Raphael and France: the artist as paradigm and symbol
Focusing on French art and theory from the classical to the Romantic era, Raphael and France is part of the ongoing revision of views of that period which has been taking place for the last twenty years. The book demonstrates that the shifts from classical to Rococo to neo-classical aesthetics were...
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| Format: | Book |
| Language: | English |
| Published: |
University Park, Pa.
Pennsylvania State Univ. Press
1995
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| Subjects: | |
| Summary: | Focusing on French art and theory from the classical to the Romantic era, Raphael and France is part of the ongoing revision of views of that period which has been taking place for the last twenty years. The book demonstrates that the shifts from classical to Rococo to neo-classical aesthetics were not as abrupt or as all-encompassing as has been assumed. By tracing the continuity and transformation of the classical ideal, with Raphael's art and image as central paradigms, Rosenberg achieves a broader, more accurate, and comprehensive view of French artistic developments during this period Rosenberg draws on careful readings of primary sources, including the correspondence and lectures of the French Academy, some of which are unpublished; most of the major theoretical treatises by French and foreign authors; and contemporary criticism and works of art. In the process, he strikes a methodological balance between traditional art-historical approaches and insights provided by more contemporary approaches, such as semiotics and post-structuralism. As the notion of isolated genius as the prime force in art has given way to a broader, more contextual view of art and history, interest in past traditions once regarded as outmoded or dead has grown tremendously. This book makes a timely contribution to this widening area of inquiry |
| Physical Description: | XII, 226 S. zahlr. Ill. |
| ISBN: | 0271013001 |
Staff View
MARC
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| 520 | 3 | |a Focusing on French art and theory from the classical to the Romantic era, Raphael and France is part of the ongoing revision of views of that period which has been taking place for the last twenty years. The book demonstrates that the shifts from classical to Rococo to neo-classical aesthetics were not as abrupt or as all-encompassing as has been assumed. By tracing the continuity and transformation of the classical ideal, with Raphael's art and image as central paradigms, Rosenberg achieves a broader, more accurate, and comprehensive view of French artistic developments during this period | |
| 520 | |a Rosenberg draws on careful readings of primary sources, including the correspondence and lectures of the French Academy, some of which are unpublished; most of the major theoretical treatises by French and foreign authors; and contemporary criticism and works of art. In the process, he strikes a methodological balance between traditional art-historical approaches and insights provided by more contemporary approaches, such as semiotics and post-structuralism. As the notion of isolated genius as the prime force in art has given way to a broader, more contextual view of art and history, interest in past traditions once regarded as outmoded or dead has grown tremendously. This book makes a timely contribution to this widening area of inquiry | ||
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Record in the Search Index
| _version_ | 1818707973993660416 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Rosenberg, Martin I. |
| author_facet | Rosenberg, Martin I. |
| author_role | aut |
| author_sort | Rosenberg, Martin I. |
| author_variant | m i r mi mir |
| building | Verbundindex |
| bvnumber | BV010226044 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N7432 |
| callnumber-raw | N7432.5.C6 |
| callnumber-search | N7432.5.C6 |
| callnumber-sort | N 47432.5 C6 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LI 70110 |
| ctrlnum | (OCoLC)28710702 (DE-599)BVBBV010226044 |
| dewey-full | 709/.44/0903 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709/.44/0903 |
| dewey-search | 709/.44/0903 |
| dewey-sort | 3709 244 3903 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1500-2000 gnd Geschichte 1500-1849 gnd Geschichte 1660-1830 gnd |
| era_facet | Geschichte 1500-2000 Geschichte 1500-1849 Geschichte 1660-1830 |
| format | Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Frankreich Frankreich (DE-588)4018145-5 gnd Italien (DE-588)4027833-5 gnd |
| geographic_facet | Frankreich Italien |
| id | DE-604.BV010226044 |
| illustrated | Illustrated |
| indexdate | 2024-12-17T17:04:43Z |
| institution | BVB |
| isbn | 0271013001 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006796908 |
| oclc_num | 28710702 |
| open_access_boolean | |
| owner | DE-29 DE-12 DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-11 DE-188 |
| owner_facet | DE-29 DE-12 DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-11 DE-188 |
| physical | XII, 226 S. zahlr. Ill. |
| publishDate | 1995 |
| publishDateSearch | 1995 |
| publishDateSort | 1995 |
| publisher | Pennsylvania State Univ. Press |
| record_format | marc |
| spelling | Rosenberg, Martin I. Verfasser aut Raphael and France the artist as paradigm and symbol Martin Rosenberg University Park, Pa. Pennsylvania State Univ. Press 1995 XII, 226 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Focusing on French art and theory from the classical to the Romantic era, Raphael and France is part of the ongoing revision of views of that period which has been taking place for the last twenty years. The book demonstrates that the shifts from classical to Rococo to neo-classical aesthetics were not as abrupt or as all-encompassing as has been assumed. By tracing the continuity and transformation of the classical ideal, with Raphael's art and image as central paradigms, Rosenberg achieves a broader, more accurate, and comprehensive view of French artistic developments during this period Rosenberg draws on careful readings of primary sources, including the correspondence and lectures of the French Academy, some of which are unpublished; most of the major theoretical treatises by French and foreign authors; and contemporary criticism and works of art. In the process, he strikes a methodological balance between traditional art-historical approaches and insights provided by more contemporary approaches, such as semiotics and post-structuralism. As the notion of isolated genius as the prime force in art has given way to a broader, more contextual view of art and history, interest in past traditions once regarded as outmoded or dead has grown tremendously. This book makes a timely contribution to this widening area of inquiry Raphael <1483-1520> Influence Piles, Roger de 1635-1709 (DE-588)118792180 gnd rswk-swf Raffael 1483-1520 (DE-588)118597787 gnd rswk-swf Geschichte 1500-2000 gnd rswk-swf Geschichte 1500-1849 gnd rswk-swf Geschichte 1660-1830 gnd rswk-swf Beeldende kunsten gtt Receptie gtt Kunst Rezeption Art, French Classicism in art France Kunststil (DE-588)4073889-9 gnd rswk-swf Fortleben (DE-588)4336557-7 gnd rswk-swf Einfluss (DE-588)4151276-5 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Kunstbetrachtung (DE-588)4125321-8 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Frankreich Frankreich (DE-588)4018145-5 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Raffael 1483-1520 (DE-588)118597787 p Rezeption (DE-588)4049716-1 s Frankreich (DE-588)4018145-5 g Kunst (DE-588)4114333-4 s Geschichte 1660-1830 z DE-604 Italien (DE-588)4027833-5 g Kunststil (DE-588)4073889-9 s Einfluss (DE-588)4151276-5 s Geschichte 1500-2000 z 1\p DE-604 Fortleben (DE-588)4336557-7 s Antike (DE-588)4068754-5 s 2\p DE-604 Malerei (DE-588)4037220-0 s Geschichte 1500-1849 z 3\p DE-604 Kunstbetrachtung (DE-588)4125321-8 s 4\p DE-604 Piles, Roger de 1635-1709 (DE-588)118792180 p 5\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rosenberg, Martin I. Raphael and France the artist as paradigm and symbol Raphael <1483-1520> Influence Piles, Roger de 1635-1709 (DE-588)118792180 gnd Raffael 1483-1520 (DE-588)118597787 gnd Beeldende kunsten gtt Receptie gtt Kunst Rezeption Art, French Classicism in art France Kunststil (DE-588)4073889-9 gnd Fortleben (DE-588)4336557-7 gnd Einfluss (DE-588)4151276-5 gnd Rezeption (DE-588)4049716-1 gnd Malerei (DE-588)4037220-0 gnd Kunstbetrachtung (DE-588)4125321-8 gnd Antike (DE-588)4068754-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)118792180 (DE-588)118597787 (DE-588)4073889-9 (DE-588)4336557-7 (DE-588)4151276-5 (DE-588)4049716-1 (DE-588)4037220-0 (DE-588)4125321-8 (DE-588)4068754-5 (DE-588)4114333-4 (DE-588)4018145-5 (DE-588)4027833-5 (DE-588)4113937-9 |
| title | Raphael and France the artist as paradigm and symbol |
| title_auth | Raphael and France the artist as paradigm and symbol |
| title_exact_search | Raphael and France the artist as paradigm and symbol |
| title_full | Raphael and France the artist as paradigm and symbol Martin Rosenberg |
| title_fullStr | Raphael and France the artist as paradigm and symbol Martin Rosenberg |
| title_full_unstemmed | Raphael and France the artist as paradigm and symbol Martin Rosenberg |
| title_short | Raphael and France |
| title_sort | raphael and france the artist as paradigm and symbol |
| title_sub | the artist as paradigm and symbol |
| topic | Raphael <1483-1520> Influence Piles, Roger de 1635-1709 (DE-588)118792180 gnd Raffael 1483-1520 (DE-588)118597787 gnd Beeldende kunsten gtt Receptie gtt Kunst Rezeption Art, French Classicism in art France Kunststil (DE-588)4073889-9 gnd Fortleben (DE-588)4336557-7 gnd Einfluss (DE-588)4151276-5 gnd Rezeption (DE-588)4049716-1 gnd Malerei (DE-588)4037220-0 gnd Kunstbetrachtung (DE-588)4125321-8 gnd Antike (DE-588)4068754-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Raphael <1483-1520> Influence Piles, Roger de 1635-1709 Raffael 1483-1520 Beeldende kunsten Receptie Kunst Rezeption Art, French Classicism in art France Kunststil Fortleben Einfluss Malerei Kunstbetrachtung Antike Frankreich Italien Hochschulschrift |
| work_keys_str_mv | AT rosenbergmartini raphaelandfrancetheartistasparadigmandsymbol |