On Hume and eighteenth century aesthetics: the philosopher on a swing
This study is an original approach to the notion of "golden mean" in eighteenth-century culture. It bravely combines intellectual history and material history, spanning the fields of philosophy, aesthetics, painting, sociology, optics, music, theater and garden history in an effort to cros...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | German English Italian |
| Published: |
New York [u.a.]
Lang
1995
|
| Series: | New studies in aesthetics
22 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | This study is an original approach to the notion of "golden mean" in eighteenth-century culture. It bravely combines intellectual history and material history, spanning the fields of philosophy, aesthetics, painting, sociology, optics, music, theater and garden history in an effort to cross the borders of academic writing, in the stylistic treatment of the subject Giancarlo Carabelli examines the "golden mean" both in one of the highlights of Enlightenment philosophy - David Hume's essays and his discussion of the middle station of life and of the standard of taste - and in a modest artifact, "intermediate structure" par excellence: the invisible fence of the ha-ha, that magical "middle," that "simple enchantment," as Walpole called it, that was typical of eighteenth-century "modern garden" |
| Item Description: | Literaturverz. S. 195 - 214 |
| Physical Description: | IX, 222 S. |
| ISBN: | 0820425281 |
Staff View
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| 490 | 1 | |a New studies in aesthetics |v 22 | |
| 500 | |a Literaturverz. S. 195 - 214 | ||
| 520 | 3 | |a This study is an original approach to the notion of "golden mean" in eighteenth-century culture. It bravely combines intellectual history and material history, spanning the fields of philosophy, aesthetics, painting, sociology, optics, music, theater and garden history in an effort to cross the borders of academic writing, in the stylistic treatment of the subject | |
| 520 | |a Giancarlo Carabelli examines the "golden mean" both in one of the highlights of Enlightenment philosophy - David Hume's essays and his discussion of the middle station of life and of the standard of taste - and in a modest artifact, "intermediate structure" par excellence: the invisible fence of the ha-ha, that magical "middle," that "simple enchantment," as Walpole called it, that was typical of eighteenth-century "modern garden" | ||
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Record in the Search Index
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| adam_text | Titel: On Hume and eighteenth century aesthetics
Autor: Carabelli, Giancarlo
Jahr: 1995
m
I:.
Library of Congress Catalogi.^Hn-I uWtatioa Data
Carabelli, Giancarlo.
flntorno a Hume. English]
swing^So^Ä^ n
lAhÄrLgS ffir ^vo1-22) contenis
ISBN 6-8204-2528-1 192-dc20 94-27991
ISSN 0893-6005 x ,.
Listoflllustrations .»
We Deutsche BiblloUKA-CIP-Eü^itsaufnalune IntTOdUCtiOIl 1
Carabelli, Giancarlo:
jwarioc^ Part 1: Sancho s Cask i
Bern; FranMm an, Main; Berit vSnTS? DF/Baltimore= S™ F^isco;
SA ? ÄSVS: S 8 I- Naive Taster and Expert Taster
ISBN(Ä2528T aHume «gI. _
NE:GT 1. The Delicacyof Taste *
2. Uncle Tohy and Walter Shandy 9
3. The Material Perspective n
4. The Historical Perspective u
6. The False Target
7. Prejudices ,
8. Probability
Thepape w 9 Fromxto
cüSÄrtts äsä tgr-»- - *«*«* °f 10- ^ NMve Spectator 20
^«»ncu «HjbraryResoure^ ueunes for Book Longevity of the 11. Time and Taste 20
5. ThelndirectPath 12
13
14
15
16
18
12. Unintended Ends
13. Translation
prin«ed ü the United Stetes ofAmerfca l umo,tea 18. The Idler as Super-PoMcian
20
22
22
}*^S^B 1995 PWcr Law iw ¦ 14- The Non-Finito
säW rirftts M ***^H« »* 15. Taste and CommonLaW 23
nghts reserved. . A, ._,« 24
»«production eve» 16. TheExpertisAlwaysRight
mS^y a^^ ^S^^Z^^n^am 17. Expertsand Conventions 26
y pronioited. n .«____c____Dni;ii -iin 29
Library of Congress Cataloging-in-Publication Data
Carabelli, Giancarlo.
[Intorno a Hume English]
• °nJHuroe and eighteenth-century aesthetics: the philosopher on a
swmg / Giancarlo Carlbelli. P- P on a Prmfpmto
P- cm. - (New studies in aesthetics; vol. 22) V^UlllClllIj
Translation of: Intorno a Hume.
includes bibliographical references (p. ) and index,
i. Hume, David, 1711-1776. 2. Aesthetics, British-18th Century
Rij^A^rHistory-18th Century. I. Title. II. Series.
ISBNÖÄ72528 1 192-dc2° 94-27991
ISSN0893^°5 Listoflllustrations
* °-^ Bmüothek-Cn.Eloheltsauf.uüune IntTOdUCtiOIl
s^sü Giancar,°-
«ancarto %££$•* !£**? **£** ¦ *e philosopher on a swing / Part 11 SailCho S Cask
Ben»; Frankfiirt New Yotk Washington, D.C./Baltimore; San Francisco-
(New studio •am Main; B«1 »; Vienna; Paris; Lang.
EinheitsKteh» .¦ »thetics; Vol. 22) I. Naive Taster and Expert Taster
ISBN O-S04I9«??0 a Hume enS
NE.GT ^^^ZS-I 1 The Delicacyof Taste
* P^r in this 9. Fromxtov
*eConumtteeonft^n,TOb^guideliiiesforpennanenceanddur^ 10. The Naive Spectator
Kj*UKd « Ubrary^^Guidelines for Book Longevity of the n Time ^ Taste
L ©
I® »S Peter L^ ^ ^
A0 righte I^/n8 Pttbüshäg. Inc. New York
e thiied s^. 18 TheldlerasSuper-Politician
¦¦» of America.
XI
8
2. Uncle Toby and Walter Shandy 9
3. The Material Perspective 11
4. The Historical Perspective 11
5. The Indirect Path 12
6. The False Target 13
7. Prejudices 14
8. Probability 15
9. Fromxtov 16
18
20
12. Unintended Ends 20
13. Translation 22
14. The Non-Finito 22
15. Taste and Common Law 23
16. TheExpertisAlwaysRight 24
17. Experts and Conventions 26
29
™ Contents Contents vii
II. Disagreement Between Expert Tasters 20- The Time of Friendship 68
1. The Joint Verdict 21- The Short Circuit 69
2. TheStructureofthe^ay* 11 22 Culture as Manufacture 70
3. TheMiddleFlavor 23- The Bird s-Eye View 71
4. The Style of Convention 11 24- ^cestuous Games 72
9. The Double Crab
11. The Middle Solution
12. Thelnventionofthel
13. The Middle as Creator of Extremes
35
25. Guaranteed Friendship 73
5. ToThrowtheBiassontheOppositeSide ?*
6. Discussion and the Sonata Z 26. The Romance Essays 74
7. Superimposition 27 Crossed Reading 75
8. The Crab Form 3? 28 Friendship and Sexuaüty 76
38 29. Violence and Contract 77
10. The Ideal Conversation 39 3° JealousyasDesPairofReciProcity 79
40 31. Conversation and Sublimation 80
12. ThelrrvenJorof^Middle 32. Hume and Montaigne 82
42 33. TheAndrogyne 84
44 34. Exchange of Roles, the SupremeRule 86
35. A Good Game Never Lasts 87
Part 2: The Middle Station of Life 47
i. snmmary 0f the Essay 47 Part 3: The Garden of the Ha-Ha 91
2. The Repudiated Essays 49
3. The Key Passage I. Inside and Outside
4. The Structureof the Essay 51 1. The Problem
5. Great, «Middle, and Poor 52 2. The Solution
6. The Middle Position: In What Sense? 52 3. Transitional Structure
7. The Middle as a Classificatory Tool « 4. The Decisive Step
8. HayingonTwoTables 55 5. Playing at Fortifications
56
57
58
60
61
15. EqualBecaoseUnequal? 64 12. The Global Fiction
9. The Intermediate Space 56 6. TheHeightofFashion
57
58
j-----»uiui)|)uac gn 7. mcnuiciuuic waii
13. TheMarriageofCana 61 10. Reality as Landscape Painting
10. TheDefectBecomesaVirtue 57 7. The Transition
11. The Social Picture 58 8. Surprise
12. FromPyramidtoSphere 60 9. The Hole in the Wall
13. TheMarriageofCana 61 10. Reality as Landsc
14. The Bourgeois Camival 62 11. Berkeley s Laugh
91
93
95
97
99
101
102
103
104
106
106
107
109
16. Mixtureasa General System 65 13. A Machine to See with
17. Not an Exchange of Goods, but a Double Gift 66 14 English and French 112
18. The^Social C^nununicationof Affections 66 15 The Landscape in the Grotto 113
19. AutismandAlienation 67 16 Reculerpourmieuxsauter 114
™ Contents Contents vii
n. Disagreement Between Expert Tasters 20- The Time of Friendship 68
1. The Joint Verdict 21- The Short Circuit 69
2. The Stmctureof the Essay* 11 22- Culture as Manufacture 70
3. The Middle Flavor 32 23 The Bird s-Eye View 71
73
74
75
4. The Style of Conversation 24 ^cestuous Games
5. ToThrowtheBiassontheOppositeSide • GuaranteedFriendshiP
6. Discussion and the Sonata Z 26 ™e Romance Essays
7. Superimposition 27 Crossed Reading
8. The Crab Form 28 FriendshiP a»* Sexuality 76
9. The Double Crab 38 29 Violeilce and Contract 77
10. The Ideal Conversation 39 3° JealousyasDespairofReciprocity 79
40 31. Conversation and Sublimation 80
41 32. Hume and Montaigne 82
42 33. TheAndrogyne 84
44 34. Exchange of Roles, the SupremeRule 86
35. A Good Game Never Lasts 87
47
i. summaryof the Essay 47 Part 3: The Garden of the Ha-Ha 91
2 J^*^1 03*«! Essays 49
11. The Middle Solution
12. The Inventionof the Middle
13. The Middle as Creator of Extremes
Part 2: The Middle Station of Life
» - -- *仫«j o 4q
3. The Key Passage , I. Inside and Outside
4. Jhe Stractureof the Essay 51 1. The Problem
5. Great, Middle, and Poor 52 2. The Solution
6. The Middle Position: In What Sense? 52 3. Transitional Structure
7. The Middle as a Classifkatory Tool 53 4. The Decisive Step
8. PlayingonTwoTables 55 5. Playing at Fortifications
9. The Intermediate Space 56 6. The Height of Fashion
10. TheDefectBecomesaViitue 7 7. The Transition
- wvauvo a t umc C T * • luv iicui
11. The Social Picture 58 8. Surprise
12- F« mPyramidtoSphere 60 9 The Hole in the Wall
13- ToeMarriageofCana fi1 10. Reality as Landscape Painting
14. The Bourgeois Cantival 62 11. Berkeley s Laugh
15- EqaalBecaaseUnequal? 64 12 The Global Fiction
16. Mixrare asa General System 65 13. A Machine to See with
17. Not an Exchange ofGoods,buta Double Gift 66 14 English and French
e Social Conununicationof Affections 66 15 The Landscape in the Grotto
uusm and Alienation 67 l6- Reculerpourmieuxsauter
91
93
95
97
99
101
102
103
104
106
106
107
109
112
113
114
viii Contents
17. Invisible Property, Invisible Fence 115
II. The Oxymoron in the Garden
1. TheMixture 116
2. Pmg-Pong between Inside and Outside 118
3. The Elastic Space 119
4. The Obscene Gardener 12q
5. The All-Purpose Garden 123
6. Systematic confusion 124
7. The Cows and the Flowers 125
8. The Line of Utility 128
m. The Walk
1. The Multiple Perspective 130
2. PlayingHide-and-SeekwithTime 133
3. Ideal Presence and Non-Finito 134
4. TheStrip-TeaseofNature 136
5. Enters Capability Brown 138
6. There I Make a Comma 140
7. Punctuation as Text 142
8. The Aesthetics of the Banal 144
IV. Walking in the Picture
1. The Theater ofNon-Memory 145
2. TheBazaarofthedejävu 147
3. The Self-Produced Copy 148
4. Walking and Pictures 151
5. Keep Moving 152
6- Pamtingpret-ä^orter 153
7. Nonsensical Contingencies 155
8. Package Tours to Infinity 156
9. The Ecstasy ofNon-Sense 157
V. The Walk in the Metropolis
1- TheReversal 158
2. The Garden of Horror 159
3. The Unconscious Garden 160
Contents ix
4. Vegetative Culture 162
5. The Metropolitan Ha-Ha 163
6. Life-Size Miniature 164
7. The Apotheosisof the Middle 166
8. The Passages 168
9. The Dreamsof the Modern 169
Notes 171
References 195
Index of Names 215
|
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| era | Geschichte 1700-1800 |
| era_facet | Geschichte 1700-1800 |
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| id | DE-604.BV010194363 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T17:48:13Z |
| institution | BVB |
| isbn | 0820425281 |
| language | German English Italian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006774151 |
| oclc_num | 31130924 |
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| physical | IX, 222 S. |
| publishDate | 1995 |
| publishDateSearch | 1995 |
| publishDateSort | 1995 |
| publisher | Lang |
| record_format | marc |
| series | New studies in aesthetics |
| series2 | New studies in aesthetics |
| spelling | Carabelli, Giancarlo Verfasser aut Intorno a Hume On Hume and eighteenth century aesthetics the philosopher on a swing Giancarlo Carabelli New York [u.a.] Lang 1995 IX, 222 S. txt rdacontent n rdamedia nc rdacarrier New studies in aesthetics 22 Literaturverz. S. 195 - 214 This study is an original approach to the notion of "golden mean" in eighteenth-century culture. It bravely combines intellectual history and material history, spanning the fields of philosophy, aesthetics, painting, sociology, optics, music, theater and garden history in an effort to cross the borders of academic writing, in the stylistic treatment of the subject Giancarlo Carabelli examines the "golden mean" both in one of the highlights of Enlightenment philosophy - David Hume's essays and his discussion of the middle station of life and of the standard of taste - and in a modest artifact, "intermediate structure" par excellence: the invisible fence of the ha-ha, that magical "middle," that "simple enchantment," as Walpole called it, that was typical of eighteenth-century "modern garden" Hume, David <1711-1776> ram Hume, David <1711-1776> Hume, David 1711-1776 (DE-588)118554735 gnd rswk-swf Geschichte 1700-1800 Esthetica gtt Esthétique - Grande-Bretagne - 18e siècle ram Jardins - 18e siècle ram Geschichte Ästhetik Aesthetics, British 18th century Gardens History 18th century Ästhetik (DE-588)4000626-8 gnd rswk-swf Hume, David 1711-1776 (DE-588)118554735 p Ästhetik (DE-588)4000626-8 s DE-604 New studies in aesthetics 22 (DE-604)BV000683128 22 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006774151&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Carabelli, Giancarlo On Hume and eighteenth century aesthetics the philosopher on a swing New studies in aesthetics Hume, David <1711-1776> ram Hume, David <1711-1776> Hume, David 1711-1776 (DE-588)118554735 gnd Esthetica gtt Esthétique - Grande-Bretagne - 18e siècle ram Jardins - 18e siècle ram Geschichte Ästhetik Aesthetics, British 18th century Gardens History 18th century Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)118554735 (DE-588)4000626-8 |
| title | On Hume and eighteenth century aesthetics the philosopher on a swing |
| title_alt | Intorno a Hume |
| title_auth | On Hume and eighteenth century aesthetics the philosopher on a swing |
| title_exact_search | On Hume and eighteenth century aesthetics the philosopher on a swing |
| title_full | On Hume and eighteenth century aesthetics the philosopher on a swing Giancarlo Carabelli |
| title_fullStr | On Hume and eighteenth century aesthetics the philosopher on a swing Giancarlo Carabelli |
| title_full_unstemmed | On Hume and eighteenth century aesthetics the philosopher on a swing Giancarlo Carabelli |
| title_short | On Hume and eighteenth century aesthetics |
| title_sort | on hume and eighteenth century aesthetics the philosopher on a swing |
| title_sub | the philosopher on a swing |
| topic | Hume, David <1711-1776> ram Hume, David <1711-1776> Hume, David 1711-1776 (DE-588)118554735 gnd Esthetica gtt Esthétique - Grande-Bretagne - 18e siècle ram Jardins - 18e siècle ram Geschichte Ästhetik Aesthetics, British 18th century Gardens History 18th century Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Hume, David <1711-1776> Hume, David 1711-1776 Esthetica Esthétique - Grande-Bretagne - 18e siècle Jardins - 18e siècle Geschichte Ästhetik Aesthetics, British 18th century Gardens History 18th century |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006774151&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000683128 |
| work_keys_str_mv | AT carabelligiancarlo intornoahume AT carabelligiancarlo onhumeandeighteenthcenturyaestheticsthephilosopheronaswing |