Voices from the Harlem Renaissance:
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
New York
Oxford Univ. Press
1976
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | 438 S. Ill. |
ISBN: | 0195019555 |
Internformat
MARC
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264 | 1 | |a New York |b Oxford Univ. Press |c 1976 | |
300 | |a 438 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
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648 | 4 | |a Geschichte 1900-2000 | |
650 | 4 | |a Arts - New York (État) - Harlem (New York) - 20e siècle | |
650 | 4 | |a Arts noirs américains - New York (État) - Harlem (New York) | |
650 | 4 | |a Littérature américaine - 20e siècle | |
650 | 4 | |a Littérature américaine - Auteurs noirs américains | |
650 | 4 | |a Noirs américains - Anthologies | |
650 | 4 | |a Schwarze. USA | |
650 | 4 | |a African American arts |z New York (State) |z New York |y 20th century | |
650 | 4 | |a African Americans |v Literary collections | |
650 | 4 | |a American literature |x African American authors | |
650 | 4 | |a American literature |y 20th century | |
650 | 4 | |a American literature |z New York (State) |z New York | |
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Datensatz im Suchindex
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---|---|
adam_text | [
The Harlem Renaissance of the 1920 s was not a self-contained cul¬
tural phenomenon, but a multi-level response to the First World War,
Professor Huggins believes. The heavy industrial demands of war
encouraged cityward migration of predominantly rural American
blacks. Black colonials, in service to the war effort, V/ere exposed to a
larger world and became conscious of one another. The ideal of Pan
Africanism gained worldwide currency. The supremacy of
nineteenth-century western civilization and one of its motivating
forces—industrialization
—
were seriously undermined by the war.
Both Americans and Europeans became fascinated by the emo¬
tional openness and honesty of natives untroubled by the Freudian
superego. An African intellectual like Leopold Senghor celebrated
Negritude,
or the soulful, artistic qualities of natives, while the Afro-
American Claude McKay created fictional characters heroic because
they were primitive, in Europe the work of
Braque,
Matisse, and others
showed African influence and the international Jazz Age gave recog¬
nition to Afro-American music.
The expression of a radically changed Negro self-image was at first
political, black spokesmen in the war years accusing America of
idealistic pretensions. Political activism declined after the war and
repression at home, but black energies were turned to the arts. The
vitality of the Harlem Renaissance served as a generative force for all
of New York
—
and the nation. The artistic output of the period had
several central concerns: the meaning of blackness and the nature of
Afro-American art and its relation to social statement.
Professor Huggins provides here more than
120
selections from the
political writings and arts of the period, chosen for historical signifi¬
cance as well as creative merit. Part I presents political writings and
Part II, creative and analytic work on the themes of urban experience,
history and folk tradition, defining Afro-American art, the role of
Christianity, and alienation and anger. Among more than twenty il¬
lustrations are works by three major artists—Sargent Johnson, Wil¬
liam H. Johnson, and Aaron Douglas whose painting appears on the
cover. A final group of selections offers a retrospective on the Renais¬
sance and a look to the future. Professor Huggins includes an infor¬
mative introduction and prefatory notes to the various sections.
^І
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TABLE
OF
CONTENTS
INTRODUCTION,
З
1. NEW NEGRO RADICALISM,
13
From The Messenger: The Negro
—
A Menace to Radicalism,
16
A. Philip Randolph: A New Crowd
—
A New Negro,
18
W. A. Domingo: If We Must Die,
21 ;
Defense of Negro Rioters,
22;
The New Negro—What Is He?
23;
Africa for the Africans,
25
A. Philip Randolph: Garveyism,
27
Marcus A. Garvey: Africa for the Africans,
35;
The Future as I See It,
38
W.
E. B.
DuBois: Race Pride,
42
2.
HARLEM RENAISSANCE: THE URBAN SETTING,
43
Harlem Directory from Harlem,
46
Alain Locke: The New Negro,
47
James
Weldon
Johnson: from Black Manhattan,
56;
My City,
72
Wallace Thurman: Editorial from Harlem,
72
Rudolph Fisher: The Caucasian Storms Harlem,
74
Claude McKay: from A Long Way From Home,
82;
The Tropics in New York,
83;
Harlem Shadows,
84
Eric Walrond: City Love,
84
Langston
Hughes: from The Big Sea,
90;
Esthete in Harlem,
98;
Railroad Avenue,
98
Richard Bruce: Smoke, Lilies and Jade,
99
Rudolph Fisher: Blades of Steel,
110
Countee Cullen: Harlem Wine,
121
Nancy Cunard: Harlem Reviewed,
122
Claude McKay: A Negro Extravaganza,
132
AFRO-AMERICAN IDENTITY—WHO AM I?
135
Alain Locke: The Legacy of the Ancestral Arts,
137
Countee Cullen: Heritage,
142;
Uncle Jim,
145;
Tableau,
145;
Saturday s Child,
146
Langston
Hughes: Afro-American Fragment,
146;
Luani of the Jungles,
147;
Danse Africaine,
153;
Negro,
153;
Cross,
154;
I Too Sing
America,
154;
The Negro Speaks of Rivers,
155
Claude McKay: from Banjo,
155;
Africa,
182;
Mulatto,
182
Helene
Johnson: Sonnet to a Negro in Harlem,
182;
Poem,
183
Jean Toomer:
Bona
and Paul,
184
Gwendolyn Bennett: To A Dark Girl,
191 ;
Wedding Day,
191
Sterling Brown: Odyssey of Big Boy,
197
Zora Neale
Hurston: Sweat,
199
W.
E. B.
DuBois: African Diary,
207;
On Being Black,
211
AFRO-AMERICAN PAST—HISTORY
AND FOLK TRADITION,
216
Arthur A. Schomburg: The Negro Digs Up His Past,
217
Jean Toomer: Song of the Son,
221
James
Weldon
Johnson: Fifty Years
(1863-1913), 222
Zora
Neale Hurston: Characteristics of Negro Expression,
224;
Shouting,
237;
The Sermon,
239;
Uncle Monday,
244
Alain Locke: Sterling Brown: The New Negro Folk-Poet,
251
VISUAL ARTS: TO CELEBRATE BLACKNESS,
259
Aaron Douglas, Sargent Johnson, Richmond
Barthé,
Augusta Savage,
Hale Woodruff, William H. Johnson, Archibald J. Motley, Palmer Hayden
AFRO-AMERICAN ART: ART OR PROPAGANDA? HIGH
OR LOW CULTURE?
279
James
Weldon
Johnson: Preface to The Book of American Negro Poetry,
281;
О
Black and Unknown Bards,
304
Langston
Hughes: The Negro Artist and the Racial Mountain,
305;
Hurt,
309
George S. Schuyler: The Negro-Art Hokum,
309
Alain Locke: Art or Propaganda,
312
Jessie Redmond Fauset: Dead Fires,
313
Countee Cullen: To John Keats, Poet, at Springtime,
314;
For a Poet,
315;
Yet Do I Marvel,
315
Wallace Thurman: from infants of the Spring,
316
Fenton Johnson: The Banjo Player,
324
Tom Davin: Conversation with James P. Johnson,
324
Nathan Irvin Huggins: Interview with Eubie Blake,
336
CHRISTIANITY: ALIEN GOSPEL OR SOURCE OF
INSPIRATION?
341
James
Weldon
Johnson: Go Down Death,
342
Zora Neale
Hurston: Spirituals and
Neo-Spirituals, 344
Countee Cullen: Black Magdalens,
347;
Simon the Cyrenian Speaks,
347;
Fruit of the Flower,
348;
She of the Dancing Feet Sings,
349
Waring Cuney: Conception,
349
Georgia Douglas Johnson: The Suppliant,
350
Helene
Johnson: A Missionary Brings a Young Native to America,
350
ALIENATION, ANGER, RAGE,
351
James
Weldon
Johnson: Brothers,
352
Claude McKay: If We Must Die,
353;
The White House,
354;
The Lynching,
354;
America,
355
Arna Bontemps: A Black Man Talks of Reaping,
355
Georgia Douglas Johnson: Old Black Men,
356
Gwendolyn Bennett: Hatred,
356
Sterling A. Brown: Remembering Nat Turner,
356
Langston
Hughes: Dream Variation,
358;
Song For a Dark Girl,
358;
Mother to Son,
359
Countee Cullen: Incident,
359;
From the Dark Tower,
360
Helene
Johnson: A Southern Road,
360
George S. Schuyler: Our Greatest Gift to America,
361
3.
REFLECTIONS ON THE RENAISSANCE AND ART FOR
A NEW DAY,
367
Langston
Hughes: from The Big Sea,
370
Claude McKay: Harlem Runs Wild,
381
W. E. B. DuBois: A Negro Nation Within the Nation,
384
James
Weldon
Johnson: Foreword, from Challenge,
390
Dorothy West: Dear Reader, from Challenge,
391
Carl Van
Vechten:
Comments, from Challenge,
392
Dorothy West: Dear Reader, from Challenge,
392
Editorial from The New Challenge,
393
Richard Wright: Blueprint for Negro Writing,
394
Claude McKay: For a Negro Magazine,
402
Alain Locke: Spiritual Truancy,
404
Arna Bontemps: Barrel Staves,
406
Helene
Johnson: Widow with a Moral Obligation,
416
Langston
Hughes: Poem,
417;
Always the Same,
418;
Goodbye, Christ,
419
Richard Wright: Long Black Song,
420
|
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spelling | Voices from the Harlem Renaissance ed. by Nathan Irvin Huggins New York Oxford Univ. Press 1976 438 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1900-2000 Arts - New York (État) - Harlem (New York) - 20e siècle Arts noirs américains - New York (État) - Harlem (New York) Littérature américaine - 20e siècle Littérature américaine - Auteurs noirs américains Noirs américains - Anthologies Schwarze. USA African American arts New York (State) New York 20th century African Americans Literary collections American literature African American authors American literature 20th century American literature New York (State) New York Harlem Renaissance Harlem renaissance (DE-588)4159116-1 gnd rswk-swf Harlem (New York, N.Y.) Intellectual life 20th century (DE-588)4002214-6 Anthologie gnd-content Harlem renaissance (DE-588)4159116-1 s 1\p DE-604 Huggins, Nathan Irvin 1927-1989 Sonstige (DE-588)131728571 oth Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=003989963&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=003989963&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Voices from the Harlem Renaissance Arts - New York (État) - Harlem (New York) - 20e siècle Arts noirs américains - New York (État) - Harlem (New York) Littérature américaine - 20e siècle Littérature américaine - Auteurs noirs américains Noirs américains - Anthologies Schwarze. USA African American arts New York (State) New York 20th century African Americans Literary collections American literature African American authors American literature 20th century American literature New York (State) New York Harlem Renaissance Harlem renaissance (DE-588)4159116-1 gnd |
subject_GND | (DE-588)4159116-1 (DE-588)4002214-6 |
title | Voices from the Harlem Renaissance |
title_auth | Voices from the Harlem Renaissance |
title_exact_search | Voices from the Harlem Renaissance |
title_full | Voices from the Harlem Renaissance ed. by Nathan Irvin Huggins |
title_fullStr | Voices from the Harlem Renaissance ed. by Nathan Irvin Huggins |
title_full_unstemmed | Voices from the Harlem Renaissance ed. by Nathan Irvin Huggins |
title_short | Voices from the Harlem Renaissance |
title_sort | voices from the harlem renaissance |
topic | Arts - New York (État) - Harlem (New York) - 20e siècle Arts noirs américains - New York (État) - Harlem (New York) Littérature américaine - 20e siècle Littérature américaine - Auteurs noirs américains Noirs américains - Anthologies Schwarze. USA African American arts New York (State) New York 20th century African Americans Literary collections American literature African American authors American literature 20th century American literature New York (State) New York Harlem Renaissance Harlem renaissance (DE-588)4159116-1 gnd |
topic_facet | Arts - New York (État) - Harlem (New York) - 20e siècle Arts noirs américains - New York (État) - Harlem (New York) Littérature américaine - 20e siècle Littérature américaine - Auteurs noirs américains Noirs américains - Anthologies Schwarze. USA African American arts New York (State) New York 20th century African Americans Literary collections American literature African American authors American literature 20th century American literature New York (State) New York Harlem Renaissance Harlem renaissance Harlem (New York, N.Y.) Intellectual life 20th century Anthologie |
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