Music representation, between the musician and the computer:
Abstract: "In any automated tool designed for use in a musical context, the choice of representation language is crucial. The Charm system, as presented in [Wiggins et al., 1993], was designed as a general purpose musical representation system. In this paper we consider how a system intended to...
Saved in:
| Main Authors: | , , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Edinburgh
1993
|
| Series: | University <Edinburgh> / Department of Artificial Intelligence: DAI research paper
667 |
| Subjects: | |
| Summary: | Abstract: "In any automated tool designed for use in a musical context, the choice of representation language is crucial. The Charm system, as presented in [Wiggins et al., 1993], was designed as a general purpose musical representation system. In this paper we consider how a system intended to foster the creative exploration of a musical soundworld could make use of such a representation. The ability to support multiple perspectives upon musical material is thought to be important, and we explain how this is supported. We also indicate how to incorporate automated support for the process of generalising from musical examples to a higher-level description." |
| Physical Description: | 11 S. |
Staff View
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| 490 | 1 | |a University <Edinburgh> / Department of Artificial Intelligence: DAI research paper |v 667 | |
| 520 | 3 | |a Abstract: "In any automated tool designed for use in a musical context, the choice of representation language is crucial. The Charm system, as presented in [Wiggins et al., 1993], was designed as a general purpose musical representation system. In this paper we consider how a system intended to foster the creative exploration of a musical soundworld could make use of such a representation. The ability to support multiple perspectives upon musical material is thought to be important, and we explain how this is supported. We also indicate how to incorporate automated support for the process of generalising from musical examples to a higher-level description." | |
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Record in the Search Index
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| id | DE-604.BV010466442 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T17:53:00Z |
| institution | BVB |
| language | English |
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| physical | 11 S. |
| publishDate | 1993 |
| publishDateSearch | 1993 |
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| series2 | University <Edinburgh> / Department of Artificial Intelligence: DAI research paper |
| spelling | Smaill, Alan Verfasser aut Music representation, between the musician and the computer Alan Smaill, Geraint Wiggins and Eduardo Miranda Edinburgh 1993 11 S. txt rdacontent n rdamedia nc rdacarrier University <Edinburgh> / Department of Artificial Intelligence: DAI research paper 667 Abstract: "In any automated tool designed for use in a musical context, the choice of representation language is crucial. The Charm system, as presented in [Wiggins et al., 1993], was designed as a general purpose musical representation system. In this paper we consider how a system intended to foster the creative exploration of a musical soundworld could make use of such a representation. The ability to support multiple perspectives upon musical material is thought to be important, and we explain how this is supported. We also indicate how to incorporate automated support for the process of generalising from musical examples to a higher-level description." Bionics and artificial intelligence sigle Computer music Wiggins, Geraint Verfasser aut Miranda, Eduardo Reck 1963- Verfasser (DE-588)1029490228 aut Department of Artificial Intelligence: DAI research paper University <Edinburgh> 667 (DE-604)BV010450646 667 |
| spellingShingle | Smaill, Alan Wiggins, Geraint Miranda, Eduardo Reck 1963- Music representation, between the musician and the computer Bionics and artificial intelligence sigle Computer music |
| title | Music representation, between the musician and the computer |
| title_auth | Music representation, between the musician and the computer |
| title_exact_search | Music representation, between the musician and the computer |
| title_full | Music representation, between the musician and the computer Alan Smaill, Geraint Wiggins and Eduardo Miranda |
| title_fullStr | Music representation, between the musician and the computer Alan Smaill, Geraint Wiggins and Eduardo Miranda |
| title_full_unstemmed | Music representation, between the musician and the computer Alan Smaill, Geraint Wiggins and Eduardo Miranda |
| title_short | Music representation, between the musician and the computer |
| title_sort | music representation between the musician and the computer |
| topic | Bionics and artificial intelligence sigle Computer music |
| topic_facet | Bionics and artificial intelligence Computer music |
| volume_link | (DE-604)BV010450646 |
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