Writing war fiction, gender, and memory
Writing war: fiction, gender, and memory

Americans in this century have been largely spared the ravages of war. Though some have fought and died on foreign fronts, few have experienced invasion, occupation, or bombing at home, and so our narratives of war are particularly potent in shaping our imagination, indeed our very memory of war. An...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Hanley, Lynne (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Amherst Univ. of Massachusetts Press 1991
Schlagworte:
Geschichte 1900-2000
Geschichte 1945-1990
Geschichte 1918-1990
Geschichte 1914-1991
Geschichte
American fiction > Women authors > History and criticism
American fiction > 20th century > History and criticism
English fiction > Women authors > History and criticism
English fiction > 20th century > History and criticism
Memory in literature
Sex role in literature
War stories, American > History and criticism
War stories, English > History and criticism
Women and literature > English-speaking countries > History > 20th century
Feminismus
Frau
Frauenroman
Krieg > Motiv
Englisch
Literatur
Schriftstellerin
Krieg
Großbritannien
USA
Zusammenfassung:Americans in this century have been largely spared the ravages of war. Though some have fought and died on foreign fronts, few have experienced invasion, occupation, or bombing at home, and so our narratives of war are particularly potent in shaping our imagination, indeed our very memory of war. And since how we imagine (or remember, or forget) war has a great deal to do with our propensity to make war, the question occurs, What is it in our literature of war, in our modern cultural memory of war, that has led us in this century to make war again and again, and to export our organized violence to just about every corner of the world? Impelled by this question, Lynne Hanley here explores the ways in which literature shapes our perceptions of war. The book contains five critical essays on English and American writings about the wars of this century and six short stories which render the experience of war from a feminist perspective. The combination of fiction and nonfiction, unorthodox though it may be, represents Hanley's deliberate effort to open new ways of thinking about war and to challenge the dichotomy between criticism and creative writing. The first essay, an insightful critique of Paul Fussell's The Great War and Modern Memory, takes issue with its focus on the combat experiences of the individual soldier, as though his were the only real human tragedy in the arena of war. Other essays address the writings of Virginia Woolf, Joan Didion, and Doris Lessing--women whose work calls into question the accepted terrain of war literature and explores new territory beyond the men-at-the-front accounts. Hanley's short stories further redefine the combat zone. Reexamining the themes of the critical essays, the stories explore the experiences of women, children, and other noncombatants on the "home front." These narratives displace the soldier as the mouth-piece of war, reminding us that the makers of war are not its only casualties.
Beschreibung:151 S.
ISBN:0870237381
0870237489

Ähnliche Einträge