Holdings: Hollywood genres :: THWS Bibkatalog

Hollywood genres: formulas, filmmaking, and the studio system

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Bibliographic Details
Main Author:	Schatz, Thomas (Author)
Format:	Book
Language:	English
Published:	New York Random House 1981
Edition:	1. ed.
Subjects:	Film Geschichte Film genres Motion pictures > United States Filmgenre USA Hollywood (Los Angeles, Calif.) > History Los Angeles- Hollywood
Online Access:	Inhaltsverzeichnis
Physical Description:	XIV, 297 S. Ill.
ISBN:	039432255X

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MARC


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Record in the Search Index

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adam_text	Preface vii PART ONE i 1 THE GENIUS OF THE SYSTEM 3 The studio system 4 The genre film and the genre director 6 The auteur policy 7 Genre and narrative conventions 10 Genre as a social force 11 2 FILM GENRES AND THE GENRE FILM 14 Genre as system 15 The language analogy 18 Toward a grammar of film genre 20 Iconography: Imagery and meaning 22 Character and setting: Communities in conflict 24 Plot structure: From conflict to resolution 29 Narrative strategy and social function: Contradictions, happy endings, and the status quo 34 Generic evolution: Patterns of increasing self-consciousness 36 xi xii CONTENTS PART TWO 43 3 THE WESTERN 45 Western as genre 45 The early films 46 The landscape of the West 47 John Ford s Stagecoach 49 The changing vision of the West 50 Stagecoach and The Shootist 53 Shane: The initiate hero and the integration of opposites 55 The changing hero: The psychological and professional Westerns 58 Our idealized past: The Western 63 John Ford and the evolution of the Western 63 Ford s embellishment of the Western formula 64 Stagecoach as an advance in the genre 66 Clementine: A Utopian Western 67 Ford s postwar Westerns 70 Ford s masterpiece: The Searchers 72 Ford s farewell to the Westerner 76 4 THE GANGSTER FILM 81 The classic gangster films 81 The gangster hero and the urban milieu 82 The gangster prototypes: Little Caesar and The Public Enemy 86 The consummate gangster saga: Howard Hawks Scarface 90 The gangster and the audience 92 The production code and the death of the classic gangster 95 Patterns of industry censorship 96 Recasting the gangster 98 Genre variations in the late 1930s 99 The bandit films of the early 1940s 102 Key Largo and White Heat-. The gangster s epitaph 104 5 THE HARDBOILED-DETECTIVE FILM 111 Film noir, Citizen Kane, and the rise of American expressionism 111 The emergence of film noir 111 CONTENTS xiii Film noir and the American dream 113 Noir techniques in Citizen Kane 116 Citizen Kane as a detective film 120 The birth of Expressionism and the death of Hollywood 122 The hard boiled-detective genre 123 The hardboiled-prototype: Huston s The Maltese Falcon 126 The noir influence: Murder, My Sweet and Double Indemnity 130 The genre s postwar development 136 The police-detective variation 142 Regeneration in the New Hollywood 147 6 THE SCREWBALL COMEDY 150 The prototype: It Happened One Night 152 The screwball genre s dilemma: Reconciling class differences 155 Godfrey, Mr. Deeds, and other homespun aristocrats 157 Antagonism and the embrace: Narrative logic and narrative rupture 159 The divorce-remarriage variation 162 Screwball comedy shaded black: His Girl Friday and Meet John Doe 165 Undercutting the genre: The films of Preston Sturges 168 Postwar developments: The genre winds down 170 Frank Capra and Robert Riskin: The Capriskin Touch 173 The collaborators 173 The films: 1934-1941 176 The Deeds-Smith-Doe trilogy 179 7 THE MUSICAL 186 The musical comes of age: 42nd Street and Gold Diggers of 1933 189 Fred Astaire and the rise of the integrated musical 191 Internal logic and the atmosphere of illusion 194 The musical as courtship rite 196 MGM s Freed Unit: Studio as Auteur 202 Integrated romance and the promise of utopia 204 The evolution of the music man: Fred Astaire and Gene Kelly 207 Kelly s persona in the early 1950s 209 Singin in the Rain and The Band Wagon: The professionals go natural 212 xiv CONTENTS Characters, performers, and crises of identity 215 Rites of integration/rites of entertainment 218 8 THE FAMILY MELODRAMA 221 Melodrama as style and as genre 221 1950s melodrama: The genre comes of age 223 The family as narrative focus 226 Young at Heart and Picnic: The male intruder-redeemer in a world of women 228 The widow-lover variation 232 The family aristocracy variation 235 Nicholas Ray, Vincente Minnelli, and the male weepie 239 Stylization, social reality, and critical values 243 Douglas Sirk and the family melodrama: Hollywood baroque 245 Sirk as stylist 248 All that heaven allows 249 Written on the Wind 252 Imitation of Life 256 EPILOGUE Hollywood Filmmaking and American Mythmaking 261 NOTES 269 REFERENCES 275 INDEX 285
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author	Schatz, Thomas
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dewey-tens	790 - Recreational and performing arts
discipline	Allgemeines
edition	1. ed.
format	Book
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geographic	USA Hollywood (Los Angeles, Calif.) History Los Angeles- Hollywood (DE-588)4099817-4 gnd
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isbn	039432255X
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physical	XIV, 297 S. Ill.
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spelling	Schatz, Thomas Verfasser aut Hollywood genres formulas, filmmaking, and the studio system 1. ed. New York Random House 1981 XIV, 297 S. Ill. txt rdacontent n rdamedia nc rdacarrier Film Geschichte Film genres Motion pictures United States Filmgenre (DE-588)4328427-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA Hollywood (Los Angeles, Calif.) History Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf Film (DE-588)4017102-4 s Los Angeles- Hollywood (DE-588)4099817-4 g DE-604 Filmgenre (DE-588)4328427-9 s 1\p DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=003276195&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Schatz, Thomas Hollywood genres formulas, filmmaking, and the studio system Film Geschichte Film genres Motion pictures United States Filmgenre (DE-588)4328427-9 gnd Film (DE-588)4017102-4 gnd
subject_GND	(DE-588)4328427-9 (DE-588)4017102-4 (DE-588)4099817-4
title	Hollywood genres formulas, filmmaking, and the studio system
title_auth	Hollywood genres formulas, filmmaking, and the studio system
title_exact_search	Hollywood genres formulas, filmmaking, and the studio system
title_full	Hollywood genres formulas, filmmaking, and the studio system
title_fullStr	Hollywood genres formulas, filmmaking, and the studio system
title_full_unstemmed	Hollywood genres formulas, filmmaking, and the studio system
title_short	Hollywood genres
title_sort	hollywood genres formulas filmmaking and the studio system
title_sub	formulas, filmmaking, and the studio system
topic	Film Geschichte Film genres Motion pictures United States Filmgenre (DE-588)4328427-9 gnd Film (DE-588)4017102-4 gnd
topic_facet	Film Geschichte Film genres Motion pictures United States Filmgenre USA Hollywood (Los Angeles, Calif.) History Los Angeles- Hollywood
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