Webern and the lyric impulse: songs and fragments on poems of Georg Trakl
This study provides a new view of a composer long considered to be one of this century's most rigorously intellectual creators, Anton Webern. By examining a central pre-twelve-tone work, the Trakl cycle, Op. 14, in the context of the Viennese intellectual and artistic climate, Professor Shreffl...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Oxford
Clarendon Press
1994
|
| Series: | Studies in musical genesis and structure
|
| Subjects: | |
| Summary: | This study provides a new view of a composer long considered to be one of this century's most rigorously intellectual creators, Anton Webern. By examining a central pre-twelve-tone work, the Trakl cycle, Op. 14, in the context of the Viennese intellectual and artistic climate, Professor Shreffler shows how Webern's responses to Trakl's complex verse enabled him to expand his musical vocabulary. Her emphasis on Webern's compositional process is of particular importance: whether because of the anxiety of creating a new musical language, or because of an innate hyper-perfectionism (or both), Webern rejected most of what he composed. A close examination of the manuscript sources - fragments, sketches, and fair copies - of Webern's comparatively neglected middle-period lieder enables Shreffler to shed light on Webern's musical language and his working methods A focus on the sources also helps to modify the view that his music progressed steadily in the direction of the twelve-tone technique. The works reveal instead a concern with expressing the essence of the text; this lyricism, rather than articulating a substantially different aesthetic from the later works, provides a better understanding of the consummate lyricism of all his music, however compressed or fragmented its utterance in the 'classic' twelve-tone works |
| Physical Description: | XVI, 256 S. Notenbeisp. |
| ISBN: | 0198162243 |
Staff View
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| 520 | 3 | |a This study provides a new view of a composer long considered to be one of this century's most rigorously intellectual creators, Anton Webern. By examining a central pre-twelve-tone work, the Trakl cycle, Op. 14, in the context of the Viennese intellectual and artistic climate, Professor Shreffler shows how Webern's responses to Trakl's complex verse enabled him to expand his musical vocabulary. Her emphasis on Webern's compositional process is of particular importance: whether because of the anxiety of creating a new musical language, or because of an innate hyper-perfectionism (or both), Webern rejected most of what he composed. A close examination of the manuscript sources - fragments, sketches, and fair copies - of Webern's comparatively neglected middle-period lieder enables Shreffler to shed light on Webern's musical language and his working methods | |
| 520 | |a A focus on the sources also helps to modify the view that his music progressed steadily in the direction of the twelve-tone technique. The works reveal instead a concern with expressing the essence of the text; this lyricism, rather than articulating a substantially different aesthetic from the later works, provides a better understanding of the consummate lyricism of all his music, however compressed or fragmented its utterance in the 'classic' twelve-tone works | ||
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| indexdate | 2025-03-04T09:00:40Z |
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| isbn | 0198162243 |
| language | English |
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| series2 | Studies in musical genesis and structure |
| spelling | Shreffler, Anne C. 1957- Verfasser (DE-588)1029751331 aut Webern and the lyric impulse songs and fragments on poems of Georg Trakl Anne C. Shreffler Oxford Clarendon Press 1994 XVI, 256 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Studies in musical genesis and structure This study provides a new view of a composer long considered to be one of this century's most rigorously intellectual creators, Anton Webern. By examining a central pre-twelve-tone work, the Trakl cycle, Op. 14, in the context of the Viennese intellectual and artistic climate, Professor Shreffler shows how Webern's responses to Trakl's complex verse enabled him to expand his musical vocabulary. Her emphasis on Webern's compositional process is of particular importance: whether because of the anxiety of creating a new musical language, or because of an innate hyper-perfectionism (or both), Webern rejected most of what he composed. A close examination of the manuscript sources - fragments, sketches, and fair copies - of Webern's comparatively neglected middle-period lieder enables Shreffler to shed light on Webern's musical language and his working methods A focus on the sources also helps to modify the view that his music progressed steadily in the direction of the twelve-tone technique. The works reveal instead a concern with expressing the essence of the text; this lyricism, rather than articulating a substantially different aesthetic from the later works, provides a better understanding of the consummate lyricism of all his music, however compressed or fragmented its utterance in the 'classic' twelve-tone works Trakl, Georg <1887-1914> Webern, Anton von <1883-1945> Webern, Anton <1883-1945> Lieder nach Gedichten von Georg Trakl Trakl, Georg <1887-1914> Musical settings History and criticism Trakl, Georg 1887-1914 (DE-588)118623575 gnd rswk-swf Webern, Anton 1883-1945 (DE-588)118629786 gnd rswk-swf Analyse (algemeen) gtt Liederen gtt Tekstbehandeling gtt Lyrik (DE-588)4036774-5 gnd rswk-swf Vertonung (DE-588)4063269-6 gnd rswk-swf Webern, Anton 1883-1945 (DE-588)118629786 p Vertonung (DE-588)4063269-6 s Trakl, Georg 1887-1914 (DE-588)118623575 p Lyrik (DE-588)4036774-5 s DE-604 |
| spellingShingle | Shreffler, Anne C. 1957- Webern and the lyric impulse songs and fragments on poems of Georg Trakl Trakl, Georg <1887-1914> Webern, Anton von <1883-1945> Webern, Anton <1883-1945> Lieder nach Gedichten von Georg Trakl Trakl, Georg <1887-1914> Musical settings History and criticism Trakl, Georg 1887-1914 (DE-588)118623575 gnd Webern, Anton 1883-1945 (DE-588)118629786 gnd Analyse (algemeen) gtt Liederen gtt Tekstbehandeling gtt Lyrik (DE-588)4036774-5 gnd Vertonung (DE-588)4063269-6 gnd |
| subject_GND | (DE-588)118623575 (DE-588)118629786 (DE-588)4036774-5 (DE-588)4063269-6 |
| title | Webern and the lyric impulse songs and fragments on poems of Georg Trakl |
| title_auth | Webern and the lyric impulse songs and fragments on poems of Georg Trakl |
| title_exact_search | Webern and the lyric impulse songs and fragments on poems of Georg Trakl |
| title_full | Webern and the lyric impulse songs and fragments on poems of Georg Trakl Anne C. Shreffler |
| title_fullStr | Webern and the lyric impulse songs and fragments on poems of Georg Trakl Anne C. Shreffler |
| title_full_unstemmed | Webern and the lyric impulse songs and fragments on poems of Georg Trakl Anne C. Shreffler |
| title_short | Webern and the lyric impulse |
| title_sort | webern and the lyric impulse songs and fragments on poems of georg trakl |
| title_sub | songs and fragments on poems of Georg Trakl |
| topic | Trakl, Georg <1887-1914> Webern, Anton von <1883-1945> Webern, Anton <1883-1945> Lieder nach Gedichten von Georg Trakl Trakl, Georg <1887-1914> Musical settings History and criticism Trakl, Georg 1887-1914 (DE-588)118623575 gnd Webern, Anton 1883-1945 (DE-588)118629786 gnd Analyse (algemeen) gtt Liederen gtt Tekstbehandeling gtt Lyrik (DE-588)4036774-5 gnd Vertonung (DE-588)4063269-6 gnd |
| topic_facet | Trakl, Georg <1887-1914> Webern, Anton von <1883-1945> Webern, Anton <1883-1945> Lieder nach Gedichten von Georg Trakl Trakl, Georg <1887-1914> Musical settings History and criticism Trakl, Georg 1887-1914 Webern, Anton 1883-1945 Analyse (algemeen) Liederen Tekstbehandeling Lyrik Vertonung |
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