Shakespeare observed: studies in performance on stage and screen
In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays. Crowl...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Athens
Ohio Univ. Press
1992
|
| Schlagworte: | |
| Zusammenfassung: | In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays. Crowl's study demonstrates the surprising resonances between Roman Polanski's 1971 film of Macbeth and Adrian Noble's heralded recent production of the play for The Royal Shakespeare Company; argues that Orson Welles's films of Othello and Chimes at Midnight are not only brilliant re-imaginings of Shakespeare in another art form but make a powerful contribution to our contemporary understanding of performance as interpretation; and chronicles the impact of Peter Hall's creation of the Royal Shakespeare Company in 1960 on performance approaches to Shakespeare in the past thirty years. Shakespeare Observed provides full interpretative readings of key recent Shakespeare productions in England and includes an intimate behind-the-scenes glimpse into the rehearsal process which produced Ron Daniels's emotionally charged version of Romeo and Juliet for the RSC in 1980. The final chapter uses Kenneth Branagh's highly successful film of Henry V as a summary example of the trends and influences Crowl's study traces, seeing the film as gathering its interpretative energies from both Olivier's famous film version of the play and Adrian Noble's stage production featuring Branagh as the king. Written in a style which places a premium on capturing the vivid and often dazzling moments of stage and film performances of Shakespeare, Crowl's study will be of interest to the avid film and theater-goer as well as to the scholar and student. Shakespeare Observed joins a growing list of recent critical works which have significantly expanded and redefined the boundaries of Shakespeare studies in our time. |
| Beschreibung: | XIII, 195, [8]S. Ill. |
| ISBN: | 0821410342 |
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| 520 | 3 | |a In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays. Crowl's study demonstrates the surprising resonances between Roman Polanski's 1971 film of Macbeth and Adrian Noble's heralded recent production of the play for The Royal Shakespeare Company; argues that Orson Welles's films of Othello and Chimes at Midnight are not only brilliant re-imaginings of Shakespeare in another art form but make a powerful contribution to our contemporary understanding of performance as interpretation; and chronicles the impact of Peter Hall's creation of the Royal Shakespeare Company in 1960 on performance approaches to Shakespeare in the past thirty years. Shakespeare Observed provides full interpretative readings of key recent Shakespeare productions in England and includes an intimate behind-the-scenes glimpse into the rehearsal process which produced Ron Daniels's emotionally charged version of Romeo and Juliet for the RSC in 1980. The final chapter uses Kenneth Branagh's highly successful film of Henry V as a summary example of the trends and influences Crowl's study traces, seeing the film as gathering its interpretative energies from both Olivier's famous film version of the play and Adrian Noble's stage production featuring Branagh as the king. Written in a style which places a premium on capturing the vivid and often dazzling moments of stage and film performances of Shakespeare, Crowl's study will be of interest to the avid film and theater-goer as well as to the scholar and student. Shakespeare Observed joins a growing list of recent critical works which have significantly expanded and redefined the boundaries of Shakespeare studies in our time. | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Crowl, Samuel |
| author_facet | Crowl, Samuel |
| author_role | aut |
| author_sort | Crowl, Samuel |
| author_variant | s c sc |
| building | Verbundindex |
| bvnumber | BV008893597 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR3093 |
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| callnumber-sort | PR 43093 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HI 3560 |
| ctrlnum | (OCoLC)25507872 (DE-599)BVBBV008893597 |
| dewey-full | 792.9/5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.9/5 |
| dewey-search | 792.9/5 |
| dewey-sort | 3792.9 15 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| era | Geschichte 1960-1990 gnd |
| era_facet | Geschichte 1960-1990 |
| format | Book |
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| indexdate | 2024-07-09T17:26:48Z |
| institution | BVB |
| isbn | 0821410342 |
| language | English |
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| spelling | Crowl, Samuel Verfasser aut Shakespeare observed studies in performance on stage and screen Samuel Crowl Athens Ohio Univ. Press 1992 XIII, 195, [8]S. Ill. txt rdacontent n rdamedia nc rdacarrier In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays. Crowl's study demonstrates the surprising resonances between Roman Polanski's 1971 film of Macbeth and Adrian Noble's heralded recent production of the play for The Royal Shakespeare Company; argues that Orson Welles's films of Othello and Chimes at Midnight are not only brilliant re-imaginings of Shakespeare in another art form but make a powerful contribution to our contemporary understanding of performance as interpretation; and chronicles the impact of Peter Hall's creation of the Royal Shakespeare Company in 1960 on performance approaches to Shakespeare in the past thirty years. Shakespeare Observed provides full interpretative readings of key recent Shakespeare productions in England and includes an intimate behind-the-scenes glimpse into the rehearsal process which produced Ron Daniels's emotionally charged version of Romeo and Juliet for the RSC in 1980. The final chapter uses Kenneth Branagh's highly successful film of Henry V as a summary example of the trends and influences Crowl's study traces, seeing the film as gathering its interpretative energies from both Olivier's famous film version of the play and Adrian Noble's stage production featuring Branagh as the king. Written in a style which places a premium on capturing the vivid and often dazzling moments of stage and film performances of Shakespeare, Crowl's study will be of interest to the avid film and theater-goer as well as to the scholar and student. Shakespeare Observed joins a growing list of recent critical works which have significantly expanded and redefined the boundaries of Shakespeare studies in our time. Shakespeare, William <1564-1616> Film adaptations Shakespeare, William <1564-1616> Dramatic production Shakespeare, William <1564-1616> Stage history 1950- Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1960-1990 gnd rswk-swf Film adaptations History and criticism Drama (DE-588)4012899-4 gnd rswk-swf Verfilmung (DE-588)4062809-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Verfilmung (DE-588)4062809-7 s Geschichte 1960-1990 z DE-604 Großbritannien (DE-588)4022153-2 g Aufführung (DE-588)4143388-9 s Drama (DE-588)4012899-4 s 1\p DE-604 Film (DE-588)4017102-4 s 2\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Crowl, Samuel Shakespeare observed studies in performance on stage and screen Shakespeare, William <1564-1616> Film adaptations Shakespeare, William <1564-1616> Dramatic production Shakespeare, William <1564-1616> Stage history 1950- Shakespeare, William 1564-1616 (DE-588)118613723 gnd Film adaptations History and criticism Drama (DE-588)4012899-4 gnd Verfilmung (DE-588)4062809-7 gnd Film (DE-588)4017102-4 gnd Aufführung (DE-588)4143388-9 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4012899-4 (DE-588)4062809-7 (DE-588)4017102-4 (DE-588)4143388-9 (DE-588)4022153-2 |
| title | Shakespeare observed studies in performance on stage and screen |
| title_auth | Shakespeare observed studies in performance on stage and screen |
| title_exact_search | Shakespeare observed studies in performance on stage and screen |
| title_full | Shakespeare observed studies in performance on stage and screen Samuel Crowl |
| title_fullStr | Shakespeare observed studies in performance on stage and screen Samuel Crowl |
| title_full_unstemmed | Shakespeare observed studies in performance on stage and screen Samuel Crowl |
| title_short | Shakespeare observed |
| title_sort | shakespeare observed studies in performance on stage and screen |
| title_sub | studies in performance on stage and screen |
| topic | Shakespeare, William <1564-1616> Film adaptations Shakespeare, William <1564-1616> Dramatic production Shakespeare, William <1564-1616> Stage history 1950- Shakespeare, William 1564-1616 (DE-588)118613723 gnd Film adaptations History and criticism Drama (DE-588)4012899-4 gnd Verfilmung (DE-588)4062809-7 gnd Film (DE-588)4017102-4 gnd Aufführung (DE-588)4143388-9 gnd |
| topic_facet | Shakespeare, William <1564-1616> Film adaptations Shakespeare, William <1564-1616> Dramatic production Shakespeare, William <1564-1616> Stage history 1950- Shakespeare, William 1564-1616 Film adaptations History and criticism Drama Verfilmung Film Aufführung Großbritannien |
| work_keys_str_mv | AT crowlsamuel shakespeareobservedstudiesinperformanceonstageandscreen |