Paul Signac and color in Neo-Impressionism:
Paul Signac and Color in Neo-Impressionism is a groundbreaking examination of the artistic technique of "divisionism" in terms of modern scientific theory of color. Truly interdisciplinary in his approach, Floyd Ratliff treats the evolution of both color theory and artistic practice in an...
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| Main Authors: | , |
|---|---|
| Format: | Book |
| Language: | English French |
| Published: |
New York
Rockefeller Univ. Press
1992
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| Subjects: | |
| Summary: | Paul Signac and Color in Neo-Impressionism is a groundbreaking examination of the artistic technique of "divisionism" in terms of modern scientific theory of color. Truly interdisciplinary in his approach, Floyd Ratliff treats the evolution of both color theory and artistic practice in an integrated way. Signac was the principal advocate for the new movement launched by Georges Seurat in the 1880s. The book is handsomely illustrated with both Neo-Impressionist paintings and scientific drawings and diagrams. Ratliff's five-part essay provides an extended introduction to a translation of Signac's monograph, From Eugene Delacroix to Neo-Impressionism, widely regarded as the basic document of the movement, but never before available in English. This will be an invaluable reference for scholars in art and design, as well as students of the psychology and neurophysiology of color vision and those interested in the relation between the arts and the sciences. Its clarity of style also makes it accessible to the general reader interested in art history, painting, or the perception of color, particularly with its glossary of technical and art terms, index, and bibliography. |
| Item Description: | Enth. außerdem: Signac, Paul: From Eugène Delacroix to Neo-Impressionism |
| Physical Description: | XIV, 317 S. zahlr. Ill., graph. Darst. |
| ISBN: | 0874700507 |
Staff View
MARC
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| 500 | |a Enth. außerdem: Signac, Paul: From Eugène Delacroix to Neo-Impressionism | ||
| 520 | 3 | |a Paul Signac and Color in Neo-Impressionism is a groundbreaking examination of the artistic technique of "divisionism" in terms of modern scientific theory of color. Truly interdisciplinary in his approach, Floyd Ratliff treats the evolution of both color theory and artistic practice in an integrated way. Signac was the principal advocate for the new movement launched by Georges Seurat in the 1880s. The book is handsomely illustrated with both Neo-Impressionist paintings and scientific drawings and diagrams. Ratliff's five-part essay provides an extended introduction to a translation of Signac's monograph, From Eugene Delacroix to Neo-Impressionism, widely regarded as the basic document of the movement, but never before available in English. This will be an invaluable reference for scholars in art and design, as well as students of the psychology and neurophysiology of color vision and those interested in the relation between the arts and the sciences. Its clarity of style also makes it accessible to the general reader interested in art history, painting, or the perception of color, particularly with its glossary of technical and art terms, index, and bibliography. | |
| 600 | 1 | 4 | |a Signac, Paul <1863-1935> |x Philosophy |
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| 650 | 4 | |a Color in art | |
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| 700 | 1 | 2 | |a Signac, Paul |d 1863-1935 |0 (DE-588)119425157 |4 aut |t From Eugène Delacroix to Neo-Impressionism |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-003913452 | ||
Record in the Search Index
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| any_adam_object | |
| author | Ratliff, Floyd Signac, Paul 1863-1935 |
| author_GND | (DE-588)119425157 |
| author_facet | Ratliff, Floyd Signac, Paul 1863-1935 |
| author_role | aut aut |
| author_sort | Ratliff, Floyd |
| author_variant | f r fr p s ps |
| building | Verbundindex |
| bvnumber | BV006201138 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6465 |
| callnumber-raw | N6465.N44 |
| callnumber-search | N6465.N44 |
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| dewey-full | 759.05/5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.05/5 |
| dewey-search | 759.05/5 |
| dewey-sort | 3759.05 15 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | Geschichte 1800-1900 |
| era_facet | Geschichte 1800-1900 |
| format | Book |
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| id | DE-604.BV006201138 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T16:41:44Z |
| institution | BVB |
| isbn | 0874700507 |
| language | English French |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-003913452 |
| oclc_num | 24870587 |
| open_access_boolean | |
| owner | DE-739 |
| owner_facet | DE-739 |
| physical | XIV, 317 S. zahlr. Ill., graph. Darst. |
| publishDate | 1992 |
| publishDateSearch | 1992 |
| publishDateSort | 1992 |
| publisher | Rockefeller Univ. Press |
| record_format | marc |
| spelling | Ratliff, Floyd Verfasser aut Paul Signac and color in Neo-Impressionism by Floyd Ratliff New York Rockefeller Univ. Press 1992 XIV, 317 S. zahlr. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Enth. außerdem: Signac, Paul: From Eugène Delacroix to Neo-Impressionism Paul Signac and Color in Neo-Impressionism is a groundbreaking examination of the artistic technique of "divisionism" in terms of modern scientific theory of color. Truly interdisciplinary in his approach, Floyd Ratliff treats the evolution of both color theory and artistic practice in an integrated way. Signac was the principal advocate for the new movement launched by Georges Seurat in the 1880s. The book is handsomely illustrated with both Neo-Impressionist paintings and scientific drawings and diagrams. Ratliff's five-part essay provides an extended introduction to a translation of Signac's monograph, From Eugene Delacroix to Neo-Impressionism, widely regarded as the basic document of the movement, but never before available in English. This will be an invaluable reference for scholars in art and design, as well as students of the psychology and neurophysiology of color vision and those interested in the relation between the arts and the sciences. Its clarity of style also makes it accessible to the general reader interested in art history, painting, or the perception of color, particularly with its glossary of technical and art terms, index, and bibliography. Signac, Paul <1863-1935> Philosophy Geschichte 1800-1900 Kleurtheorie gtt Neo-impressionisme gtt Schilderkunst gtt Malerei Philosophie Art, Modern 19th century Color in art Neo-impressionism (Art) Signac, Paul 1863-1935 (DE-588)119425157 aut From Eugène Delacroix to Neo-Impressionism |
| spellingShingle | Ratliff, Floyd Signac, Paul 1863-1935 Paul Signac and color in Neo-Impressionism Signac, Paul <1863-1935> Philosophy Kleurtheorie gtt Neo-impressionisme gtt Schilderkunst gtt Malerei Philosophie Art, Modern 19th century Color in art Neo-impressionism (Art) |
| title | Paul Signac and color in Neo-Impressionism |
| title_alt | From Eugène Delacroix to Neo-Impressionism |
| title_auth | Paul Signac and color in Neo-Impressionism |
| title_exact_search | Paul Signac and color in Neo-Impressionism |
| title_full | Paul Signac and color in Neo-Impressionism by Floyd Ratliff |
| title_fullStr | Paul Signac and color in Neo-Impressionism by Floyd Ratliff |
| title_full_unstemmed | Paul Signac and color in Neo-Impressionism by Floyd Ratliff |
| title_short | Paul Signac and color in Neo-Impressionism |
| title_sort | paul signac and color in neo impressionism |
| topic | Signac, Paul <1863-1935> Philosophy Kleurtheorie gtt Neo-impressionisme gtt Schilderkunst gtt Malerei Philosophie Art, Modern 19th century Color in art Neo-impressionism (Art) |
| topic_facet | Signac, Paul <1863-1935> Philosophy Kleurtheorie Neo-impressionisme Schilderkunst Malerei Philosophie Art, Modern 19th century Color in art Neo-impressionism (Art) |
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