Theatre as a weapon: worker's theatre in the Soviet Union, Germany and Britain, 1917 - 1934
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London u.a.
Routledge & Kegan Paul
1986
|
| Edition: | 1. publ. |
| Series: | Theatre production studies
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XVI, 336 S. Ill. |
| ISBN: | 0710097700 |
Staff View
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| adam_text | Contents
Acknowledgments xiv
Introduction • xv
Abbreviations • xviii
part one We are the Blue Blouse . . . Workers theatre in
the USSR
1 The roar of the dynamo 3
2 From the reformers to the revolutionaries: sources and
influences 5
The democratic heritage populär or pure an? • 5
Meyerhold breaking the mould • 7
October in the ans • 9
Posters • 11
Cinema ¦ 12
The mass spectacle • 13
Meyerhold breaking through the barriers • 16
Eisenstein and the embryonic montage • 21
The tempest subsides the new cultural climale • 23
Meyerhold and the avant garde • 23
Proletkult ¦ 25
The Fellow Travellers • 26
Arvatov s Programme • 26
3 Born of the press 30
An evening with the Blue Blouse • 30
From the clubs to the pubs • 39
vi • Contents
Propaganda in production • 43
Sparks in the streets the small forms ¦ 45
Speech construction and lit mintage ¦ 46
Down uiuh musical home brew! • 50
The producer • 54
Long live the new actor, the virtuoso of variety! • 57
The decline of the Blue Blouse: So why Comrades, don t they love
us? ¦ 59
Looking back at the Blue Blouse • 69
On tour in Germany • 73
PART two Hello! State power! Workers theatre in
Germany
4 The origins of German Agitprop 87
A new epoch of the ans • 89
Mass spectacles • 89
Proletkult • 91
The Proletarian Theatre of Piscator (1920 1921) • 92
The Speech chorus • 95
The Chorus of Labour • 95
7000 (1924) ¦ 97
5 Agitate! A movement evolves * 100
The first revues • 101
Piscator s RRR Red Revel Revue ¦ 101
The Red Revels of the Communist Youth League • 104
A new type oftroupe the Red Rockets (Berlin) • 107
An evening s Programme 109 •
Behind the scenes ¦ 114
The split Stormtroupe Alarm is bom • 117
The KPD: linking politics and culture 119
The Party changes tack 123 i
Radicalizing the German Workers Theatre League • 126
The Communist Youth League ¦ 128 |
Why only Red Cabaret? 129
Contents • vii
6 Propaganda coping with the crisis • 136
Into the Factories, 10 the Masses! • 139
Supporling ihe revolutionär? faclory Councils • 140
In courtyards and on the counlryside • 145
Police repression • 148
The Red Forge taking on the State ¦ 150
The Red Megaphone and montage • 153
Looking back and looking forward • 155
The innovators ¦ 156
Reach into Life the song montage ¦ 163
Itnpact on the movement • 167
7 Towards a populär theatre • 170
PART THREE Theatre of attack: Workers Theatre in Britain
8 From Luddite melodrama to the Workers Theatre
Movement • 191
A long and lively tradition • 191
New plays, a new audience • 195
The Ragged Trousered Philanthropisis • 196
Demise and rebirth of the WTM • 198
9 The old world s crashing ... • 201
Strike Up the new revue form ¦ 201
The growth of the movement • 203
Revolution wund the corner • 204
The Communist Party and cultural work • 205
A tneasure of success 207
The German Tour: international Inspiration and influences • 208
10 The heyday of the WTM 211
The Lewisham Red Players ¦ 211
Forming a group • 211
Speed Up and other sketches 213
Meerut and production methods • 216
Bookings ihe elusive trade union audience ¦ 217
Left sectarianism and the spectator s consciousness • 219
Agitation: its strengths and limitations • 221
The Red Stage and All London Shows • 226
viü ¦ Contents
Touring Scotland and Wales • 227
May Day • 229
The First National Conference ¦ 230
Agitprop vs. naturalism • 231
The repertory problem ¦ 232
Trends towards the curtain stage • 233
The eighth All London Show: a critique • 235
The Moscow Olympiad • 237
11 Return to the curtain stage the decline of the WTM 244
The Populär Front • 246
Tom Thomas resigns • 247
The Professionals • 251
Unity Theatre • 256
12 Achievements and weaknesses * 264
Conclusion
13 Three movements 281
Appendix 1 USSR: The repertoire of the Blue Blouse
Movement • 293
Appendix 2 Germany: Statistics and repertoire of the
Agitprop Movement • 300 ,
Appendix 3 Britain: The groups of the WTM and its
repertoire • 305
Notes and references • 310
Select bibliography 324
Index of theatre groups, plays, songs and sketches 327
General index • 331
Illustrations
Part One We are the Blue Blouse (between pp. 77 84)
1 Poster of the Blue Blouse for its tour of Germany 1927
2 Program cover for the Blue Blouse Performance at the Piscator Theatre
1927
3 Living Newspaper
4 Blue Blouse Props and Costumes
5 The lubok cut outs to act through
6 A scene about the Paris Commune
7 The Red Star Finale
8 The Caretakers Couplet
9 Fordism and NOT (the Scientific Organisation of Labour)
10 Chastushki (limerick) using the lubok (cut outs)
11 and 12, Scenes from the tour of Germany 1927
13 The Recognition of the USSR
14 Oratorio: The Red Army
15 The NEP Man
16 Physical Culture
17 Advertising GUM (the famous department störe)
Part Two Hello! State Power! Workers theatre in Germany
(between pp. 177 88)
18 Behind Bars! : Red Troupe sketch agitating for freeing the political
prisoners (1926)
19 Boleslaw Strzelewicz, founder and director of the Red Troupe,
Dresden
20 Agitation against compensation of expropriated aristocrats, Red
Troupe 1926
21 The band of the Red Rockets, Berlin 1928
x ¦ Illustrations
22 The Wonder Horse called Great Coalition , Red Rockets, Berlin 1928
23 The Red Forge, Halle, 1929
24 Red Wedding Berlin during a courtyard Performance, 1929
25 Props and costumes for the Freethinker Revue of the Red Blouse
(Berlin), as impounded by the police in 1931
26 Portrait studies from In spite of everything! by the Red Rats
Dresden 1932
27 Text illustrations from Hands off China , by the First Agitprop
Troupe of the KJDV 1927, later the Red Megaphone. The texts
mean: Entrance for Chinese and Dogs prohibited ; Entrance for
Capitalists and Dogs prohibited!
28 Street agitation for the workers press, Red Rockets Dresden 1929
29 The Megaphone Chorus from Hallo, Young Worker! Red Mega¬
phone 1928
30 For Soviet Power : members of Red Megaphone singing, 1930
31 The Children s Brigade of the Red Megaphone, 1933
32 Maxim Vallentin, founder and director of the Red Megaphone GDR,
1983
33 Elli Schliesser, the main theorist of the Red Megaphone nicknamed
Karl Marx without Beard . This picture shows her after 1945, having
survived years in Auschwitz and the march to Theresienstadt, where
she had kept up everybody s spirits. When her colleagues came to
collect her from a mental clinic, she associated their black limousine
with the one into which she was bundled by the fascists during her
arrest. She ran back into her room, locked it, and burned herseif to
death.
34 Edith Vallentin, founder member of the Red Megaphone GDR,
1983
35 From the film Kuhle Wampe . The Red Megaphone is performing ^
The Song of the Red United Front , 1931. Elli Schliesser on front
stage
Part Three Theatre of attack: Workers theatre in Britain
(between pp. 269 78)
36 Insignia of the Workers Theatre Movement
37 Tom Thomas as shown in The International Theatre in 1934. Founder
of the Hackney People s Players, later Red Radio, and of the WTM,
he became its national organiser and member of the presidium of the
International Revolutionary Theatre Union
Illustrations • xi
38 Philip Poole, London 1983; member of Red Radio and WTM
secretary
39 Bram Bootman, London 1983; joined Rebel Players in 1934, founder
member of Unity Theatre, London
40 Charles Mann, Somerset 1977; producer of the Lewisham Red Players
and editor of The Red Stage and New Red Stage, looking at Broadside
Theatre s publicity material
41 Fegel Firestein, London 1930; member of the Yiddish group Proltet
42 and 43 Alice and Jack Loveman, London 1983; both members of
Deptford Red Blouses and Streatham Red Front
44 Meerut , performed by the Lewisham Red Players in 1932. (Standing
on the right is producer C. B. Mann)
45 The Salford Red Megaphones during their 1932 May Day
Performances
46 Waiting for Lefty exposure of the rat : He is my own lousy
brother. Unity Theatre, 1935
47 The Lefty Finale: Hallo, America, Hallo! We re storm birds of the
working class and when we die, they ll know what we did to create a
new world. The final words: Strike, strike, strike!
48 From Babes in the Wood , Unity Theatre, 1938
49 and 50 Crisis , Unity Theatre living newspaper about the invasion of
Czechoslovakia by Nazi Germany, 1938
Sources
We are most grateful for the help received from the following people and
institutions: Illustrations 1, 2, 5, 6, 11,12,16 to 30, and 35 were provided
by the Akademie der Künste, Berlin, GDR. Illustrations 31 to 34 were
provided by Edith and Maxim Vallentin. The photographs for illus¬
trations 38 and 39 were taken by Carlos Guarita. The photograph for
illustration 41 was provided by Ray Waterman. Illustrations 46 to 50 were
provided by the National Museum of Labour History, London, with the
permission of Bram Bootman. Photographer: John Vickers. Terry Dennet
of Photography Workshop gave unstintingly of his expertise and creativity
in helping us prepare the photographs.
|
| any_adam_object | 1 |
| author | Stourac, Richard MacCreery, Kathleen |
| author_facet | Stourac, Richard MacCreery, Kathleen |
| author_role | aut aut |
| author_sort | Stourac, Richard |
| author_variant | r s rs k m km |
| building | Verbundindex |
| bvnumber | BV000566979 |
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| ctrlnum | (OCoLC)185739244 (DE-599)BVBBV000566979 |
| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| edition | 1. publ. |
| era | Geschichte 1917-1934 gnd Geschichte 19171-1934 gnd |
| era_facet | Geschichte 1917-1934 Geschichte 19171-1934 |
| format | Book |
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| indexdate | 2024-07-09T15:15:48Z |
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| owner | DE-12 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-703 DE-739 DE-824 DE-706 DE-83 DE-188 DE-Re13 DE-BY-UBR DE-Bo133 DE-B486 |
| owner_facet | DE-12 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-703 DE-739 DE-824 DE-706 DE-83 DE-188 DE-Re13 DE-BY-UBR DE-Bo133 DE-B486 |
| physical | XVI, 336 S. Ill. |
| publishDate | 1986 |
| publishDateSearch | 1986 |
| publishDateSort | 1986 |
| publisher | Routledge & Kegan Paul |
| record_format | marc |
| series2 | Theatre production studies |
| spelling | Stourac, Richard Verfasser aut Theatre as a weapon worker's theatre in the Soviet Union, Germany and Britain, 1917 - 1934 Richard Stourac and Kathleen McGreery 1. publ. London u.a. Routledge & Kegan Paul 1986 XVI, 336 S. Ill. txt rdacontent n rdamedia nc rdacarrier Theatre production studies Geschichte 1917-1934 gnd rswk-swf Geschichte 19171-1934 gnd rswk-swf Arbetarteater Theater - History - 20th century BNB Theater - Political aspects BNB theatre BNB Arbeiterkulturbewegung fes Kommunistische Partei, Öffentlichkeitsarbeit fes Politisches Theater fes Arbeitertheater (DE-588)4112561-7 gnd rswk-swf Großbritannien fes Sowjetunion fes Sowjetunion (DE-588)4077548-3 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Sowjetunion (DE-588)4077548-3 g Arbeitertheater (DE-588)4112561-7 s Geschichte 1917-1934 z DE-604 Deutschland (DE-588)4011882-4 g Großbritannien (DE-588)4022153-2 g Geschichte 19171-1934 z MacCreery, Kathleen Verfasser aut HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000349465&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stourac, Richard MacCreery, Kathleen Theatre as a weapon worker's theatre in the Soviet Union, Germany and Britain, 1917 - 1934 Arbetarteater Theater - History - 20th century BNB Theater - Political aspects BNB theatre BNB Arbeiterkulturbewegung fes Kommunistische Partei, Öffentlichkeitsarbeit fes Politisches Theater fes Arbeitertheater (DE-588)4112561-7 gnd |
| subject_GND | (DE-588)4112561-7 (DE-588)4077548-3 (DE-588)4011882-4 (DE-588)4022153-2 |
| title | Theatre as a weapon worker's theatre in the Soviet Union, Germany and Britain, 1917 - 1934 |
| title_auth | Theatre as a weapon worker's theatre in the Soviet Union, Germany and Britain, 1917 - 1934 |
| title_exact_search | Theatre as a weapon worker's theatre in the Soviet Union, Germany and Britain, 1917 - 1934 |
| title_full | Theatre as a weapon worker's theatre in the Soviet Union, Germany and Britain, 1917 - 1934 Richard Stourac and Kathleen McGreery |
| title_fullStr | Theatre as a weapon worker's theatre in the Soviet Union, Germany and Britain, 1917 - 1934 Richard Stourac and Kathleen McGreery |
| title_full_unstemmed | Theatre as a weapon worker's theatre in the Soviet Union, Germany and Britain, 1917 - 1934 Richard Stourac and Kathleen McGreery |
| title_short | Theatre as a weapon |
| title_sort | theatre as a weapon worker s theatre in the soviet union germany and britain 1917 1934 |
| title_sub | worker's theatre in the Soviet Union, Germany and Britain, 1917 - 1934 |
| topic | Arbetarteater Theater - History - 20th century BNB Theater - Political aspects BNB theatre BNB Arbeiterkulturbewegung fes Kommunistische Partei, Öffentlichkeitsarbeit fes Politisches Theater fes Arbeitertheater (DE-588)4112561-7 gnd |
| topic_facet | Arbetarteater Theater - History - 20th century Theater - Political aspects theatre Arbeiterkulturbewegung Kommunistische Partei, Öffentlichkeitsarbeit Politisches Theater Arbeitertheater Großbritannien Sowjetunion Deutschland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=000349465&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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