Performing baroque music:
Mary Cyr's Performing Baroque Music is unique as a practical guide devoted in its entirety to the most important issues of baroque performance practice. Listeners, performers, students, and instructors will find here, carefully explained and thoroughly documented, the analytical tools they need...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Portland, Or.
Amadeus Press
1992
|
| Schlagworte: | |
| Zusammenfassung: | Mary Cyr's Performing Baroque Music is unique as a practical guide devoted in its entirety to the most important issues of baroque performance practice. Listeners, performers, students, and instructors will find here, carefully explained and thoroughly documented, the analytical tools they need to understand and interpret musical evidence from the baroque era Cyr, an acclaimed baroque musician as well as a noted scholar, considers "both the boundaries and the freedom that were inherent in baroque performing techniques." Chapter 1 introduces the field of performance practice and its goals, the limits of "authenticity," and the characteristics of baroque sound Chapters 2 through 8 explore issues critical to the performance of baroque music: tempo, dynamics, pitch and temperament, the basso continuo, articulation, rhythm and notational conventions, and appropriate ornamentation. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music |
| Beschreibung: | 254 S. Ill., Notenbeisp. |
| ISBN: | 0931340497 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV007740850 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 930616s1992 agl| |||| 00||| engod | ||
| 020 | |a 0931340497 |9 0-931340-49-7 | ||
| 035 | |a (OCoLC)25204551 | ||
| 035 | |a (DE-599)BVBBV007740850 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 050 | 0 | |a ML457 | |
| 082 | 0 | |a 781.4/3/09032 |2 20 | |
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Cyr, Mary |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Performing baroque music |c Mary Cyr |
| 264 | 1 | |a Portland, Or. |b Amadeus Press |c 1992 | |
| 300 | |a 254 S. |b Ill., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Mary Cyr's Performing Baroque Music is unique as a practical guide devoted in its entirety to the most important issues of baroque performance practice. Listeners, performers, students, and instructors will find here, carefully explained and thoroughly documented, the analytical tools they need to understand and interpret musical evidence from the baroque era | |
| 520 | |a Cyr, an acclaimed baroque musician as well as a noted scholar, considers "both the boundaries and the freedom that were inherent in baroque performing techniques." Chapter 1 introduces the field of performance practice and its goals, the limits of "authenticity," and the characteristics of baroque sound | ||
| 520 | |a Chapters 2 through 8 explore issues critical to the performance of baroque music: tempo, dynamics, pitch and temperament, the basso continuo, articulation, rhythm and notational conventions, and appropriate ornamentation. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music | ||
| 648 | 4 | |a Geschichte 1700-1800 | |
| 648 | 4 | |a Geschichte 1600-1700 | |
| 648 | 7 | |a Geschichte 1580-1800 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Pratique de l'exécution (Musique) - 17e siècle | |
| 650 | 4 | |a Pratique de l'exécution (Musique) - 18e siècle | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Performance practice (Music) |x History |y 17th century | |
| 650 | 4 | |a Performance practice (Music) |x History |y 18th century | |
| 650 | 0 | 7 | |a Barock |0 (DE-588)4004541-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikalische Aufführungspraxis |0 (DE-588)4170800-3 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Musikalische Aufführungspraxis |0 (DE-588)4170800-3 |D s |
| 689 | 0 | 1 | |a Geschichte 1580-1800 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Barock |0 (DE-588)4004541-9 |D s |
| 689 | 1 | 1 | |a Musikalische Aufführungspraxis |0 (DE-588)4170800-3 |D s |
| 689 | 1 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-005089160 | ||
Datensatz im Suchindex
| _version_ | 1804122112601882624 |
|---|---|
| any_adam_object | |
| author | Cyr, Mary |
| author_facet | Cyr, Mary |
| author_role | aut |
| author_sort | Cyr, Mary |
| author_variant | m c mc |
| building | Verbundindex |
| bvnumber | BV007740850 |
| callnumber-first | M - Music |
| callnumber-label | ML457 |
| callnumber-raw | ML457 |
| callnumber-search | ML457 |
| callnumber-sort | ML 3457 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)25204551 (DE-599)BVBBV007740850 |
| dewey-full | 781.4/3/09032 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.4/3/09032 |
| dewey-search | 781.4/3/09032 |
| dewey-sort | 3781.4 13 49032 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1580-1800 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1580-1800 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02645nam a2200517 c 4500</leader><controlfield tag="001">BV007740850</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">930616s1992 agl| |||| 00||| engod</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0931340497</subfield><subfield code="9">0-931340-49-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)25204551</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV007740850</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML457</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.4/3/09032</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cyr, Mary</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Performing baroque music</subfield><subfield code="c">Mary Cyr</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Portland, Or.</subfield><subfield code="b">Amadeus Press</subfield><subfield code="c">1992</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">254 S.</subfield><subfield code="b">Ill., Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Mary Cyr's Performing Baroque Music is unique as a practical guide devoted in its entirety to the most important issues of baroque performance practice. Listeners, performers, students, and instructors will find here, carefully explained and thoroughly documented, the analytical tools they need to understand and interpret musical evidence from the baroque era</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Cyr, an acclaimed baroque musician as well as a noted scholar, considers "both the boundaries and the freedom that were inherent in baroque performing techniques." Chapter 1 introduces the field of performance practice and its goals, the limits of "authenticity," and the characteristics of baroque sound</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Chapters 2 through 8 explore issues critical to the performance of baroque music: tempo, dynamics, pitch and temperament, the basso continuo, articulation, rhythm and notational conventions, and appropriate ornamentation. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1700-1800</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1600-1700</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1580-1800</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Pratique de l'exécution (Musique) - 17e siècle</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Pratique de l'exécution (Musique) - 18e siècle</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performance practice (Music)</subfield><subfield code="x">History</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performance practice (Music)</subfield><subfield code="x">History</subfield><subfield code="y">18th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Barock</subfield><subfield code="0">(DE-588)4004541-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Aufführungspraxis</subfield><subfield code="0">(DE-588)4170800-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musikalische Aufführungspraxis</subfield><subfield code="0">(DE-588)4170800-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1580-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Barock</subfield><subfield code="0">(DE-588)4004541-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Musikalische Aufführungspraxis</subfield><subfield code="0">(DE-588)4170800-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-005089160</subfield></datafield></record></collection> |
| id | DE-604.BV007740850 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:08:42Z |
| institution | BVB |
| isbn | 0931340497 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-005089160 |
| oclc_num | 25204551 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 254 S. Ill., Notenbeisp. |
| publishDate | 1992 |
| publishDateSearch | 1992 |
| publishDateSort | 1992 |
| publisher | Amadeus Press |
| record_format | marc |
| spelling | Cyr, Mary Verfasser aut Performing baroque music Mary Cyr Portland, Or. Amadeus Press 1992 254 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Mary Cyr's Performing Baroque Music is unique as a practical guide devoted in its entirety to the most important issues of baroque performance practice. Listeners, performers, students, and instructors will find here, carefully explained and thoroughly documented, the analytical tools they need to understand and interpret musical evidence from the baroque era Cyr, an acclaimed baroque musician as well as a noted scholar, considers "both the boundaries and the freedom that were inherent in baroque performing techniques." Chapter 1 introduces the field of performance practice and its goals, the limits of "authenticity," and the characteristics of baroque sound Chapters 2 through 8 explore issues critical to the performance of baroque music: tempo, dynamics, pitch and temperament, the basso continuo, articulation, rhythm and notational conventions, and appropriate ornamentation. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1580-1800 gnd rswk-swf Pratique de l'exécution (Musique) - 17e siècle Pratique de l'exécution (Musique) - 18e siècle Geschichte Performance practice (Music) History 17th century Performance practice (Music) History 18th century Barock (DE-588)4004541-9 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 s Geschichte 1580-1800 z DE-604 Barock (DE-588)4004541-9 s |
| spellingShingle | Cyr, Mary Performing baroque music Pratique de l'exécution (Musique) - 17e siècle Pratique de l'exécution (Musique) - 18e siècle Geschichte Performance practice (Music) History 17th century Performance practice (Music) History 18th century Barock (DE-588)4004541-9 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
| subject_GND | (DE-588)4004541-9 (DE-588)4170800-3 |
| title | Performing baroque music |
| title_auth | Performing baroque music |
| title_exact_search | Performing baroque music |
| title_full | Performing baroque music Mary Cyr |
| title_fullStr | Performing baroque music Mary Cyr |
| title_full_unstemmed | Performing baroque music Mary Cyr |
| title_short | Performing baroque music |
| title_sort | performing baroque music |
| topic | Pratique de l'exécution (Musique) - 17e siècle Pratique de l'exécution (Musique) - 18e siècle Geschichte Performance practice (Music) History 17th century Performance practice (Music) History 18th century Barock (DE-588)4004541-9 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
| topic_facet | Pratique de l'exécution (Musique) - 17e siècle Pratique de l'exécution (Musique) - 18e siècle Geschichte Performance practice (Music) History 17th century Performance practice (Music) History 18th century Barock Musikalische Aufführungspraxis |
| work_keys_str_mv | AT cyrmary performingbaroquemusic |