Representing music for analysis and composition:
Abstract: "Many systems have been proposed to encode music so as to allow manipulation in a computer. We suggest that this multiplicity of representations can usefully be eliminated, and propose an abstract representation, which can be thought of as implicit in aspects of many previous approach...
Saved in:
| Main Authors: | , , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Edinburgh
1990
|
| Series: | University <Edinburgh> / Department of Artificial Intelligence: DAI research paper
504 |
| Subjects: | |
| Summary: | Abstract: "Many systems have been proposed to encode music so as to allow manipulation in a computer. We suggest that this multiplicity of representations can usefully be eliminated, and propose an abstract representation, which can be thought of as implicit in aspects of many previous approaches. In terms of this basic representation, we can then build up higher-level hierarchical representations, available for the purposes of analysis or compositional manipulation. We illustrate this approach by describing an algorithm for rhythmic analysis developed by Steedman, and an analytic procedure developed by Ruwet, both formulated within our representation." |
| Physical Description: | 10 S. |
Staff View
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| 490 | 1 | |a University <Edinburgh> / Department of Artificial Intelligence: DAI research paper |v 504 | |
| 520 | 3 | |a Abstract: "Many systems have been proposed to encode music so as to allow manipulation in a computer. We suggest that this multiplicity of representations can usefully be eliminated, and propose an abstract representation, which can be thought of as implicit in aspects of many previous approaches. In terms of this basic representation, we can then build up higher-level hierarchical representations, available for the purposes of analysis or compositional manipulation. We illustrate this approach by describing an algorithm for rhythmic analysis developed by Steedman, and an analytic procedure developed by Ruwet, both formulated within our representation." | |
| 650 | 4 | |a Musical notation |x Computer programs | |
| 700 | 1 | |a Harris, Mitch |e Verfasser |4 aut | |
| 700 | 1 | |a Smaill, Alan |e Verfasser |4 aut | |
| 810 | 2 | |a Department of Artificial Intelligence: DAI research paper |t University <Edinburgh> |v 504 |w (DE-604)BV010450646 |9 504 | |
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Record in the Search Index
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| id | DE-604.BV010452721 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-15T10:07:52Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006965584 |
| oclc_num | 1071782382 |
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| physical | 10 S. |
| publishDate | 1990 |
| publishDateSearch | 1990 |
| publishDateSort | 1990 |
| record_format | marc |
| series2 | University <Edinburgh> / Department of Artificial Intelligence: DAI research paper |
| spelling | Wiggins, Geraint Verfasser aut Representing music for analysis and composition Geraint Wiggins ; Mitch Harris ; Alan Smaill Edinburgh 1990 10 S. txt rdacontent n rdamedia nc rdacarrier University <Edinburgh> / Department of Artificial Intelligence: DAI research paper 504 Abstract: "Many systems have been proposed to encode music so as to allow manipulation in a computer. We suggest that this multiplicity of representations can usefully be eliminated, and propose an abstract representation, which can be thought of as implicit in aspects of many previous approaches. In terms of this basic representation, we can then build up higher-level hierarchical representations, available for the purposes of analysis or compositional manipulation. We illustrate this approach by describing an algorithm for rhythmic analysis developed by Steedman, and an analytic procedure developed by Ruwet, both formulated within our representation." Musical notation Computer programs Harris, Mitch Verfasser aut Smaill, Alan Verfasser aut Department of Artificial Intelligence: DAI research paper University <Edinburgh> 504 (DE-604)BV010450646 504 |
| spellingShingle | Wiggins, Geraint Harris, Mitch Smaill, Alan Representing music for analysis and composition Musical notation Computer programs |
| title | Representing music for analysis and composition |
| title_auth | Representing music for analysis and composition |
| title_exact_search | Representing music for analysis and composition |
| title_full | Representing music for analysis and composition Geraint Wiggins ; Mitch Harris ; Alan Smaill |
| title_fullStr | Representing music for analysis and composition Geraint Wiggins ; Mitch Harris ; Alan Smaill |
| title_full_unstemmed | Representing music for analysis and composition Geraint Wiggins ; Mitch Harris ; Alan Smaill |
| title_short | Representing music for analysis and composition |
| title_sort | representing music for analysis and composition |
| topic | Musical notation Computer programs |
| topic_facet | Musical notation Computer programs |
| volume_link | (DE-604)BV010450646 |
| work_keys_str_mv | AT wigginsgeraint representingmusicforanalysisandcomposition AT harrismitch representingmusicforanalysisandcomposition AT smaillalan representingmusicforanalysisandcomposition |