Reading Shakespeare's characters: rhetoric, ethics, and identity

Although current theory has discredited the idea of a coherent, transcendent self, Shakespeare's characters still make themselves felt as a presence for readers and viewers alike. Confronting this paradox, Christy Desmet explores the role played by rhetoric in fashioning and representing Shakes...

Full description

Saved in:
Bibliographic Details
Main Author: Desmet, Christy 1954-2018 (Author)
Format: Book
Language:English
Published: Amherst Univ. of Massachusetts Press 1992
Series:Massachusetts studies in early modern culture
Subjects:
Online Access:Inhaltsverzeichnis
Summary:Although current theory has discredited the idea of a coherent, transcendent self, Shakespeare's characters still make themselves felt as a presence for readers and viewers alike. Confronting this paradox, Christy Desmet explores the role played by rhetoric in fashioning and representing Shakespearean character. She draws on classical and Renaissance texts, as well as on the work of such twentieth-century critics as Kenneth Burke and Paul de Man, bringing classical, Renaissance, and contemporary rhetoric into fruitful collision. Desmet redefines the nature of character by analyzing the function of character criticism and by developing a new perspective on Shakespearean character. She shows how rhetoric shapes character within the plays and the way characters are "read." She also examines the relationship between technique and theme by considering the connections between rhetorical representation and dramatic illusion and by discussing the relevance of rhetorical criticism to issues of gender. Works analyzed include Hamlet, Cymbeline, King John, Othello, The Winter's Tale, King Lear, Venus and Adonis, Measure for Measure, and All's Well That Ends Well.
Physical Description:IX, 215 S.
ISBN:0870238078

There is no print copy available.

Interlibrary loan Place Request Caution: Not in THWS collection! Indexes