"We should avoid making films out of books," argued Ingmar Bergman. Fortunately, few filmmakers have heeded his counsel. From Edwin S. Porter to Mike Nichols, from D.W. Griffith to Steven Spielberg, American filmmakers in particular have routinely looked to literature and especially to the...

Full description

Bibliographic Details

Format:	Book
Language:	English
Published:	Bowling Green, OH Bowling Green State Univ. Popular Press 1994
Subjects:	Geschichte 1900-2000 Geschichte 1945-1990 American fiction > 20th century > Film and video adaptations Motion pictures and literature > United States Roman Verfilmung USA Aufsatzsammlung
Summary:	"We should avoid making films out of books," argued Ingmar Bergman. Fortunately, few filmmakers have heeded his counsel. From Edwin S. Porter to Mike Nichols, from D.W. Griffith to Steven Spielberg, American filmmakers in particular have routinely looked to literature and especially to the novel for story ideas; and, in adapting that material for the screen, they have often interpreted it in ways other than the original authors might have intended Different in its complexities from the classic novels of Dickens, London and Tolstoy to which earlier filmmakers turned, the contemporary American novel, especially the novel that has achieved a kind of cult status, poses a real challenge to the contemporary filmmaker, who must translate its occasionally unfilmable essence for a new audience Take Two closely analyzes the adaptations of ten such works: Catch-22, One Flew Over the Cuckoo's Nest, Slaughterhouse-Five, Being There, The World According to Garp, Sophie's Choice, The Color Purple, Ironweed, Tough Guys Don't Dance, and Billy Bathgate
Physical Description:	191 S. Ill.
ISBN:	0879726415 0879726423