John Gay and the London theatre:
The Beggar's Opera, often referred to today as the first musical comedy, was the most popular dramatic piece of the eighteenth century - and is the work that John Gay (1685-1732) is best remembered for having written. That association of popular music and satiric lyrics has proved to be continu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lexington, Ky.
Univ. Press of Kentucky
1993
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The Beggar's Opera, often referred to today as the first musical comedy, was the most popular dramatic piece of the eighteenth century - and is the work that John Gay (1685-1732) is best remembered for having written. That association of popular music and satiric lyrics has proved to be continuingly attractive and variations on the Opera have flourished in this century: by Kurt Weill and Bertolt Brecht, by Duke Ellington, and most recently by Vaclav Havel. The original opera itself is played all over the world in amateur and professional productions But John Gay's place in all this has not been well defined. His Opera is often regarded as some sort of chance event. In John Gay and the London Theatre, the first book-length study of John Gay as dramatic author, Calhoun Winton recognizes the Opera as part of an entirely self-conscious career in the theatre, a career that Gay pursued from his earliest days as a writer in London and continued to follow to his death. Winton emphasizes Gay's knowledge of and affection for music, acquired, he argues, by way of his association with Handel. Although concentrating on Gay and his theatrical career, Winton also limns a vivid portrait of London itself and of the London stage of Gay's time, a period of considerable turbulence both within and outside the theatre. Gay's plays reflect in varying ways and degrees that social, political, and cultural turmoil. Winton's study sheds new light not only on Gay and the theatre but also on the politics and culture of his era |
| Beschreibung: | XVI, 212 S. |
| ISBN: | 0813118328 |
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| 520 | 3 | |a The Beggar's Opera, often referred to today as the first musical comedy, was the most popular dramatic piece of the eighteenth century - and is the work that John Gay (1685-1732) is best remembered for having written. That association of popular music and satiric lyrics has proved to be continuingly attractive and variations on the Opera have flourished in this century: by Kurt Weill and Bertolt Brecht, by Duke Ellington, and most recently by Vaclav Havel. The original opera itself is played all over the world in amateur and professional productions | |
| 520 | |a But John Gay's place in all this has not been well defined. His Opera is often regarded as some sort of chance event. In John Gay and the London Theatre, the first book-length study of John Gay as dramatic author, Calhoun Winton recognizes the Opera as part of an entirely self-conscious career in the theatre, a career that Gay pursued from his earliest days as a writer in London and continued to follow to his death. Winton emphasizes Gay's knowledge of and affection for music, acquired, he argues, by way of his association with Handel. Although concentrating on Gay and his theatrical career, Winton also limns a vivid portrait of London itself and of the London stage of Gay's time, a period of considerable turbulence both within and outside the theatre. Gay's plays reflect in varying ways and degrees that social, political, and cultural turmoil. Winton's study sheds new light not only on Gay and the theatre but also on the politics and culture of his era | ||
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Datensatz im Suchindex
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| adam_text | IMAGE 1
JOHN GAY
AND THE LONDON THEATRE CALHOUN WINTON
THE UNIVERSITY PRESS OF KENTUCKY
IMAGE 2
CONTENTS
ACKNOWLEDGMENTS INTRODUCTION 1. APPRENTICESHIP-A PRELUDE 2. THE MOHOCKS
3. CHAUCER IN AUGUSTAN ENGLAND 4. WORDS AND MUSIC 5. FALSE STARTS 6. THE
BEGGAR AND HIS OPERA
7. THE BEGGAR S OPERA IN THEATRE HISTORY 8. THE OPERA AS WORK OF ART 9.
POLLY AND THE CENSORS 10. LAST PLAYS EPILOGUE APPENDIX A: WERE THE
MOHOCKS EVER ANYTHING
MORE THAN A HAIRSTYLE? APPENDIX B: GAY S PAYMENT FOR THE OPERA
REFERENCE ABBREVIATIONS NOTES INDEX
VII IX 1 11 26 41
60 73 87 109 128
145 169
171 174 175 178 202
|
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| spelling | Winton, Calhoun Verfasser aut John Gay and the London theatre Calhoun Winton Lexington, Ky. Univ. Press of Kentucky 1993 XVI, 212 S. txt rdacontent n rdamedia nc rdacarrier The Beggar's Opera, often referred to today as the first musical comedy, was the most popular dramatic piece of the eighteenth century - and is the work that John Gay (1685-1732) is best remembered for having written. That association of popular music and satiric lyrics has proved to be continuingly attractive and variations on the Opera have flourished in this century: by Kurt Weill and Bertolt Brecht, by Duke Ellington, and most recently by Vaclav Havel. The original opera itself is played all over the world in amateur and professional productions But John Gay's place in all this has not been well defined. His Opera is often regarded as some sort of chance event. In John Gay and the London Theatre, the first book-length study of John Gay as dramatic author, Calhoun Winton recognizes the Opera as part of an entirely self-conscious career in the theatre, a career that Gay pursued from his earliest days as a writer in London and continued to follow to his death. Winton emphasizes Gay's knowledge of and affection for music, acquired, he argues, by way of his association with Handel. Although concentrating on Gay and his theatrical career, Winton also limns a vivid portrait of London itself and of the London stage of Gay's time, a period of considerable turbulence both within and outside the theatre. Gay's plays reflect in varying ways and degrees that social, political, and cultural turmoil. Winton's study sheds new light not only on Gay and the theatre but also on the politics and culture of his era Gay, John <1685-1732> Beggar's opera Gay, John <1685-1732> Stage history England London Gay, John 1685-1732 (DE-588)118716573 gnd rswk-swf Gay, John 1685-1732 The beggar's opera (DE-588)4351922-2 gnd rswk-swf Geschichte 1700-1800 Geschichte 1700-1733 gnd rswk-swf Geschichte 1705-1733 gnd rswk-swf Geschichte 1728-1733 gnd rswk-swf The Beggar's opera (Gay) gtt Toneel gtt Geschichte Theater Brigands and robbers in literature Theater England London History 18th century Theater (DE-588)4059702-7 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf London (DE-588)4074335-4 gnd rswk-swf Gay, John 1685-1732 The beggar's opera (DE-588)4351922-2 u Aufführung (DE-588)4143388-9 s Geschichte 1728-1733 z DE-604 Großbritannien (DE-588)4022153-2 g Theater (DE-588)4059702-7 s Geschichte 1700-1733 z Gay, John 1685-1732 (DE-588)118716573 p London (DE-588)4074335-4 g Geschichte 1705-1733 z DE-188 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=005450980&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Winton, Calhoun John Gay and the London theatre Gay, John <1685-1732> Beggar's opera Gay, John <1685-1732> Stage history England London Gay, John 1685-1732 (DE-588)118716573 gnd Gay, John 1685-1732 The beggar's opera (DE-588)4351922-2 gnd The Beggar's opera (Gay) gtt Toneel gtt Geschichte Theater Brigands and robbers in literature Theater England London History 18th century Theater (DE-588)4059702-7 gnd Aufführung (DE-588)4143388-9 gnd |
| subject_GND | (DE-588)118716573 (DE-588)4351922-2 (DE-588)4059702-7 (DE-588)4143388-9 (DE-588)4022153-2 (DE-588)4074335-4 |
| title | John Gay and the London theatre |
| title_auth | John Gay and the London theatre |
| title_exact_search | John Gay and the London theatre |
| title_full | John Gay and the London theatre Calhoun Winton |
| title_fullStr | John Gay and the London theatre Calhoun Winton |
| title_full_unstemmed | John Gay and the London theatre Calhoun Winton |
| title_short | John Gay and the London theatre |
| title_sort | john gay and the london theatre |
| topic | Gay, John <1685-1732> Beggar's opera Gay, John <1685-1732> Stage history England London Gay, John 1685-1732 (DE-588)118716573 gnd Gay, John 1685-1732 The beggar's opera (DE-588)4351922-2 gnd The Beggar's opera (Gay) gtt Toneel gtt Geschichte Theater Brigands and robbers in literature Theater England London History 18th century Theater (DE-588)4059702-7 gnd Aufführung (DE-588)4143388-9 gnd |
| topic_facet | Gay, John <1685-1732> Beggar's opera Gay, John <1685-1732> Stage history England London Gay, John 1685-1732 Gay, John 1685-1732 The beggar's opera The Beggar's opera (Gay) Toneel Geschichte Theater Brigands and robbers in literature Theater England London History 18th century Aufführung Großbritannien London |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=005450980&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT wintoncalhoun johngayandthelondontheatre |