The first English actresses: women and drama 1660 - 1700
Before the Restoration of Charles II there were no professional actresses on the English stage, and female roles had almost always been played by men. This book describes how and why women were permitted to act on the public stage after 1660, and the consequences of their arrival for the drama of th...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge u.a.
Cambridge Univ. Press
1992
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Zusammenfassung: | Before the Restoration of Charles II there were no professional actresses on the English stage, and female roles had almost always been played by men. This book describes how and why women were permitted to act on the public stage after 1660, and the consequences of their arrival for the drama of the period There is a surprising lack of published research into Restoration actresses. Elizabeth Howe not only supplies important new facts about the women and their drama, but also opens up a fascinating subject to non-specialists. Beginning with a general account of the workings of Restoration theatre, she goes on to explain the advent of the actresses and how they were treated by theatre companies, theatre audiences and society in general. Perceived predominantly as sex objects, the actresses' sexuality was variously exploited in ways that had important consequences for drama. The remainder of the book concerns the lives and talents of the major figures, in particular Elizabeth Barry and Anne Bracegirdle, showing how their popularity, dramatic skill and public image frequently dictated the kinds of plays written for them The book addresses questions that are relevant to women's issues in every period: how far did the advent of real women players alter dramatic portrayals of women? Did this encourage more or less equality between the sexes? Although in one sense merely playthings for a small male elite, the pioneering actresses also represent a new female voice in society and a new place in discourse |
Beschreibung: | XIII, 226 S. Ill. |
ISBN: | 0521384443 0521422108 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV005540581 | ||
003 | DE-604 | ||
005 | 19930319 | ||
007 | t | ||
008 | 920924s1992 a||| m||| 00||| eng d | ||
020 | |a 0521384443 |9 0-521-38444-3 | ||
020 | |a 0521422108 |9 0-521-42210-8 | ||
035 | |a (OCoLC)24174870 | ||
035 | |a (DE-599)BVBBV005540581 | ||
040 | |a DE-604 |b ger |e rakddb | ||
041 | 0 | |a eng | |
049 | |a DE-384 |a DE-12 |a DE-19 |a DE-20 |a DE-29 |a DE-11 |a DE-188 | ||
050 | 0 | |a PN2592 | |
082 | 0 | |a 792/.028/082 |2 20 | |
084 | |a HK 1266 |0 (DE-625)50135: |2 rvk | ||
100 | 1 | |a Howe, Elizabeth |e Verfasser |4 aut | |
245 | 1 | 0 | |a The first English actresses |b women and drama 1660 - 1700 |c Elizabeth Howe |
250 | |a 1. publ. | ||
264 | 1 | |a Cambridge u.a. |b Cambridge Univ. Press |c 1992 | |
300 | |a XIII, 226 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a Before the Restoration of Charles II there were no professional actresses on the English stage, and female roles had almost always been played by men. This book describes how and why women were permitted to act on the public stage after 1660, and the consequences of their arrival for the drama of the period | |
520 | |a There is a surprising lack of published research into Restoration actresses. Elizabeth Howe not only supplies important new facts about the women and their drama, but also opens up a fascinating subject to non-specialists. Beginning with a general account of the workings of Restoration theatre, she goes on to explain the advent of the actresses and how they were treated by theatre companies, theatre audiences and society in general. Perceived predominantly as sex objects, the actresses' sexuality was variously exploited in ways that had important consequences for drama. The remainder of the book concerns the lives and talents of the major figures, in particular Elizabeth Barry and Anne Bracegirdle, showing how their popularity, dramatic skill and public image frequently dictated the kinds of plays written for them | ||
520 | |a The book addresses questions that are relevant to women's issues in every period: how far did the advent of real women players alter dramatic portrayals of women? Did this encourage more or less equality between the sexes? Although in one sense merely playthings for a small male elite, the pioneering actresses also represent a new female voice in society and a new place in discourse | ||
648 | 4 | |a Geschichte 1600-1700 | |
648 | 7 | |a Geschichte 1660-1700 |2 gnd |9 rswk-swf | |
650 | 4 | |a Actrices - Angleterre | |
650 | 4 | |a Femmes au théâtre - Angleterre | |
650 | 4 | |a Rôle selon le sexe dans la littérature | |
650 | 4 | |a Théâtre - Angleterre - Histoire - 17e siècle | |
650 | 4 | |a Théâtre anglais - 1660-1700 (Restauration) - Histoire et critique | |
650 | 7 | |a Toneel |2 gtt | |
650 | 7 | |a Toneelspelers |2 gtt | |
650 | 7 | |a Vrouwen |2 gtt | |
650 | 4 | |a Frau | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Theater | |
650 | 4 | |a Actresses |z Great Britain | |
650 | 4 | |a English drama |y Restoration, 1660-1700 |x History and criticism | |
650 | 4 | |a Sex role in literature | |
650 | 4 | |a Theater |z England |x History |y 17th century | |
650 | 4 | |a Women in the theater |z England |x History |y 17th century | |
650 | 0 | 7 | |a Schauspielerin |0 (DE-588)4153179-6 |2 gnd |9 rswk-swf |
651 | 4 | |a Großbritannien | |
651 | 7 | |a England |0 (DE-588)4014770-8 |2 gnd |9 rswk-swf | |
651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
689 | 0 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
689 | 0 | 1 | |a Schauspielerin |0 (DE-588)4153179-6 |D s |
689 | 0 | 2 | |a Geschichte 1660-1700 |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a England |0 (DE-588)4014770-8 |D g |
689 | 1 | 1 | |a Schauspielerin |0 (DE-588)4153179-6 |D s |
689 | 1 | 2 | |a Geschichte 1660-1700 |A z |
689 | 1 | |5 DE-604 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-003474601 |
Datensatz im Suchindex
_version_ | 1804119764232044544 |
---|---|
any_adam_object | |
author | Howe, Elizabeth |
author_facet | Howe, Elizabeth |
author_role | aut |
author_sort | Howe, Elizabeth |
author_variant | e h eh |
building | Verbundindex |
bvnumber | BV005540581 |
callnumber-first | P - Language and Literature |
callnumber-label | PN2592 |
callnumber-raw | PN2592 |
callnumber-search | PN2592 |
callnumber-sort | PN 42592 |
callnumber-subject | PN - General Literature |
classification_rvk | HK 1266 |
ctrlnum | (OCoLC)24174870 (DE-599)BVBBV005540581 |
dewey-full | 792/.028/082 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792/.028/082 |
dewey-search | 792/.028/082 |
dewey-sort | 3792 228 282 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Anglistik / Amerikanistik |
edition | 1. publ. |
era | Geschichte 1600-1700 Geschichte 1660-1700 gnd |
era_facet | Geschichte 1600-1700 Geschichte 1660-1700 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03962nam a2200721 c 4500</leader><controlfield tag="001">BV005540581</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">19930319 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">920924s1992 a||| m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0521384443</subfield><subfield code="9">0-521-38444-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0521422108</subfield><subfield code="9">0-521-42210-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)24174870</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV005540581</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-384</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN2592</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792/.028/082</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HK 1266</subfield><subfield code="0">(DE-625)50135:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Howe, Elizabeth</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The first English actresses</subfield><subfield code="b">women and drama 1660 - 1700</subfield><subfield code="c">Elizabeth Howe</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge u.a.</subfield><subfield code="b">Cambridge Univ. Press</subfield><subfield code="c">1992</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XIII, 226 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Before the Restoration of Charles II there were no professional actresses on the English stage, and female roles had almost always been played by men. This book describes how and why women were permitted to act on the public stage after 1660, and the consequences of their arrival for the drama of the period</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">There is a surprising lack of published research into Restoration actresses. Elizabeth Howe not only supplies important new facts about the women and their drama, but also opens up a fascinating subject to non-specialists. Beginning with a general account of the workings of Restoration theatre, she goes on to explain the advent of the actresses and how they were treated by theatre companies, theatre audiences and society in general. Perceived predominantly as sex objects, the actresses' sexuality was variously exploited in ways that had important consequences for drama. The remainder of the book concerns the lives and talents of the major figures, in particular Elizabeth Barry and Anne Bracegirdle, showing how their popularity, dramatic skill and public image frequently dictated the kinds of plays written for them</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The book addresses questions that are relevant to women's issues in every period: how far did the advent of real women players alter dramatic portrayals of women? Did this encourage more or less equality between the sexes? Although in one sense merely playthings for a small male elite, the pioneering actresses also represent a new female voice in society and a new place in discourse</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1600-1700</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1660-1700</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Actrices - Angleterre</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Femmes au théâtre - Angleterre</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Rôle selon le sexe dans la littérature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Théâtre - Angleterre - Histoire - 17e siècle</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Théâtre anglais - 1660-1700 (Restauration) - Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Toneel</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Toneelspelers</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Vrouwen</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Frau</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Actresses</subfield><subfield code="z">Great Britain</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama</subfield><subfield code="y">Restoration, 1660-1700</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sex role in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater</subfield><subfield code="z">England</subfield><subfield code="x">History</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women in the theater</subfield><subfield code="z">England</subfield><subfield code="x">History</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schauspielerin</subfield><subfield code="0">(DE-588)4153179-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Großbritannien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">England</subfield><subfield code="0">(DE-588)4014770-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Schauspielerin</subfield><subfield code="0">(DE-588)4153179-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1660-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">England</subfield><subfield code="0">(DE-588)4014770-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Schauspielerin</subfield><subfield code="0">(DE-588)4153179-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1660-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-003474601</subfield></datafield></record></collection> |
genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
geographic | Großbritannien England (DE-588)4014770-8 gnd Großbritannien (DE-588)4022153-2 gnd |
geographic_facet | Großbritannien England |
id | DE-604.BV005540581 |
illustrated | Illustrated |
indexdate | 2024-07-09T16:31:22Z |
institution | BVB |
isbn | 0521384443 0521422108 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-003474601 |
oclc_num | 24174870 |
open_access_boolean | |
owner | DE-384 DE-12 DE-19 DE-BY-UBM DE-20 DE-29 DE-11 DE-188 |
owner_facet | DE-384 DE-12 DE-19 DE-BY-UBM DE-20 DE-29 DE-11 DE-188 |
physical | XIII, 226 S. Ill. |
publishDate | 1992 |
publishDateSearch | 1992 |
publishDateSort | 1992 |
publisher | Cambridge Univ. Press |
record_format | marc |
spelling | Howe, Elizabeth Verfasser aut The first English actresses women and drama 1660 - 1700 Elizabeth Howe 1. publ. Cambridge u.a. Cambridge Univ. Press 1992 XIII, 226 S. Ill. txt rdacontent n rdamedia nc rdacarrier Before the Restoration of Charles II there were no professional actresses on the English stage, and female roles had almost always been played by men. This book describes how and why women were permitted to act on the public stage after 1660, and the consequences of their arrival for the drama of the period There is a surprising lack of published research into Restoration actresses. Elizabeth Howe not only supplies important new facts about the women and their drama, but also opens up a fascinating subject to non-specialists. Beginning with a general account of the workings of Restoration theatre, she goes on to explain the advent of the actresses and how they were treated by theatre companies, theatre audiences and society in general. Perceived predominantly as sex objects, the actresses' sexuality was variously exploited in ways that had important consequences for drama. The remainder of the book concerns the lives and talents of the major figures, in particular Elizabeth Barry and Anne Bracegirdle, showing how their popularity, dramatic skill and public image frequently dictated the kinds of plays written for them The book addresses questions that are relevant to women's issues in every period: how far did the advent of real women players alter dramatic portrayals of women? Did this encourage more or less equality between the sexes? Although in one sense merely playthings for a small male elite, the pioneering actresses also represent a new female voice in society and a new place in discourse Geschichte 1600-1700 Geschichte 1660-1700 gnd rswk-swf Actrices - Angleterre Femmes au théâtre - Angleterre Rôle selon le sexe dans la littérature Théâtre - Angleterre - Histoire - 17e siècle Théâtre anglais - 1660-1700 (Restauration) - Histoire et critique Toneel gtt Toneelspelers gtt Vrouwen gtt Frau Geschichte Theater Actresses Great Britain English drama Restoration, 1660-1700 History and criticism Sex role in literature Theater England History 17th century Women in the theater England History 17th century Schauspielerin (DE-588)4153179-6 gnd rswk-swf Großbritannien England (DE-588)4014770-8 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Großbritannien (DE-588)4022153-2 g Schauspielerin (DE-588)4153179-6 s Geschichte 1660-1700 z DE-604 England (DE-588)4014770-8 g |
spellingShingle | Howe, Elizabeth The first English actresses women and drama 1660 - 1700 Actrices - Angleterre Femmes au théâtre - Angleterre Rôle selon le sexe dans la littérature Théâtre - Angleterre - Histoire - 17e siècle Théâtre anglais - 1660-1700 (Restauration) - Histoire et critique Toneel gtt Toneelspelers gtt Vrouwen gtt Frau Geschichte Theater Actresses Great Britain English drama Restoration, 1660-1700 History and criticism Sex role in literature Theater England History 17th century Women in the theater England History 17th century Schauspielerin (DE-588)4153179-6 gnd |
subject_GND | (DE-588)4153179-6 (DE-588)4014770-8 (DE-588)4022153-2 (DE-588)4113937-9 |
title | The first English actresses women and drama 1660 - 1700 |
title_auth | The first English actresses women and drama 1660 - 1700 |
title_exact_search | The first English actresses women and drama 1660 - 1700 |
title_full | The first English actresses women and drama 1660 - 1700 Elizabeth Howe |
title_fullStr | The first English actresses women and drama 1660 - 1700 Elizabeth Howe |
title_full_unstemmed | The first English actresses women and drama 1660 - 1700 Elizabeth Howe |
title_short | The first English actresses |
title_sort | the first english actresses women and drama 1660 1700 |
title_sub | women and drama 1660 - 1700 |
topic | Actrices - Angleterre Femmes au théâtre - Angleterre Rôle selon le sexe dans la littérature Théâtre - Angleterre - Histoire - 17e siècle Théâtre anglais - 1660-1700 (Restauration) - Histoire et critique Toneel gtt Toneelspelers gtt Vrouwen gtt Frau Geschichte Theater Actresses Great Britain English drama Restoration, 1660-1700 History and criticism Sex role in literature Theater England History 17th century Women in the theater England History 17th century Schauspielerin (DE-588)4153179-6 gnd |
topic_facet | Actrices - Angleterre Femmes au théâtre - Angleterre Rôle selon le sexe dans la littérature Théâtre - Angleterre - Histoire - 17e siècle Théâtre anglais - 1660-1700 (Restauration) - Histoire et critique Toneel Toneelspelers Vrouwen Frau Geschichte Theater Actresses Great Britain English drama Restoration, 1660-1700 History and criticism Sex role in literature Theater England History 17th century Women in the theater England History 17th century Schauspielerin Großbritannien England Hochschulschrift |
work_keys_str_mv | AT howeelizabeth thefirstenglishactresseswomenanddrama16601700 |