French theatre experiment since 1968:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor, Mich.
UMI Research Pr.
1984
|
| Schriftenreihe: | Theater and dramatic studies
18 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Teilw. zugl.: New York, Univ., Diss., 1980 |
| Beschreibung: | XIII, 177 S. Ill. |
| ISBN: | 0835715388 |
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Datensatz im Suchindex
| _version_ | 1804114684426584064 |
|---|---|
| adam_text | Titel: French theatre experiment since 1968
Autor: CHAMPAGNE, LENORA
Jahr: 1984
Contents
List of Illustrations xi
Preface xv
1 The Explosion of May 1968 1
Setting the Stage: The Historical Context
Total Revolution : The New Left Position
The Critique of Everyday Life: The Situationists, Wilhelm Reich,
and Henri LeFebvre
Festival
The Spectacle Society
2 Theatre in 1968: Signs of Revolution 11
Life Takes the Stage: The Odeon Occupation
Opposition to the Consumer Society: Georges Michel s Agression
The Militant Search for a New Language: Gatti, Benedetto, Gelas
Avignon and the Cultural Supermarket Controversy
3 The Golden Age of Collective Creation 23
Self-determination, Seizing the Word, and the Creativity
of the Actor
Everyday Life and the Popular Audience
Popular Forms and the Body of the Actor (Production/Acting
Style)
The Fight on Two Fronts: Cultural Animation and
Large Spectacles
Finances
Against Hierarchies: Roles within the Collective
The Script
Experiments with Space and Technical Means
viii Contents
The Theatre du Soleil
The Theatre de la Salamandre
4 Cultural Animation and Para-Theatrical Activity 51
Gatti s Spectacle sans Spectateurs, or, Every Man Is a Creator
The Durutti Column: Experiments in a Non-Theatre Space
Out to the People: The Brabant Wallon Experience
The Wild Ducks of Saint Nazaire: Dissidence and
the Examined Life
Regionalism and Special Interests: Benedetto, Occitania,
Women and Youth
Andre Benedetto
Occitania
The New Philosophers
5 Les Blancs et Les Trous: The Theatre of Everyday Life 71
Character
Themes
Structure
Mise en Scene (Staging)
6 Theatre of the Young Intellectual Dandies 83
The Historical Moment
Some Philosophical/Literary/Psychoanalytic Influences
Staging As Writing: Mesguich and Lavaudant s Acknowledgments
of the Role of Theory in their Theatre Practice
Mesguich s The Book to Come Is the Theatre : The Interplay
of Text and Actor on the Blank Page of the Stage
The Actor in Mesguich s and Lavaudant s Theatres: The Influence
of Antoine Vitez
Lavaudant and Mesguich: Why Stage a Classic?
Lavaudant s Theatre Froid: The Influence of Robert Wilson
Is This Political Theatre?
Postscript (Summer 1983) 97
Pourquoi la Revolution? La Revolution Est Finie
All of My Friends Are Dead, Dead (Jim Carrol)
So What (Are They Talking About)?
Moving in Place, or Journeys of the Imagination Have Their Uses
Notes 103
Contents ix
Illustrations 125
Bibliography 163
Index 175
|
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