Charles Tomlinson and the objective tradition:
The poetry of Charles Tomlinson is distinguished by its respect for the world as objective fact - as set apart from human mythmaking, symbolizing, and egotistic projection
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Lewisburg
Bucknell Univ. Press [u.a.]
1994
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| Subjects: | |
| Summary: | The poetry of Charles Tomlinson is distinguished by its respect for the world as objective fact - as set apart from human mythmaking, symbolizing, and egotistic projection In Charles Tomlinson and the Objective Tradition, Richard Swigg examines the amazingly versatile speech and relationship that Tomlinson has brought to the concreteness of nature and city from the early poems of the 1940s up to the late 1980s by assessing the achievement within an Anglo-American tradition of factuality from which Tomlinson has drawn strength and which his work now illuminates Blake's gleaming particularities, Constable's "science" of painting, Ruskin's visual energy, Emerson's and Wordsworth's delight in humble solidities, Whitman's celebration of American facts - all belong to the lineage that, as Tomlinson's poetry reveals, takes on new expression in the modernism of Wallace Stevens and Marianne Moore |
| Physical Description: | 271 S. |
| ISBN: | 0838752497 |
Staff View
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| 520 | 3 | |a The poetry of Charles Tomlinson is distinguished by its respect for the world as objective fact - as set apart from human mythmaking, symbolizing, and egotistic projection | |
| 520 | |a In Charles Tomlinson and the Objective Tradition, Richard Swigg examines the amazingly versatile speech and relationship that Tomlinson has brought to the concreteness of nature and city from the early poems of the 1940s up to the late 1980s by assessing the achievement within an Anglo-American tradition of factuality from which Tomlinson has drawn strength and which his work now illuminates | ||
| 520 | |a Blake's gleaming particularities, Constable's "science" of painting, Ruskin's visual energy, Emerson's and Wordsworth's delight in humble solidities, Whitman's celebration of American facts - all belong to the lineage that, as Tomlinson's poetry reveals, takes on new expression in the modernism of Wallace Stevens and Marianne Moore | ||
| 600 | 1 | 4 | |a Tomlinson, Charles <1927-> |x Criticism and interpretation |
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| 650 | 7 | |a Objectiviteit |2 gtt | |
| 650 | 4 | |a Objectivity in literature | |
| 689 | 0 | 0 | |a Tomlinson, Charles |d 1927-2015 |0 (DE-588)118758446 |D p |
| 689 | 0 | |5 DE-604 | |
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Record in the Search Index
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| dewey-sort | 3821 3914 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
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| id | DE-604.BV009590359 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T17:37:37Z |
| institution | BVB |
| isbn | 0838752497 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-006338838 |
| oclc_num | 28377157 |
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| physical | 271 S. |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | Bucknell Univ. Press [u.a.] |
| record_format | marc |
| spelling | Swigg, Richard Verfasser aut Charles Tomlinson and the objective tradition Richard Swigg Lewisburg Bucknell Univ. Press [u.a.] 1994 271 S. txt rdacontent n rdamedia nc rdacarrier The poetry of Charles Tomlinson is distinguished by its respect for the world as objective fact - as set apart from human mythmaking, symbolizing, and egotistic projection In Charles Tomlinson and the Objective Tradition, Richard Swigg examines the amazingly versatile speech and relationship that Tomlinson has brought to the concreteness of nature and city from the early poems of the 1940s up to the late 1980s by assessing the achievement within an Anglo-American tradition of factuality from which Tomlinson has drawn strength and which his work now illuminates Blake's gleaming particularities, Constable's "science" of painting, Ruskin's visual energy, Emerson's and Wordsworth's delight in humble solidities, Whitman's celebration of American facts - all belong to the lineage that, as Tomlinson's poetry reveals, takes on new expression in the modernism of Wallace Stevens and Marianne Moore Tomlinson, Charles <1927-> Criticism and interpretation Tomlinson, Charles 1927-2015 (DE-588)118758446 gnd rswk-swf Objectiviteit gtt Objectivity in literature Tomlinson, Charles 1927-2015 (DE-588)118758446 p DE-604 |
| spellingShingle | Swigg, Richard Charles Tomlinson and the objective tradition Tomlinson, Charles <1927-> Criticism and interpretation Tomlinson, Charles 1927-2015 (DE-588)118758446 gnd Objectiviteit gtt Objectivity in literature |
| subject_GND | (DE-588)118758446 |
| title | Charles Tomlinson and the objective tradition |
| title_auth | Charles Tomlinson and the objective tradition |
| title_exact_search | Charles Tomlinson and the objective tradition |
| title_full | Charles Tomlinson and the objective tradition Richard Swigg |
| title_fullStr | Charles Tomlinson and the objective tradition Richard Swigg |
| title_full_unstemmed | Charles Tomlinson and the objective tradition Richard Swigg |
| title_short | Charles Tomlinson and the objective tradition |
| title_sort | charles tomlinson and the objective tradition |
| topic | Tomlinson, Charles <1927-> Criticism and interpretation Tomlinson, Charles 1927-2015 (DE-588)118758446 gnd Objectiviteit gtt Objectivity in literature |
| topic_facet | Tomlinson, Charles <1927-> Criticism and interpretation Tomlinson, Charles 1927-2015 Objectiviteit Objectivity in literature |
| work_keys_str_mv | AT swiggrichard charlestomlinsonandtheobjectivetradition |