.
KRITIZ
SAMAYAMIDHE
(VOLLSTAENDIGE
KOMPOSITION)
.
145
3.19.
GAT
DOWN
AND
SRUTI
(THEMA
UND
GITARRENIMPROVISATION)
.
150
3.20.
TWO
SLATERS
(THEMA)
.
153
3.21.
COME
ON
BABY
DANOO
WITH
MOZ
PADIYERI
NAN
VARUVEN
(L.SHANKAR)
(VOLLSTAENDIGE
KOMPOSITION)
.
154
3.22.
WHEN
BLUE
TURNS
GOLD
(VOLLSTAENDIGE
KLAVIEREINLEITUNG)
.
156
3.23.
SUQJOG
(ZAKIR
HUSSAIN)
(THEMA
UND
GITARRENIMPROVISATION)
.
159
3.24.
SABAH
(ZAKIR
HUSSAIN)
(GITARREN-PATTERN
UND
SCHLUBTHEMA)
.
160
3.25.
DO
YOU
HEAR
THE
VOICES
(THAT
YOU
LEFT
BEHIND)
(THEMA
UND
GITARRENIMPROVISATION)
.
161
3.26.
ARE
YOU
THE
ONE?
ARE
YOU
THE
ONE?
(THEMA)
.
163
3.27.
ELEOTRIO
DREAMS
ELECTRIC
SIGHS
(VOLLSTAENDIGE
GITARREN
EINLEITUNG)
.
164
3.28.
WALTZ
FOR
KATIA
(THEMA
UND
GITARRENIMPROVISATION)
.
168
3.29.
CHIQUITO
(PACO
DE
LUCIA)
(THEMA
UND
IMPROVISATIONEN
VON
DI
MEOLA,
DE
LUCIA
UND
MCLAUGHLIN)
.
171
3.30.
JUST
IDEAS
(MITCH
FORMEN)
(THEMA)Z
JOZY
(EINLEITUNG)
.
185
3.31.
FRAGMENTE
AUS
DEN
MILES
DAVIS-STUECKEN
YESTERNOW,
RLGHT
OFF,
KATIA
UND
DEN
STUECKEN
MCLAUGHLINS
TOMORROW'S
STORY
NOT
THE
SAME,
THE
NOONWARD
RACE,
MIND
ECOLOGY,
MILES
DAVIS
UND
ONE
MELODY
.
187
3.32.
SOLO-AUSSCHNITT
AUS
DEM
GITARREN-SOIO
VON
ALLAN
HOLDSWORTH
AUS
DESSEM
STUECK
DEVIL
TAKE
THE
HLNDMOST
.
189
4.
FOLGERUNGEN
.
190
4.1.
MCLAUGHLINS
SPIELWEISE
UND
IHR
EINFLUB
AUF
DAS
SCHAFFEN
ANDERER
MUSIKER
.
190
4.2.
DIE
MUSIK
MCLAUGHLINS
UND
DIE
ENTWICKLUNG
DER
FUSION
.
197
5.
QUELLEN^
UND
LITERATURVERZEICHNIS
.
201
5.1.
MCLAUGHLINS
SOLO-LPS
.
201
5.2.
MCLAUGHLIN
ALS
BETEILIGTER
MUSIKER
.
201
5.3.
BIBLIOGRAPHIE
.203 |
| any_adam_object | 1 |
| author | Dannullis, Alexander |
| author_facet | Dannullis, Alexander |
| author_role | aut |
| author_sort | Dannullis, Alexander |
| author_variant | a d ad |
| building | Verbundindex |
| bvnumber | BV010888705 |
| callnumber-first | M - Music |
| callnumber-label | MT146 |
| callnumber-raw | MT146.M |
| callnumber-search | MT146.M |
| callnumber-sort | MT 3146 M |
| callnumber-subject | MT - Instruction and Study |
| ctrlnum | (OCoLC)37715803 (DE-599)BVBBV010888705 |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV010888705 |
| illustrated | Illustrated |
| indexdate | 2024-08-16T00:48:28Z |
| institution | BVB |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007280789 |
| oclc_num | 37715803 |
| open_access_boolean | |
| owner | DE-384 DE-739 DE-29 DE-19 DE-BY-UBM DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR DE-824 DE-11 DE-188 |
| owner_facet | DE-384 DE-739 DE-29 DE-19 DE-BY-UBM DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR DE-824 DE-11 DE-188 |
| physical | 204 S. Notenbeisp. |
| publishDate | 1992 |
| publishDateSearch | 1992 |
| publishDateSort | 1992 |
| record_format | marc |
| spelling | Dannullis, Alexander Verfasser aut Studien zur Musik John McLaughlins von Alexander Dannullis 1992 204 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Hamburg, Univ., Diss., 1992 McLaughlin, John <1942-> Criticism and interpretation McLaughlin, John 1942- (DE-588)119351420 gnd rswk-swf Jazz gtt Jazz Analysis, appreciation (DE-588)4113937-9 Hochschulschrift gnd-content McLaughlin, John 1942- (DE-588)119351420 p DE-604 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007280789&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Dannullis, Alexander Studien zur Musik John McLaughlins McLaughlin, John <1942-> Criticism and interpretation McLaughlin, John 1942- (DE-588)119351420 gnd Jazz gtt Jazz Analysis, appreciation |
| subject_GND | (DE-588)119351420 (DE-588)4113937-9 |
| title | Studien zur Musik John McLaughlins |
| title_auth | Studien zur Musik John McLaughlins |
| title_exact_search | Studien zur Musik John McLaughlins |
| title_full | Studien zur Musik John McLaughlins von Alexander Dannullis |
| title_fullStr | Studien zur Musik John McLaughlins von Alexander Dannullis |
| title_full_unstemmed | Studien zur Musik John McLaughlins von Alexander Dannullis |
| title_short | Studien zur Musik John McLaughlins |
| title_sort | studien zur musik john mclaughlins |
| topic | McLaughlin, John <1942-> Criticism and interpretation McLaughlin, John 1942- (DE-588)119351420 gnd Jazz gtt Jazz Analysis, appreciation |
| topic_facet | McLaughlin, John <1942-> Criticism and interpretation McLaughlin, John 1942- Jazz Jazz Analysis, appreciation Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=007280789&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT dannullisalexander studienzurmusikjohnmclaughlins |