War stories: the culture of foreign correspondents
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
1995
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 254 S. |
| ISBN: | 0415911230 0415911249 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804124973495746560 |
|---|---|
| adam_text | CONTENTS
Acknowledgments
xi
A List of Acronyms
xiii
Introduction: Reporting Salvador
1
Why an Anthropologist Studied a Press Corps. Discipline, Power, and Ideology.
An Example of Institutional Influence. Framing the Violence. History and Structure
oftheSalvadoranWar. A Structural History of
speca.
The Salvador Reporters.
PART ONE: WAR AND IDENTITY
1
War Games
29
Running with the Pack. Guerrilla Safari.
Las Vueltas.
Myth and Practice.
2
Terror and Control
41
The Effects of the Safe Conduct System. Accepting the Silence. Terror as a
Means of Press Control. Threats. The Question of Spies in the Press Corps.
The Textual Effects of Terror. Boredom Punctuated by Terror.
3
On a White Horse
61
Rosa s Stories.
PART TWO: STRUCTURE AND PRACTICE
4
A Team,
В
Team
69
The Embassy and the Press. A Team.
В
Team. The Language of Team
Competition. Interdependence and Ideological Control. The Political
Control of
speca.
5
Discipline and Publish
85
According to a Western Diplomat. Brenda. Editors Suck.
The
Ray Bonner
Effect.
6
The Source War
99
Her, Rigoberta Menchu. The Blood Has to be Purged.
7
Practice
109
The Problem with Parachuting. Hard Work, Routine, Disease, and Insanity. The
Second Floor. The Psuedo-Event as Press Ritual. The Press Conference as Drama.
Manufacturing Consensus.
б
Recreaţional
Rituals
127
The Opinion and Storytelling Ritual. War as Fun. Ritualized Sexual Practices.
Drugs and Alcohol. Burn-out.
9
War Photography
147
Images of
Comandante Carmelo.
Joe in El Mozote. Dancing in Perquin.
PART THREE: TEXT AND REPRESENTATION
10
The Narrative Structure and Agenda of Objective Journalism
169
Objectivity. Balance and Fairness. Objective Texts. The Argument Underneath.
News as Dramatic Narrative. Nationalism, Capitaiism and the Central American
News Agenda. The Shifting Agenda Syndrome. Caught Up in a Total Whirlwind.
11
Peace Comes to Television
191
El Salvador Peace Agreement.
PART FOUR: DIFFERENCE AND DOMINATION
12
Alonzo s Dream
199
1
am Afraid of What We Are Becoming.
13
The
Salvadorans
of
speca
203
Involved and in the Middle. Journalism in El Salvador. Objectivity is for
Gringos. Identity and Contradiction. The
Colima
Bridge Incident.
Jonna s Garden.
14
Alternatives
219
Multiperspectivai, Poiyvocai, and Global News Alternatives. Gender Censorship
and Feminist Alternatives. Maria. Existential Journalism.
Conclusion: Leaving the
Camino 231
Epilogue
235
Appendix: The Journalists
236
Notes
237
References
243
Index
251
What are the influences on war correspondents as they report on news in war-torn
countries? Mark Pedelty explores the lives, work, and culture of an international
press corps. He writes about the reporters who covered El Salvador s civil war,
going beyond those specifics to look at the institutions, practices, myths, and
rituals that pattern the work of journalists everywhere. He tells us the stories of
war correspondents at work and at play, as they cover the news.
The myth, developed in part from the movies we watch and from CNN, is that war
is reported from the front lines. More often, it is reported from the front office as
journalists sit around waiting for something big to happen. Pedelty looks at the
context in which they construct their reports. Unnamed diplomats in the U.S.
Embassy feed stories to reporters, who are careful not to alienate these crucial
sources by adding background information that might be perceived as ideological.
Reporters are also constrained by the pens and preferences of editors who work to
narrow the focus of news reporting, removing necessary context in the process. By
examining how news stories are actually produced, Pedelty highlights the elusive-
ness of the goal of objective journalism. We see how the biases of war correspon¬
dents are connected to structures of power, and how these biases affect actual
journalistic practices.
Pedelty also explores alternative possibilities for war reporting, including emerging
alternative international
news sen/ices and ways to deepen reporters
understandings of the countries and problems they cover.
Influenced by anthropology, communication studies, cultural studies, and
sociology, this book will interest scholars and students in those fields, as well as
journalists and anvone who watches, reads, or listens to news.
Mark Pedeity is Assistant Professor of Interdisciplinary Studies at the Miami
University. Ohio. He has accompanied war correspondents into the field on
excursions into the auerolla-held territories of El Salvador.
|
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| discipline | Allgemeines Anglistik / Amerikanistik |
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| geographic_facet | USA |
| id | DE-604.BV010507714 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T17:54:10Z |
| institution | BVB |
| isbn | 0415911230 0415911249 |
| language | English |
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| title | War stories the culture of foreign correspondents |
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| title_full | War stories the culture of foreign correspondents Mark Pedelty |
| title_fullStr | War stories the culture of foreign correspondents Mark Pedelty |
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| title_short | War stories |
| title_sort | war stories the culture of foreign correspondents |
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