An introduction to film:
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Boston u.a.
Little, Brown
1987
|
| Edition: | 2. ed. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XIII, 514 S. zahlr. Ill. |
| ISBN: | 0316802522 |
Staff View
MARC
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| 245 | 1 | 0 | |a An introduction to film |c Thomas Sobchack ; Vivian C. Sobchack |
| 250 | |a 2. ed. | ||
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Record in the Search Index
| _version_ | 1804120822644736000 |
|---|---|
| adam_text | IMAGE 1
CONTENTS
PART I THE PRODUCTION OF FILM
1 THE HOLLYWOOD STANDARD 3
ILLUSIONISM 4
FILM CULTURE 12
THE FILM INDUSTRY 15
THE FILM PROCESS 21
THE SCREENPLAY 22 FINANCING AND PACKAGING 24 PREPRODUCTION 27 PRODUCTION
30 POSTPRODUCTION 32 MARKETING DISTRIBUTION AND EXHIBITION 34
THE CREDITS 37 PRINCIPAL CREDITS 38 SECONDARY CREDITS 39
IMAGE 2
VIII CONTENTS
PART II
THE ELEMENTS OF FILM
HISTORICAL OVERVIEW: THE DEVELOPMENT OF THE IMAGE 44 EARLY MECHANISMS 44
THE MOBILE CAMERA 47
FURTHER EXPRESSIVE TECHNIQUES 47
FILM SPACE 54
THE IMAGE 55
THE LIVED WORLD AND THE FILMED WORLD 55 THE EYE AND THE CAMERA 59
TONE 63
FILM STOCK 64 LIGHTING 68
COMPOSITION 74
COMPOSITION IN THE FRAME 74 COMPOSITION OUT OF THE FRAME 78 VIEWPOINTS
81
MOVEMENT 91
MOVEMENT IN THE FRAME (SUBJECT MOVEMENT) 91 MOVEMENT OF THE FRAME
(CAMERA MOVEMENT) 92
HISTORICAL OVERVIEW:
THE DEVELOPMENT OF EDITING 104 BEGINNINGS: MELIES, PORTER, AND GRIFFITH
104 THE RUSSIANS AND MONTAGE 106
SOUND AND EDITING 110
FILM TIME 112
MANIPULATION OF TIME 115
INVISIBLE EDITING - DECOUPAGE 116 NONCONVENTIONAL EDITING - JUMP CUTS
118 COMPRESSION OF TIME 119
IMAGE 3
CONTENTS IX
EXPANSION OF TIME 124 SIMULTANEOUS TIME 125
STOPPED TIME: THE FREEZE FRAME 129
SUBJECTIVE TIME: DREAM, FANTASY, MEMORY, AND PERCEPTUAL DISTORTION 130
OBJECTIVE TIME: THE FLASHBACK AND THE FLASH-FORWARD 136 ACHRONOLOGICAL
TIME 138
AMBIGUOUS TIME 138 UNIVERSAL TIME 139
VISUAL RHYTHM 142
MEANING THROUGH EDITING - RELATIONSHIPS BETWEEN SHOTS 143 MONTAGE:
CONNECTIONS AND DISLOCATIONS 143 MONTAGE BY COMPOSITION 144 MONTAGE BY
MOVEMENT 145
MONTAGE BY REPETITION 148 MONTAGE BY RHYTHM 149 MONTAGE BY CONTENT:
DETAIL AND METAPHOR 149
MEANING WITH MINIMAL EDITING - RELATIONSHIPS WITHIN SHOTS 155
MISE-EN-SCENE 155 THE ILLUSION OF ACTUAL SPACE: THE LONG SHOT 157 THE
ILLUSION OF ACTUAL TIME: THE LONG TAKE 159
HISTORICAL OVERVIEW:
THE DEVELOPMENT OF SOUND 163 SOUND AND THE SILENT FILM 163 EARLY
INVENTION 164
THE MOVIES TALK 166
FILM SOUND 170
THE PROCESS 171
THE HUMAN VOICE 172
DIALOGUE 173 NARRATION 178
SOUND EFFECTS 182
SYNCHRONOUS SOUND 182 ASYNCHRONOUS SOUND 184
IMAGE 4
CONTENTS
MUSIC 186
BACKGROUND MUSIC - THE FILM S SCORE 186 FOREGROUND MUSIC 188
THE ARTISTRY OF SOUND 190
SOUND PERSPECTIVE 191 THE SOUND BRIDGE 193 SOUND COUNTERPOINT 195 SOUND
CONVENTIONS 198
PART III
MAINSTREAM NARRATIVE FILM
KNOWING AND UNDERSTANDING NARRATIVE FILM 204
HISTORICAL OVERVIEW:
THE DEVELOPMENT OF THE NARRATIVE FILM 208 EARLY STORYTELLERS: HOLLYWOOD
AND THE SILENT FILM 208 EARLY STORYTELLERS: EUROPE AND THE SILENT FILM
213
SOUND AND THE NARRATIVE FILM 214
THE HOLLYWOOD FICTION FILM 216
FILM MOVEMENTS 217
NEW DIRECTIONS 220
5 GENRE FILMS 222
THE DEFINITION OF GENRE 223
FORMULA 227 CONVENTION 230 ICONOGRAPHY 232 TYPES OF GENRE NARRATIVE 234
GENRE COMEDIES 236 GENRE MELODRAMAS 247
GENRE AS MYTH 274
GENRE FILMS AND SOCIETY 278
GENRE PARODY AND ANTIGENRE FILMS 279
IMAGE 5
CONTENTS XI
O NONGENRE NARRATIVE AND ITS MAKERS 284
NONGENRE NARRATIVE 284
CHARACTERISTICS OF NONGENRE FILM REALISM 285 CHARACTERISTICS OF NONGENRE
FILM EXPRESSIONISM 288 CHARACTERISTICS OF NONGENRE FILM COMEDY 295
THEMES AND AESTHETICS OF THE NONGENRE FILM 297
PERSONAL VISIONS 300
THE FILM ARTISAN 302 THE FILM AUTEUR 303 THE FILM ARTIST 309
FILM AND LITERATURE: THE PROBLEM OF ADAPTATION 312
ACTING: ACTORS AND STARS 325
PART IV
THE ALTERNATIVE FILM
@ HISTORICAL OVERVIEW: THE DEVELOPMENT OF THE DOCUMENTARY FILM 336 FROM
SILENCE TO SOUND 336 SOUND AND SOCIAL REFORM 338
PERSUASION AND PROPAGANDA 340
DOCUMENTARY AND TELEVISION: NEW TECHNOLOGY AND NEW FORMS 342
THE DOCUMENTARY FILM 346
THE IMAGE OF THE REAL 346
FORM AND TECHNIQUE 347
DOCUMENTARY FUNCTIONS 349
OBSERVATION 349 ANALYSIS 354 PERSUASION 359 AESTHETIC EXPRESSION: POETRY
AND DRAMA 364
RE-CREATION: THE ETHICS OF DOCUMENTARY 368
IMAGE 6
XU CONTENTS
HISTORICAL OVERVIEW:
THE DEVELOPMENT OF EXPERIMENTAL, INDEPENDENT, AND ANIMATED FILMMAKING
374
BEGINNINGS: THE BREAK WITH REALISM 374
SURREALISM AND THE AVANT-GARDE 376
DECLINE: SOUND AND THE WAR YEARS 378
RENAISSANCE: THE RISE OF THE INDEPENDENT FILMMAKER 379
ANIMATION 382
O EXPERIMENTAL, INDEPENDENT, AND
ANIMATED FILMS 384
FILM AS FILM 384
THE REPRESENTATIONAL FILM 386
THE ABSTRACT FILM 394
THE ANIMATED FILM 399
TWO-DIMENSIONAL ANIMATION 402 THREE-DIMENSIONAL ANIMATION 408
PART V
A GUIDE TO FILM ANALYSIS AND CRITICISM
READING AND WRITING ABOUT FILM 412
HISTORICAL OVERVIEW:
THE DEVELOPMENT OF FILM REVIEWING, CRITICISM, AND THEORY 414
THE FIRST REVIEWS 414
THE EMERGENCE OF FILM THEORY: AMERICA AND EUROPE 415
TECHNOLOGY AND THEORY: FROM FORMALISM TO REALISM 417
CONTEMPORARY THEORY AND CRITICISM 419
IMAGE 7
CONTENTS XIII
WRITING COLLEGE PAPERS ABOUT FILM 422
THE CRITICAL ACT: HOW TO START 424
WHAT TO WRITE ABOUT: THE INDIVIDUAL FILM 425
CONTENT AND STRUCTURE 427 FORM 434
WHAT TO WRITE ABOUT: MULTIPLE FILMS AND EXTRAFILMIC ISSUES 445
COMPARISON AND CONTRAST 446 GENRE GROUPINGS 448 AUTEUR GROUPINGS 449
CONTEXTUAL GROUPINGS 450
RESEARCH PAPERS 452
MANUSCRIPT PREPARATION 453
FORMAT 453 REFERENCES 454 WORKS CITED 455
HELPFUL HINTS FOR WRITING PAPERS 456
SOME THINGS TO AVOID 456 SOME THINGS TO DO 457
STUDENT PAPERS 457
SELECTED SOURCES FOR FURTHER READING 467
SELECTED FILM GLOSSARY 473
INDEX 495
|
| any_adam_object | 1 |
| author | Sobchack, Thomas Sobchack, Vivian 1940- |
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| author_role | aut aut |
| author_sort | Sobchack, Thomas |
| author_variant | t s ts v s vs |
| building | Verbundindex |
| bvnumber | BV006553089 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1994 |
| callnumber-raw | PN1994 |
| callnumber-search | PN1994 |
| callnumber-sort | PN 41994 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 43450 |
| ctrlnum | (OCoLC)13860993 (DE-599)BVBBV006553089 |
| dewey-full | 791.43 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43 |
| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 2. ed. |
| format | Book |
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| genre_facet | Einführung |
| id | DE-604.BV006553089 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T16:48:12Z |
| institution | BVB |
| isbn | 0316802522 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-004178195 |
| oclc_num | 13860993 |
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| physical | XIII, 514 S. zahlr. Ill. |
| publishDate | 1987 |
| publishDateSearch | 1987 |
| publishDateSort | 1987 |
| publisher | Little, Brown |
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| spelling | Sobchack, Thomas Verfasser aut An introduction to film Thomas Sobchack ; Vivian C. Sobchack 2. ed. Boston u.a. Little, Brown 1987 XIII, 514 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Cinéma Film Motion pictures Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Film (DE-588)4017102-4 s DE-604 Sobchack, Vivian 1940- Verfasser (DE-588)132807688 aut SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004178195&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sobchack, Thomas Sobchack, Vivian 1940- An introduction to film Cinéma Film Motion pictures Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4151278-9 |
| title | An introduction to film |
| title_auth | An introduction to film |
| title_exact_search | An introduction to film |
| title_full | An introduction to film Thomas Sobchack ; Vivian C. Sobchack |
| title_fullStr | An introduction to film Thomas Sobchack ; Vivian C. Sobchack |
| title_full_unstemmed | An introduction to film Thomas Sobchack ; Vivian C. Sobchack |
| title_short | An introduction to film |
| title_sort | an introduction to film |
| topic | Cinéma Film Motion pictures Film (DE-588)4017102-4 gnd |
| topic_facet | Cinéma Film Motion pictures Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=004178195&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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