Hillbillyland: what the movies did to the mountains and what the mountains did to the movies
The stereotypical hillbilly figure in popular culture provokes a range of responses, from bemused affection for Ma and Pa Kettle to outright fear of the mountain men in Deliverance. In Hillbillyland, J. W. Williamson investigates why hillbilly images are so pervasive in our culture and what purposes...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill u.a.
Univ. of North Carolina Press
1995
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The stereotypical hillbilly figure in popular culture provokes a range of responses, from bemused affection for Ma and Pa Kettle to outright fear of the mountain men in Deliverance. In Hillbillyland, J. W. Williamson investigates why hillbilly images are so pervasive in our culture and what purposes they serve. He has mined more than 800 movies, from early nickelodeon one-reelers to contemporary films such as Thelma and Louise and Raising Arizona, for representations of hillbillies in their recurring roles as symbolic "cultural others." According to Williamson, mainstream America responds to hillbillies because they embody our fears and hopes and a conflicted vision of the past. They are clowns, children, free spirits, or wild people through whom we live vicariously while being reassured about our own standing in society. |
| Beschreibung: | XII, 325 S. Ill. |
| ISBN: | 0807821950 |
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| 520 | 3 | |a The stereotypical hillbilly figure in popular culture provokes a range of responses, from bemused affection for Ma and Pa Kettle to outright fear of the mountain men in Deliverance. In Hillbillyland, J. W. Williamson investigates why hillbilly images are so pervasive in our culture and what purposes they serve. He has mined more than 800 movies, from early nickelodeon one-reelers to contemporary films such as Thelma and Louise and Raising Arizona, for representations of hillbillies in their recurring roles as symbolic "cultural others." According to Williamson, mainstream America responds to hillbillies because they embody our fears and hopes and a conflicted vision of the past. They are clowns, children, free spirits, or wild people through whom we live vicariously while being reassured about our own standing in society. | |
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Datensatz im Suchindex
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| adam_text | Contents
ix Preface The Argument
xi Acknowledgments
i 1 What Mountain Means, What Hillbilly Implies
17 Ambiguity and the Meanings of Mountains
20 Everybody s Got One
21 2 Comedies: The Hillbilly as Fool
28 Hillbilly Clowning
33 Hillbilly Archaeology
44 The Hillbilly Fool as Troubadour
53 Ma and Pa Kettle
57 Andy Griffith as Clown
61 The Hillbilly as Priapus
64 Raising Arizona
74 The Long and Winding Woad
76 The Thrill of Buckskin
78 Fooling with Coonskin: The One and Only Original
American Hillbilly
82 King of the Wild Frontier
86 The Race Heroes: Boone, Jackson, Houston
90 Buckskin Doubt in the Age of Eisenhower
94 Crockett-dile Dundee, the Last Great Davy
99 me aiiiDUiy as
102 Rube-in-Hoods
107 Social Bandit Meets the Silver Screen
114 Saving Jesse s Face
123 5 The Good Old Boys
124 The Fountainhead: Thunder Road
131 The Sons of Doolin
135 Bad Georgia Road
141 The Biopix
149 6 More than Dogpatcb: The Mountains as Monstrous
151 Ferociousness without the Monstrousness:
Or, All Balls, No Strikes
155 Ed and Lewis and Bobby and Drew:
The Monster in the Mirror
163 Deliverance on Location
167 Andy Griffith as Masculine Monster
173 7 The Mama s Boys
177 Tol able David
190 Stark Love
207 Tol able Alvin: Sergeant York
226 The Thunder Road of Feminism
232 Uppity Women: Seen but Not Heard
235 Cross-Dressers: Who s Wearing the Pants?
242 Mannish Misfits
247 Heidi and the Poverty Mamas: Fooling with Economics
253 Hillbilly Gals and Burly Cue
263 Sources
307 Index
viii Contents
|
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| spelling | Williamson, Jerry W. Verfasser aut Hillbillyland what the movies did to the mountains and what the mountains did to the movies J. W. Williamson Chapel Hill u.a. Univ. of North Carolina Press 1995 XII, 325 S. Ill. txt rdacontent n rdamedia nc rdacarrier The stereotypical hillbilly figure in popular culture provokes a range of responses, from bemused affection for Ma and Pa Kettle to outright fear of the mountain men in Deliverance. In Hillbillyland, J. W. Williamson investigates why hillbilly images are so pervasive in our culture and what purposes they serve. He has mined more than 800 movies, from early nickelodeon one-reelers to contemporary films such as Thelma and Louise and Raising Arizona, for representations of hillbillies in their recurring roles as symbolic "cultural others." According to Williamson, mainstream America responds to hillbillies because they embody our fears and hopes and a conflicted vision of the past. They are clowns, children, free spirits, or wild people through whom we live vicariously while being reassured about our own standing in society. Montagnards (Sud des États-Unis) - Murs et coutumes Montagnards (Sud des États-Unis) au cinéma Alltag, Brauchtum Appalachians (People) in motion pictures Appalachians (People) Social life and customs Bergbewohner (DE-588)4412015-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA Südstaaten (DE-588)4078674-2 gnd rswk-swf USA Südstaaten (DE-588)4078674-2 g Bergbewohner (DE-588)4412015-1 s USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006966523&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Williamson, Jerry W. Hillbillyland what the movies did to the mountains and what the mountains did to the movies Montagnards (Sud des États-Unis) - Murs et coutumes Montagnards (Sud des États-Unis) au cinéma Alltag, Brauchtum Appalachians (People) in motion pictures Appalachians (People) Social life and customs Bergbewohner (DE-588)4412015-1 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4412015-1 (DE-588)4017102-4 (DE-588)4078704-7 (DE-588)4078674-2 |
| title | Hillbillyland what the movies did to the mountains and what the mountains did to the movies |
| title_auth | Hillbillyland what the movies did to the mountains and what the mountains did to the movies |
| title_exact_search | Hillbillyland what the movies did to the mountains and what the mountains did to the movies |
| title_full | Hillbillyland what the movies did to the mountains and what the mountains did to the movies J. W. Williamson |
| title_fullStr | Hillbillyland what the movies did to the mountains and what the mountains did to the movies J. W. Williamson |
| title_full_unstemmed | Hillbillyland what the movies did to the mountains and what the mountains did to the movies J. W. Williamson |
| title_short | Hillbillyland |
| title_sort | hillbillyland what the movies did to the mountains and what the mountains did to the movies |
| title_sub | what the movies did to the mountains and what the mountains did to the movies |
| topic | Montagnards (Sud des États-Unis) - Murs et coutumes Montagnards (Sud des États-Unis) au cinéma Alltag, Brauchtum Appalachians (People) in motion pictures Appalachians (People) Social life and customs Bergbewohner (DE-588)4412015-1 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Montagnards (Sud des États-Unis) - Murs et coutumes Montagnards (Sud des États-Unis) au cinéma Alltag, Brauchtum Appalachians (People) in motion pictures Appalachians (People) Social life and customs Bergbewohner Film USA USA Südstaaten |
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