J. S. Bach's critique of pure music:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
[Buren]
Knuf
1981
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 170 S. Notenbeisp. |
| ISBN: | 9060274091 |
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MARC
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Record in the Search Index
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| adam_text | Titel: J. S. Bach s critique of pure music
Autor: Panthaleon Van Eck, Constantyn Leopold
Jahr: 1981
Contents
Abbreviations 1
Preface 3
Chapter I. Introduction 5
Chapter II,. Evidence of Bach s involvement in the problems
of temperament. 7
I.The aims set forth regarding temperament in general 7
2,Identity and purity of intervals 8
3.The harmonic features of Mean Tone Temperament 11
4.The development of neu temperaments 12
5.3.D.Heinichen 14
6.The examination of the organ at Halle (1716) 14
7.Bach s position 17
B.Interlude and fundamental change 17
9. Lorenz Clizler and others 18
10.The neuness of equal temperament 20
11.Experiments: exact imitation and tonality.
The Duett s in e. -minor and F-major 21
12.Temperament revisited in the Uohl(?)temperierte Clavisr II 25
13.The 14 Canons
A more systematic approach to the problems of counterpoint 26
14.Still more exact imitation and equal temperament 27
15.Exact imitation in unequal temperament 29
16.The roots of the Kunst der Fuge . Which temperament? 32
Chapter III. The text 35
Chapter IV. General aspects 39
Chapter l/. The primary fugues (group I) 41
1.Fugue l/l 41
Synopsis 43
2.Fugue 2/3 43
Synopsis 47
3.Fugue 3/2 48
Synopsis 49
4.Fugue -/4 50
Synopsis 52
5,The characteristics of the Group I compositions 52
Chapter VI. The double fugues and the canons -/20 and -/19
(group II) 55
I.Double fugue I, 5/9. Alla duodecima 55
Synopsis 56
2.Double fugue II, 6/16/10. Alla decima 56
Synopsis 64
3.Canon -/20. Canon alla duodecima in contrapunto alla quinta 64
4.Canon -/19. Canon alla decima contrapunto alla terza 66
5.The characteristics of the Group II compositions 68
Chapter VII. The Gegenfugen (group III) 71
1,Gegenfuge I, 4/5 71
Synopsis 72
2.Geganfuge II, 7/6, In stylo francese 72
Synopsis 75
3.Gegenfuge III, 8/7 76
Synopsis 79
4.The characteristics of the Group IV compositions 79
5.The relation between the double fugues and the Gegenfugen 81
Chapter VIII. The triple fugues and the canons 9/18 and Bl/17
(group IV) 83
I.Canon 9/18 83
2.Triple fugue I, 10/8 84
Synopsis 86
3.Triple fugue II, 11/11 86
Synopsis 90
4.The canons in inuersion and augmentation, 12/-, 17/- and Bl/17 92
5. The characteristics of the Broup IV compositions 97
Chapter IX. The mirror fugues (group V) 99
I.The sequence 99
2.The fugues 13/13 and 14/12 99
3.The compositions for tuo key-board instruments ( Claviera ) 100
4.The three-part mirror fugues, 15/15 and 16/14 101
5.The characteristics of the mirror fugues 106
Chapter X. Summing up 109
Chapter XI. In perspective: different qualities in appreciation 113
I.The pure tone 113
2.The perception of a pure tone 115
3,The role of the quality of sound 115
4.The harpsichord 116
5.A confrontation: the natural quality 117
6.The abstract quality 120
Appendix I.
A formal description of the principal tuning Systems (temperaments)
applied during the first half of thB 18th Century in Germany and
their intervals 125
Appendix II.
A phenomenological quantitative description of harmonic relations 133
Appendix III.
Supplementary notes to Wiemer s Die wiederhergestellte Ordnung 145
Appendix IV.
The Fehlerverzeichnis authentic? 149
Appendix V.
The accidentals in the Canonische Veraenderungen 151
Appendix VI.
ThB vieus of Johann Gottfried Walther 153
Appendix VII.
Plattheson s views regarding temperament. 163
Literature 168
|
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| id | DE-604.BV006080404 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T16:39:55Z |
| institution | BVB |
| isbn | 9060274091 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-003838161 |
| oclc_num | 9637105 |
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| owner | DE-703 DE-355 DE-BY-UBR |
| owner_facet | DE-703 DE-355 DE-BY-UBR |
| physical | 170 S. Notenbeisp. |
| publishDate | 1981 |
| publishDateSearch | 1981 |
| publishDateSort | 1981 |
| publisher | Knuf |
| record_format | marc |
| spelling | Panthaleon van Eck, C. L. van Verfasser aut J. S. Bach's critique of pure music C. L. van Panthaleon van Eck [Buren] Knuf 1981 170 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Bach, Johann Sebastian <1685-1750> Kunst der Fuge Bach, Johann Sebastian 1685-1750 Die Kunst der Fuge (DE-588)300009712 gnd rswk-swf Die Kunst der Fuge (Bach) gtt Fuga's gtt Bach, Johann Sebastian 1685-1750 Die Kunst der Fuge (DE-588)300009712 u DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=003838161&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Panthaleon van Eck, C. L. van J. S. Bach's critique of pure music Bach, Johann Sebastian <1685-1750> Kunst der Fuge Bach, Johann Sebastian 1685-1750 Die Kunst der Fuge (DE-588)300009712 gnd Die Kunst der Fuge (Bach) gtt Fuga's gtt |
| subject_GND | (DE-588)300009712 |
| title | J. S. Bach's critique of pure music |
| title_auth | J. S. Bach's critique of pure music |
| title_exact_search | J. S. Bach's critique of pure music |
| title_full | J. S. Bach's critique of pure music C. L. van Panthaleon van Eck |
| title_fullStr | J. S. Bach's critique of pure music C. L. van Panthaleon van Eck |
| title_full_unstemmed | J. S. Bach's critique of pure music C. L. van Panthaleon van Eck |
| title_short | J. S. Bach's critique of pure music |
| title_sort | j s bach s critique of pure music |
| topic | Bach, Johann Sebastian <1685-1750> Kunst der Fuge Bach, Johann Sebastian 1685-1750 Die Kunst der Fuge (DE-588)300009712 gnd Die Kunst der Fuge (Bach) gtt Fuga's gtt |
| topic_facet | Bach, Johann Sebastian <1685-1750> Kunst der Fuge Bach, Johann Sebastian 1685-1750 Die Kunst der Fuge Die Kunst der Fuge (Bach) Fuga's |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=003838161&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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