Critical aesthetics and postmodernism:
In recent times considerable controversy has raged around the question of postmodern culture and its products. Paul Crowther attempts to overcome some of the antagonistic viewpoints involved by expounding and developing key themes from the work of Kant and Merleau-Ponty in the context of contemporar...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Oxford u.a.
Clarendon Press
1993
|
| Subjects: | |
| Summary: | In recent times considerable controversy has raged around the question of postmodern culture and its products. Paul Crowther attempts to overcome some of the antagonistic viewpoints involved by expounding and developing key themes from the work of Kant and Merleau-Ponty in the context of contemporary culture. His work analyses topics such as the relation between art and politics, the problematics of poststructuralist and feminist approaches to art, the re-emergence and relevance of theories of the sublime, and the continuing possibilities of artistic creativity. The central theme of the book is that there are constants in human experience around which art and philosophy constellate. At the same time, however, due account must be given of the ways in which such constants are historically mediated. By articulating various aspects of this relation, Crowther shows that the postmodern sensibility can be more than that of an alienated consumerism. Understood in the proper theoretical context, it is grounded on experience and artefacts which humanize. |
| Physical Description: | XIII, 214 S. Ill. |
| ISBN: | 0198240376 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV007731493 | ||
| 003 | DE-604 | ||
| 005 | 19940112 | ||
| 007 | t | ||
| 008 | 930609s1993 a||| |||| 00||| eng d | ||
| 020 | |a 0198240376 |9 0-19-824037-6 | ||
| 035 | |a (OCoLC)26541359 | ||
| 035 | |a (DE-599)BVBBV007731493 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-739 |a DE-473 |a DE-12 |a DE-703 |a DE-29 |a DE-188 | ||
| 050 | 0 | |a BH301.P69 | |
| 082 | 0 | |a 111/.85 |2 20 | |
| 084 | |a CC 6900 |0 (DE-625)17665: |2 rvk | ||
| 084 | |a LH 67100 |0 (DE-625)94579: |2 rvk | ||
| 084 | |a 5,1 |2 ssgn | ||
| 100 | 1 | |a Crowther, Paul |d 1953- |e Verfasser |0 (DE-588)131692119 |4 aut | |
| 245 | 1 | 0 | |a Critical aesthetics and postmodernism |c Paul Crowther |
| 264 | 1 | |a Oxford u.a. |b Clarendon Press |c 1993 | |
| 300 | |a XIII, 214 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a In recent times considerable controversy has raged around the question of postmodern culture and its products. Paul Crowther attempts to overcome some of the antagonistic viewpoints involved by expounding and developing key themes from the work of Kant and Merleau-Ponty in the context of contemporary culture. His work analyses topics such as the relation between art and politics, the problematics of poststructuralist and feminist approaches to art, the re-emergence and relevance of theories of the sublime, and the continuing possibilities of artistic creativity. The central theme of the book is that there are constants in human experience around which art and philosophy constellate. At the same time, however, due account must be given of the ways in which such constants are historically mediated. By articulating various aspects of this relation, Crowther shows that the postmodern sensibility can be more than that of an alienated consumerism. Understood in the proper theoretical context, it is grounded on experience and artefacts which humanize. | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1755-1990 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Esthetica |2 gtt | |
| 650 | 7 | |a Postmodernisme |2 gtt | |
| 650 | 4 | |a Postmoderne | |
| 650 | 4 | |a Ästhetik | |
| 650 | 4 | |a Aesthetics | |
| 650 | 4 | |a Aesthetics, Modern |y 20th century | |
| 650 | 4 | |a Postmodernism | |
| 650 | 0 | 7 | |a Postmoderne |0 (DE-588)4115604-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 1 | |a Geschichte 1755-1990 |A z |
| 689 | 0 | |5 DE-188 | |
| 689 | 1 | 0 | |a Postmoderne |0 (DE-588)4115604-3 |D s |
| 689 | 1 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 1 | |8 1\p |5 DE-604 | |
| 689 | 2 | 0 | |a Postmoderne |0 (DE-588)4115604-3 |D s |
| 689 | 2 | |5 DE-188 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-005081611 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Record in the Search Index
| _version_ | 1804122101664186368 |
|---|---|
| any_adam_object | |
| author | Crowther, Paul 1953- |
| author_GND | (DE-588)131692119 |
| author_facet | Crowther, Paul 1953- |
| author_role | aut |
| author_sort | Crowther, Paul 1953- |
| author_variant | p c pc |
| building | Verbundindex |
| bvnumber | BV007731493 |
| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | BH301 |
| callnumber-raw | BH301.P69 |
| callnumber-search | BH301.P69 |
| callnumber-sort | BH 3301 P69 |
| callnumber-subject | BH - Aesthetics |
| classification_rvk | CC 6900 LH 67100 |
| ctrlnum | (OCoLC)26541359 (DE-599)BVBBV007731493 |
| dewey-full | 111/.85 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111/.85 |
| dewey-search | 111/.85 |
| dewey-sort | 3111 285 |
| dewey-tens | 110 - Metaphysics |
| discipline | Kunstgeschichte Philosophie |
| era | Geschichte 1900-2000 Geschichte 1755-1990 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1755-1990 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02849nam a2200565 c 4500</leader><controlfield tag="001">BV007731493</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">19940112 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">930609s1993 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0198240376</subfield><subfield code="9">0-19-824037-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)26541359</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV007731493</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-739</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">BH301.P69</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">111/.85</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CC 6900</subfield><subfield code="0">(DE-625)17665:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 67100</subfield><subfield code="0">(DE-625)94579:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">5,1</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Crowther, Paul</subfield><subfield code="d">1953-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)131692119</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Critical aesthetics and postmodernism</subfield><subfield code="c">Paul Crowther</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford u.a.</subfield><subfield code="b">Clarendon Press</subfield><subfield code="c">1993</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XIII, 214 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">In recent times considerable controversy has raged around the question of postmodern culture and its products. Paul Crowther attempts to overcome some of the antagonistic viewpoints involved by expounding and developing key themes from the work of Kant and Merleau-Ponty in the context of contemporary culture. His work analyses topics such as the relation between art and politics, the problematics of poststructuralist and feminist approaches to art, the re-emergence and relevance of theories of the sublime, and the continuing possibilities of artistic creativity. The central theme of the book is that there are constants in human experience around which art and philosophy constellate. At the same time, however, due account must be given of the ways in which such constants are historically mediated. By articulating various aspects of this relation, Crowther shows that the postmodern sensibility can be more than that of an alienated consumerism. Understood in the proper theoretical context, it is grounded on experience and artefacts which humanize.</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1755-1990</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Esthetica</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Postmodernisme</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postmoderne</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ästhetik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics, Modern</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Postmodernism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Postmoderne</subfield><subfield code="0">(DE-588)4115604-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1755-1990</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-188</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Postmoderne</subfield><subfield code="0">(DE-588)4115604-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Postmoderne</subfield><subfield code="0">(DE-588)4115604-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-188</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-005081611</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| id | DE-604.BV007731493 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T17:08:31Z |
| institution | BVB |
| isbn | 0198240376 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-005081611 |
| oclc_num | 26541359 |
| open_access_boolean | |
| owner | DE-739 DE-473 DE-BY-UBG DE-12 DE-703 DE-29 DE-188 |
| owner_facet | DE-739 DE-473 DE-BY-UBG DE-12 DE-703 DE-29 DE-188 |
| physical | XIII, 214 S. Ill. |
| publishDate | 1993 |
| publishDateSearch | 1993 |
| publishDateSort | 1993 |
| publisher | Clarendon Press |
| record_format | marc |
| spelling | Crowther, Paul 1953- Verfasser (DE-588)131692119 aut Critical aesthetics and postmodernism Paul Crowther Oxford u.a. Clarendon Press 1993 XIII, 214 S. Ill. txt rdacontent n rdamedia nc rdacarrier In recent times considerable controversy has raged around the question of postmodern culture and its products. Paul Crowther attempts to overcome some of the antagonistic viewpoints involved by expounding and developing key themes from the work of Kant and Merleau-Ponty in the context of contemporary culture. His work analyses topics such as the relation between art and politics, the problematics of poststructuralist and feminist approaches to art, the re-emergence and relevance of theories of the sublime, and the continuing possibilities of artistic creativity. The central theme of the book is that there are constants in human experience around which art and philosophy constellate. At the same time, however, due account must be given of the ways in which such constants are historically mediated. By articulating various aspects of this relation, Crowther shows that the postmodern sensibility can be more than that of an alienated consumerism. Understood in the proper theoretical context, it is grounded on experience and artefacts which humanize. Geschichte 1900-2000 Geschichte 1755-1990 gnd rswk-swf Esthetica gtt Postmodernisme gtt Postmoderne Ästhetik Aesthetics Aesthetics, Modern 20th century Postmodernism Postmoderne (DE-588)4115604-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Ästhetik (DE-588)4000626-8 s Geschichte 1755-1990 z DE-188 Postmoderne (DE-588)4115604-3 s 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Crowther, Paul 1953- Critical aesthetics and postmodernism Esthetica gtt Postmodernisme gtt Postmoderne Ästhetik Aesthetics Aesthetics, Modern 20th century Postmodernism Postmoderne (DE-588)4115604-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4115604-3 (DE-588)4000626-8 |
| title | Critical aesthetics and postmodernism |
| title_auth | Critical aesthetics and postmodernism |
| title_exact_search | Critical aesthetics and postmodernism |
| title_full | Critical aesthetics and postmodernism Paul Crowther |
| title_fullStr | Critical aesthetics and postmodernism Paul Crowther |
| title_full_unstemmed | Critical aesthetics and postmodernism Paul Crowther |
| title_short | Critical aesthetics and postmodernism |
| title_sort | critical aesthetics and postmodernism |
| topic | Esthetica gtt Postmodernisme gtt Postmoderne Ästhetik Aesthetics Aesthetics, Modern 20th century Postmodernism Postmoderne (DE-588)4115604-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Esthetica Postmodernisme Postmoderne Ästhetik Aesthetics Aesthetics, Modern 20th century Postmodernism |
| work_keys_str_mv | AT crowtherpaul criticalaestheticsandpostmodernism |