The invisible God: the earliest Christians on art

This study challenges a popular shibboleth, namely that Christianity came into the world as an essentially iconophobic form of religiosity, one that was opposed on principle to the use of visual images in religious contexts

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Bibliographic Details
Main Author: Finney, Paul C. (Author)
Format: Book
Language:English
Published: New York u.a. Oxford Univ. Press 1994
Subjects:
Summary:This study challenges a popular shibboleth, namely that Christianity came into the world as an essentially iconophobic form of religiosity, one that was opposed on principle to the use of visual images in religious contexts
It is argued here that this view misrepresents the evidence as we have it (consisting of both literary and archaeological fragments) - furthermore this misrepresentation is conscious and deliberate, designed to serve the interests of modern (and not so modern) confessional points of view
The picture presented here is of a religious minority, pre-Constantinian Christians, wrestling at the moment of their birth with questions of self-identity and seeking to submit themselves and their beliefs to open and public scrutiny. Only gradually over the course of the second century did Christians manage to formulate a definition of themselves as a distinct and separate religious culture
Physical Description:XXVIII, 319 S. Ill., Kt.
ISBN:0195082524

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