Interpreting popular music:
In this book David Brackett demonstrates that there is no one way of interpreting popular music but that different types of popular music use different types of rhetoric, refer to different arguments about musical complexity and familiarity and draw upon different senses of history and tradition. He...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
1995
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Zusammenfassung: | In this book David Brackett demonstrates that there is no one way of interpreting popular music but that different types of popular music use different types of rhetoric, refer to different arguments about musical complexity and familiarity and draw upon different senses of history and tradition. He crosses the disciplines of contemporary cultural studies and music theory to demonstrate how listeners form their evaluations of popular songs and how they come to attribute a rich variety of meanings to them. Issues such as authorship, reception, musical codes, and different modes of representing and describing music are explored in the context of recordings made by Billie Holiday, Bing Crosby, Hank Williams, James Brown, and Elvis Costello. In analyzing their music and lyrics. David Brackett shows how interpretations of songs develop in specific cultural and historical contexts. |
| Beschreibung: | XIV, 260 S. Notenbeisp. |
| ISBN: | 0521473373 |
Internformat
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| 300 | |a XIV, 260 S. |b Notenbeisp. | ||
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| 520 | 3 | |a In this book David Brackett demonstrates that there is no one way of interpreting popular music but that different types of popular music use different types of rhetoric, refer to different arguments about musical complexity and familiarity and draw upon different senses of history and tradition. He crosses the disciplines of contemporary cultural studies and music theory to demonstrate how listeners form their evaluations of popular songs and how they come to attribute a rich variety of meanings to them. Issues such as authorship, reception, musical codes, and different modes of representing and describing music are explored in the context of recordings made by Billie Holiday, Bing Crosby, Hank Williams, James Brown, and Elvis Costello. In analyzing their music and lyrics. David Brackett shows how interpretations of songs develop in specific cultural and historical contexts. | |
| 650 | 4 | |a Chansons anglaises - Analyse et appréciation | |
| 650 | 4 | |a Musique populaire - Analyse et appréciation | |
| 650 | 4 | |a Musique populaire - Histoire et critique | |
| 650 | 7 | |a Popmuziek |2 gtt | |
| 650 | 7 | |a Populaire muziek |2 gtt | |
| 650 | 4 | |a Popular music |x Analysis, appreciation | |
| 650 | 4 | |a Popular music |x History and criticism | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Brackett, David 1958- |
| author_GND | (DE-588)131421468 |
| author_facet | Brackett, David 1958- |
| author_role | aut |
| author_sort | Brackett, David 1958- |
| author_variant | d b db |
| building | Verbundindex |
| bvnumber | BV010560508 |
| callnumber-first | M - Music |
| callnumber-label | ML3470 |
| callnumber-raw | ML3470 |
| callnumber-search | ML3470 |
| callnumber-sort | ML 43470 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)31604664 (DE-599)BVBBV010560508 |
| dewey-full | 781.63 781.64 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.63 781.64 |
| dewey-search | 781.63 781.64 |
| dewey-sort | 3781.63 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV010560508 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:55:05Z |
| institution | BVB |
| isbn | 0521473373 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-007040678 |
| oclc_num | 31604664 |
| open_access_boolean | |
| owner | DE-12 DE-W89 |
| owner_facet | DE-12 DE-W89 |
| physical | XIV, 260 S. Notenbeisp. |
| publishDate | 1995 |
| publishDateSearch | 1995 |
| publishDateSort | 1995 |
| publisher | Cambridge Univ. Press |
| record_format | marc |
| spelling | Brackett, David 1958- Verfasser (DE-588)131421468 aut Interpreting popular music David Brackett 1. publ. Cambridge [u.a.] Cambridge Univ. Press 1995 XIV, 260 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier In this book David Brackett demonstrates that there is no one way of interpreting popular music but that different types of popular music use different types of rhetoric, refer to different arguments about musical complexity and familiarity and draw upon different senses of history and tradition. He crosses the disciplines of contemporary cultural studies and music theory to demonstrate how listeners form their evaluations of popular songs and how they come to attribute a rich variety of meanings to them. Issues such as authorship, reception, musical codes, and different modes of representing and describing music are explored in the context of recordings made by Billie Holiday, Bing Crosby, Hank Williams, James Brown, and Elvis Costello. In analyzing their music and lyrics. David Brackett shows how interpretations of songs develop in specific cultural and historical contexts. Chansons anglaises - Analyse et appréciation Musique populaire - Analyse et appréciation Musique populaire - Histoire et critique Popmuziek gtt Populaire muziek gtt Popular music Analysis, appreciation Popular music History and criticism Popmusik (DE-588)4046781-8 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf Popmusik (DE-588)4046781-8 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Rockmusik (DE-588)4115774-6 s Unterhaltungsmusik (DE-588)4061916-3 s |
| spellingShingle | Brackett, David 1958- Interpreting popular music Chansons anglaises - Analyse et appréciation Musique populaire - Analyse et appréciation Musique populaire - Histoire et critique Popmuziek gtt Populaire muziek gtt Popular music Analysis, appreciation Popular music History and criticism Popmusik (DE-588)4046781-8 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Musikalische Analyse (DE-588)4040814-0 gnd Rockmusik (DE-588)4115774-6 gnd |
| subject_GND | (DE-588)4046781-8 (DE-588)4061916-3 (DE-588)4040814-0 (DE-588)4115774-6 |
| title | Interpreting popular music |
| title_auth | Interpreting popular music |
| title_exact_search | Interpreting popular music |
| title_full | Interpreting popular music David Brackett |
| title_fullStr | Interpreting popular music David Brackett |
| title_full_unstemmed | Interpreting popular music David Brackett |
| title_short | Interpreting popular music |
| title_sort | interpreting popular music |
| topic | Chansons anglaises - Analyse et appréciation Musique populaire - Analyse et appréciation Musique populaire - Histoire et critique Popmuziek gtt Populaire muziek gtt Popular music Analysis, appreciation Popular music History and criticism Popmusik (DE-588)4046781-8 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Musikalische Analyse (DE-588)4040814-0 gnd Rockmusik (DE-588)4115774-6 gnd |
| topic_facet | Chansons anglaises - Analyse et appréciation Musique populaire - Analyse et appréciation Musique populaire - Histoire et critique Popmuziek Populaire muziek Popular music Analysis, appreciation Popular music History and criticism Popmusik Unterhaltungsmusik Musikalische Analyse Rockmusik |
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