Rhythmic alteration in seventeenth and eighteenth century music: notes inégales and overdotting
The problems of rhythmic alteration are among the most controversial issues facing today's historically oriented performers of Baroque music. Hitherto, anyone seeking to understand the French practice of notes inegales and the related concept of overdotting had to absorb an unwieldy and frequen...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Schirmer Books u.a.
1993
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| Schlagworte: | |
| Zusammenfassung: | The problems of rhythmic alteration are among the most controversial issues facing today's historically oriented performers of Baroque music. Hitherto, anyone seeking to understand the French practice of notes inegales and the related concept of overdotting had to absorb an unwieldy and frequently polemical literature of essays. Now, for the first time, Stephen E. Hefling's Rhythmic Alteration in Seventeenth- and Eighteenth-Century Music provides a comprehensive compendium of what is known about notes inegales and overdotting, including tables and summaries that make pertinent historical evidence readily accessible to performers and scholars alike. The volume concludes with a concise overview of problems and choices faced by performers Notes inegales is the historical name of the French practice, prevalent from 1690 to 1780, of performing diminution-like passages as uneven pairs of notes despite their notation in equal values. "Overdotting" (a modern term) designates the Baroque custom of rendering certain dotted rhythms longer than their notation indicates. Appropriate adoption of both practices in performance requires that the performer weigh a wide range of interrelated variables, including tempo, articulation, and national musical styles The book is divided into two parts. Part I, "Notes inegales," distills information from over 160 sources concerning conventional aspects of French rhythmic inequality, the negation of inequality, discrepancies among the sources, and the practice of notes inegales outside France. Part II, "Overdotting," examines the value of the dot, the relationship of overdotting to notes inegales, overdotting in French dances and overtures, and rhythmic alteration in the "Handel tradition." The final chapter functions as summation and practicum, focusing on specific performance situations in light of the conclusions drawn about rhythmic alteration. Here, Hefling's approach to interpretive strategies will be welcomed by every Baroque performer. The book also includes notes, an extensive bibliography, music examples, and facsimiles |
| Beschreibung: | XVI, 232 S. graph. Darst., Notenbeisp. |
| ISBN: | 0028710355 |
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| 520 | 3 | |a The problems of rhythmic alteration are among the most controversial issues facing today's historically oriented performers of Baroque music. Hitherto, anyone seeking to understand the French practice of notes inegales and the related concept of overdotting had to absorb an unwieldy and frequently polemical literature of essays. Now, for the first time, Stephen E. Hefling's Rhythmic Alteration in Seventeenth- and Eighteenth-Century Music provides a comprehensive compendium of what is known about notes inegales and overdotting, including tables and summaries that make pertinent historical evidence readily accessible to performers and scholars alike. The volume concludes with a concise overview of problems and choices faced by performers | |
| 520 | |a Notes inegales is the historical name of the French practice, prevalent from 1690 to 1780, of performing diminution-like passages as uneven pairs of notes despite their notation in equal values. "Overdotting" (a modern term) designates the Baroque custom of rendering certain dotted rhythms longer than their notation indicates. Appropriate adoption of both practices in performance requires that the performer weigh a wide range of interrelated variables, including tempo, articulation, and national musical styles | ||
| 520 | |a The book is divided into two parts. Part I, "Notes inegales," distills information from over 160 sources concerning conventional aspects of French rhythmic inequality, the negation of inequality, discrepancies among the sources, and the practice of notes inegales outside France. Part II, "Overdotting," examines the value of the dot, the relationship of overdotting to notes inegales, overdotting in French dances and overtures, and rhythmic alteration in the "Handel tradition." The final chapter functions as summation and practicum, focusing on specific performance situations in light of the conclusions drawn about rhythmic alteration. Here, Hefling's approach to interpretive strategies will be welcomed by every Baroque performer. The book also includes notes, an extensive bibliography, music examples, and facsimiles | ||
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| author | Hefling, Stephen E. |
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| author_sort | Hefling, Stephen E. |
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| dewey-full | 781.2/2/09032 |
| dewey-hundreds | 700 - The arts |
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| id | DE-604.BV008197568 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:16:10Z |
| institution | BVB |
| isbn | 0028710355 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-005409556 |
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| physical | XVI, 232 S. graph. Darst., Notenbeisp. |
| publishDate | 1993 |
| publishDateSearch | 1993 |
| publishDateSort | 1993 |
| publisher | Schirmer Books u.a. |
| record_format | marc |
| spelling | Hefling, Stephen E. Verfasser aut Rhythmic alteration in seventeenth and eighteenth century music notes inégales and overdotting Stephen E. Hefling New York Schirmer Books u.a. 1993 XVI, 232 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier The problems of rhythmic alteration are among the most controversial issues facing today's historically oriented performers of Baroque music. Hitherto, anyone seeking to understand the French practice of notes inegales and the related concept of overdotting had to absorb an unwieldy and frequently polemical literature of essays. Now, for the first time, Stephen E. Hefling's Rhythmic Alteration in Seventeenth- and Eighteenth-Century Music provides a comprehensive compendium of what is known about notes inegales and overdotting, including tables and summaries that make pertinent historical evidence readily accessible to performers and scholars alike. The volume concludes with a concise overview of problems and choices faced by performers Notes inegales is the historical name of the French practice, prevalent from 1690 to 1780, of performing diminution-like passages as uneven pairs of notes despite their notation in equal values. "Overdotting" (a modern term) designates the Baroque custom of rendering certain dotted rhythms longer than their notation indicates. Appropriate adoption of both practices in performance requires that the performer weigh a wide range of interrelated variables, including tempo, articulation, and national musical styles The book is divided into two parts. Part I, "Notes inegales," distills information from over 160 sources concerning conventional aspects of French rhythmic inequality, the negation of inequality, discrepancies among the sources, and the practice of notes inegales outside France. Part II, "Overdotting," examines the value of the dot, the relationship of overdotting to notes inegales, overdotting in French dances and overtures, and rhythmic alteration in the "Handel tradition." The final chapter functions as summation and practicum, focusing on specific performance situations in light of the conclusions drawn about rhythmic alteration. Here, Hefling's approach to interpretive strategies will be welcomed by every Baroque performer. The book also includes notes, an extensive bibliography, music examples, and facsimiles Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1700-1800 gnd rswk-swf Musique - 17e siècle - Mesure et rythme Musique - 18e siècle - Mesure et rythme Notes inégales Pratique de l'exécution (Musique) - 17e siècle Pratique de l'exécution (Musique) - 18e siècle Ritmiek gtt Uitvoeringspraktijk gtt Geschichte Musical meter and rhythm Performance practice (Music) History 17th century Performance practice (Music) History 18th century Musik (DE-588)4040802-4 gnd rswk-swf Rhythmus (DE-588)4132330-0 gnd rswk-swf Rhythmus (DE-588)4132330-0 s Musik (DE-588)4040802-4 s Geschichte 1700-1800 z DE-604 |
| spellingShingle | Hefling, Stephen E. Rhythmic alteration in seventeenth and eighteenth century music notes inégales and overdotting Musique - 17e siècle - Mesure et rythme Musique - 18e siècle - Mesure et rythme Notes inégales Pratique de l'exécution (Musique) - 17e siècle Pratique de l'exécution (Musique) - 18e siècle Ritmiek gtt Uitvoeringspraktijk gtt Geschichte Musical meter and rhythm Performance practice (Music) History 17th century Performance practice (Music) History 18th century Musik (DE-588)4040802-4 gnd Rhythmus (DE-588)4132330-0 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4132330-0 |
| title | Rhythmic alteration in seventeenth and eighteenth century music notes inégales and overdotting |
| title_auth | Rhythmic alteration in seventeenth and eighteenth century music notes inégales and overdotting |
| title_exact_search | Rhythmic alteration in seventeenth and eighteenth century music notes inégales and overdotting |
| title_full | Rhythmic alteration in seventeenth and eighteenth century music notes inégales and overdotting Stephen E. Hefling |
| title_fullStr | Rhythmic alteration in seventeenth and eighteenth century music notes inégales and overdotting Stephen E. Hefling |
| title_full_unstemmed | Rhythmic alteration in seventeenth and eighteenth century music notes inégales and overdotting Stephen E. Hefling |
| title_short | Rhythmic alteration in seventeenth and eighteenth century music |
| title_sort | rhythmic alteration in seventeenth and eighteenth century music notes inegales and overdotting |
| title_sub | notes inégales and overdotting |
| topic | Musique - 17e siècle - Mesure et rythme Musique - 18e siècle - Mesure et rythme Notes inégales Pratique de l'exécution (Musique) - 17e siècle Pratique de l'exécution (Musique) - 18e siècle Ritmiek gtt Uitvoeringspraktijk gtt Geschichte Musical meter and rhythm Performance practice (Music) History 17th century Performance practice (Music) History 18th century Musik (DE-588)4040802-4 gnd Rhythmus (DE-588)4132330-0 gnd |
| topic_facet | Musique - 17e siècle - Mesure et rythme Musique - 18e siècle - Mesure et rythme Notes inégales Pratique de l'exécution (Musique) - 17e siècle Pratique de l'exécution (Musique) - 18e siècle Ritmiek Uitvoeringspraktijk Geschichte Musical meter and rhythm Performance practice (Music) History 17th century Performance practice (Music) History 18th century Musik Rhythmus |
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