Yu Hong - Another one bites the dust: published on the occasion of the exhibition "Yu Hong: Another one bites the dust", a special off-site exhibition of the Asian Art Initiative of the Solomon R. Guggenheim Museum, New York, presented concurrently with the 60th International Art Exhibition - La Biennale di Venezia. Organized by Alexandra Munroe. Chiesetta della Misericordia, Canareggio, Venice. April 20-November 24, 2024
"Published to accompany a major site-specific installation in Venice, Yu Hong: Another One Bites the Dust offers an in-depth examination of the work of one of China's foremost living artists, renowned internationally for her virtuosic large-scale figurative paintings. Yu Hong's (born...
Gespeichert in:
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Weitere Verfasser: | , , , |
Format: | Tagungsbericht Buch |
Sprache: | English |
Veröffentlicht: |
New York, NY
DelMonico Books
[2024]
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Schlagworte: | |
Zusammenfassung: | "Published to accompany a major site-specific installation in Venice, Yu Hong: Another One Bites the Dust offers an in-depth examination of the work of one of China's foremost living artists, renowned internationally for her virtuosic large-scale figurative paintings. Yu Hong's (born 1966) practice centers on humane depictions of contemporary life that are both deeply personal and astute in their observations of larger societal realities. Featuring beautiful installation photography of Venice's Chiesetta della Misericordia, this book presents a new cycle of works painted on gold ground that depict the arc of human experience while referencing aspects of Buddhist narrative painting, Byzantine icons and the Italian Baroque. Through her lushly painted stories, she considers the radical changes pressed on humanity by the speed and totality of globalization, the existential climate emergency, diaspora and dispossession in many parts of the world, and the uneven histories of postcolonialism. Yu Hong's subject is the precarity of meaning in the face of calamitous disruption"-- "Yu Hong: Another One Bites the Dust will feature new figurative and narrative paintings that respond to the architectural and cultural context of the Chiesetta della Misericordia, a deconsecrated Romanesque-Byzantine church founded by Augustinian friars in the tenth century. Conditioned by this architectural site, the exhibition will present Yu Hong's work outside the bounds of art-historical conventions, examining the artist's worlding of supernatural realism as a radically anachronistic stance that further destabilizes our notions of contemporary life. In Another One Bites the Dust, Yu Hong borrows images of people, mostly women and children, in writhing poses expressing mental anguish or imminent physical danger, both real and fantastical, from the internet and social media. Set against a gold ground and shaped as large tondos or arched panels, the figures presented confront and upend the epic themes of sacred art while not shying away from the role of painting to portray the sorrows of the human condition. The works in the exhibition upend the epic themes of sacred art while embracing painting's capacity to portray the human condition--the sorrows, absurdities, and transcendence of bodily existence. The large tondo paintings Birth (2022) and Death (2022) are set against a gold ground: a newborn held by a doctor's prophylactic gloves and connected to its mother by an umbilical cord will be paired across the nave with the bare feet of several cadavers. The exhibition's centerpiece will be a ten-part painting, Walking through Life (2019-22), suspended as a semicircle in the choir. Progressing from left to right, each arched panel depicts a scene of different physical stages of life as conditioned and contorted by social norms, gender roles, and political realities"-- |
Beschreibung: | 143 Seiten Illustrationen (farbig) 28,5 x 24,2 cm cm |
ISBN: | 9781636811512 1636811515 |
Internformat
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246 | 1 | 3 | |a Another one bites the dust |
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520 | 3 | |a "Published to accompany a major site-specific installation in Venice, Yu Hong: Another One Bites the Dust offers an in-depth examination of the work of one of China's foremost living artists, renowned internationally for her virtuosic large-scale figurative paintings. Yu Hong's (born 1966) practice centers on humane depictions of contemporary life that are both deeply personal and astute in their observations of larger societal realities. Featuring beautiful installation photography of Venice's Chiesetta della Misericordia, this book presents a new cycle of works painted on gold ground that depict the arc of human experience while referencing aspects of Buddhist narrative painting, Byzantine icons and the Italian Baroque. Through her lushly painted stories, she considers the radical changes pressed on humanity by the speed and totality of globalization, the existential climate emergency, diaspora and dispossession in many parts of the world, and the uneven histories of postcolonialism. Yu Hong's subject is the precarity of meaning in the face of calamitous disruption"-- | |
520 | 3 | |a "Yu Hong: Another One Bites the Dust will feature new figurative and narrative paintings that respond to the architectural and cultural context of the Chiesetta della Misericordia, a deconsecrated Romanesque-Byzantine church founded by Augustinian friars in the tenth century. Conditioned by this architectural site, the exhibition will present Yu Hong's work outside the bounds of art-historical conventions, examining the artist's worlding of supernatural realism as a radically anachronistic stance that further destabilizes our notions of contemporary life. In Another One Bites the Dust, Yu Hong borrows images of people, mostly women and children, in writhing poses expressing mental anguish or imminent physical danger, both real and fantastical, from the internet and social media. Set against a gold ground and shaped as large tondos or arched panels, the figures presented confront and upend the epic themes of sacred art while not shying away from the role of painting to portray the sorrows of the human condition. The works in the exhibition upend the epic themes of sacred art while embracing painting's capacity to portray the human condition--the sorrows, absurdities, and transcendence of bodily existence. The large tondo paintings Birth (2022) and Death (2022) are set against a gold ground: a newborn held by a doctor's prophylactic gloves and connected to its mother by an umbilical cord will be paired across the nave with the bare feet of several cadavers. The exhibition's centerpiece will be a ten-part painting, Walking through Life (2019-22), suspended as a semicircle in the choir. Progressing from left to right, each arched panel depicts a scene of different physical stages of life as conditioned and contorted by social norms, gender roles, and political realities"-- | |
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700 | 1 | |a Chemollo, Alessandra |d 1963- |0 (DE-588)129677639 |4 pht | |
710 | 2 | |a Chiesetta della Misericordia (Canareggio, Venice) |4 his | |
711 | 2 | |a Biennale di Venezia |n 60. |d 2024 |c Venedig |0 (DE-588)1328101215 |4 his | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035261632 |
Datensatz im Suchindex
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---|---|
adam_text | |
any_adam_object | |
author | Yu, Hong 1966- Munroe, Alexandra 1957- |
author2 | Armitage, Michael 1984- Gazzara, Loredana Muhly, Nico 1981- Chemollo, Alessandra 1963- |
author2_role | ctb ctb ctb pht |
author2_variant | m a ma l g lg n m nm a c ac |
author_GND | (DE-588)123073049 (DE-588)137991266 (DE-588)1151229997 (DE-588)1246851962 (DE-588)132173328 (DE-588)129677639 |
author_facet | Yu, Hong 1966- Munroe, Alexandra 1957- Armitage, Michael 1984- Gazzara, Loredana Muhly, Nico 1981- Chemollo, Alessandra 1963- |
author_role | aut aut |
author_sort | Yu, Hong 1966- |
author_variant | h y hy a m am |
building | Verbundindex |
bvnumber | BV049923111 |
ctrlnum | (OCoLC)1450030134 (DE-599)BVBBV049923111 |
format | Conference Proceeding Book |
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genre_facet | Ausstellungskatalog Chiesetta della Misericordia 20.04.2024-24.11.2024 Canareggio, Venice |
id | DE-604.BV049923111 |
illustrated | Illustrated |
indexdate | 2024-12-06T15:10:54Z |
institution | BVB |
institution_GND | (DE-588)1328101215 |
isbn | 9781636811512 1636811515 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035261632 |
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owner_facet | DE-255 DE-12 |
physical | 143 Seiten Illustrationen (farbig) 28,5 x 24,2 cm cm |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | DelMonico Books |
record_format | marc |
spelling | Yu, Hong 1966- (DE-588)123073049 art aut Yu Hong - Another one bites the dust published on the occasion of the exhibition "Yu Hong: Another one bites the dust", a special off-site exhibition of the Asian Art Initiative of the Solomon R. Guggenheim Museum, New York, presented concurrently with the 60th International Art Exhibition - La Biennale di Venezia. Organized by Alexandra Munroe. Chiesetta della Misericordia, Canareggio, Venice. April 20-November 24, 2024 Alexandra Munroe ; with contributions by Michael Armitage, Loredana Gazzara, Nico Muhly, and Yu Hong ; photography by Alessandra Chemollo Another one bites the dust New York, NY DelMonico Books [2024] © 2024 143 Seiten Illustrationen (farbig) 28,5 x 24,2 cm cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier "Published to accompany a major site-specific installation in Venice, Yu Hong: Another One Bites the Dust offers an in-depth examination of the work of one of China's foremost living artists, renowned internationally for her virtuosic large-scale figurative paintings. Yu Hong's (born 1966) practice centers on humane depictions of contemporary life that are both deeply personal and astute in their observations of larger societal realities. Featuring beautiful installation photography of Venice's Chiesetta della Misericordia, this book presents a new cycle of works painted on gold ground that depict the arc of human experience while referencing aspects of Buddhist narrative painting, Byzantine icons and the Italian Baroque. Through her lushly painted stories, she considers the radical changes pressed on humanity by the speed and totality of globalization, the existential climate emergency, diaspora and dispossession in many parts of the world, and the uneven histories of postcolonialism. Yu Hong's subject is the precarity of meaning in the face of calamitous disruption"-- "Yu Hong: Another One Bites the Dust will feature new figurative and narrative paintings that respond to the architectural and cultural context of the Chiesetta della Misericordia, a deconsecrated Romanesque-Byzantine church founded by Augustinian friars in the tenth century. Conditioned by this architectural site, the exhibition will present Yu Hong's work outside the bounds of art-historical conventions, examining the artist's worlding of supernatural realism as a radically anachronistic stance that further destabilizes our notions of contemporary life. In Another One Bites the Dust, Yu Hong borrows images of people, mostly women and children, in writhing poses expressing mental anguish or imminent physical danger, both real and fantastical, from the internet and social media. Set against a gold ground and shaped as large tondos or arched panels, the figures presented confront and upend the epic themes of sacred art while not shying away from the role of painting to portray the sorrows of the human condition. The works in the exhibition upend the epic themes of sacred art while embracing painting's capacity to portray the human condition--the sorrows, absurdities, and transcendence of bodily existence. The large tondo paintings Birth (2022) and Death (2022) are set against a gold ground: a newborn held by a doctor's prophylactic gloves and connected to its mother by an umbilical cord will be paired across the nave with the bare feet of several cadavers. The exhibition's centerpiece will be a ten-part painting, Walking through Life (2019-22), suspended as a semicircle in the choir. Progressing from left to right, each arched panel depicts a scene of different physical stages of life as conditioned and contorted by social norms, gender roles, and political realities"-- Yu, Hong 1966- (DE-588)123073049 gnd rswk-swf Yu, Hong / 1966- / Exhibitions Yu, Hong / 1966- / Criticism and interpretation Yu, Hong / 1966- / Interviews Artists / China / Exhibitions Artistes / Chine / Expositions Yu, Hong / 1966- Art, Chinese 21st century exhibition catalogs Exhibition catalogs Catalogues d'exposition (DE-588)4135467-9 Ausstellungskatalog Chiesetta della Misericordia 20.04.2024-24.11.2024 Canareggio, Venice gnd-content Yu, Hong 1966- (DE-588)123073049 p DE-604 Munroe, Alexandra 1957- Verfasser (DE-588)137991266 aut Armitage, Michael 1984- (DE-588)1151229997 ctb Gazzara, Loredana (DE-588)1246851962 ctb Muhly, Nico 1981- (DE-588)132173328 ctb Chemollo, Alessandra 1963- (DE-588)129677639 pht Chiesetta della Misericordia (Canareggio, Venice) his Biennale di Venezia 60. 2024 Venedig (DE-588)1328101215 his |
spellingShingle | Yu, Hong 1966- Munroe, Alexandra 1957- Yu Hong - Another one bites the dust published on the occasion of the exhibition "Yu Hong: Another one bites the dust", a special off-site exhibition of the Asian Art Initiative of the Solomon R. Guggenheim Museum, New York, presented concurrently with the 60th International Art Exhibition - La Biennale di Venezia. Organized by Alexandra Munroe. Chiesetta della Misericordia, Canareggio, Venice. April 20-November 24, 2024 Yu, Hong 1966- (DE-588)123073049 gnd |
subject_GND | (DE-588)123073049 (DE-588)4135467-9 |
title | Yu Hong - Another one bites the dust published on the occasion of the exhibition "Yu Hong: Another one bites the dust", a special off-site exhibition of the Asian Art Initiative of the Solomon R. Guggenheim Museum, New York, presented concurrently with the 60th International Art Exhibition - La Biennale di Venezia. Organized by Alexandra Munroe. Chiesetta della Misericordia, Canareggio, Venice. April 20-November 24, 2024 |
title_alt | Another one bites the dust |
title_auth | Yu Hong - Another one bites the dust published on the occasion of the exhibition "Yu Hong: Another one bites the dust", a special off-site exhibition of the Asian Art Initiative of the Solomon R. Guggenheim Museum, New York, presented concurrently with the 60th International Art Exhibition - La Biennale di Venezia. Organized by Alexandra Munroe. Chiesetta della Misericordia, Canareggio, Venice. April 20-November 24, 2024 |
title_exact_search | Yu Hong - Another one bites the dust published on the occasion of the exhibition "Yu Hong: Another one bites the dust", a special off-site exhibition of the Asian Art Initiative of the Solomon R. Guggenheim Museum, New York, presented concurrently with the 60th International Art Exhibition - La Biennale di Venezia. Organized by Alexandra Munroe. Chiesetta della Misericordia, Canareggio, Venice. April 20-November 24, 2024 |
title_full | Yu Hong - Another one bites the dust published on the occasion of the exhibition "Yu Hong: Another one bites the dust", a special off-site exhibition of the Asian Art Initiative of the Solomon R. Guggenheim Museum, New York, presented concurrently with the 60th International Art Exhibition - La Biennale di Venezia. Organized by Alexandra Munroe. Chiesetta della Misericordia, Canareggio, Venice. April 20-November 24, 2024 Alexandra Munroe ; with contributions by Michael Armitage, Loredana Gazzara, Nico Muhly, and Yu Hong ; photography by Alessandra Chemollo |
title_fullStr | Yu Hong - Another one bites the dust published on the occasion of the exhibition "Yu Hong: Another one bites the dust", a special off-site exhibition of the Asian Art Initiative of the Solomon R. Guggenheim Museum, New York, presented concurrently with the 60th International Art Exhibition - La Biennale di Venezia. Organized by Alexandra Munroe. Chiesetta della Misericordia, Canareggio, Venice. April 20-November 24, 2024 Alexandra Munroe ; with contributions by Michael Armitage, Loredana Gazzara, Nico Muhly, and Yu Hong ; photography by Alessandra Chemollo |
title_full_unstemmed | Yu Hong - Another one bites the dust published on the occasion of the exhibition "Yu Hong: Another one bites the dust", a special off-site exhibition of the Asian Art Initiative of the Solomon R. Guggenheim Museum, New York, presented concurrently with the 60th International Art Exhibition - La Biennale di Venezia. Organized by Alexandra Munroe. Chiesetta della Misericordia, Canareggio, Venice. April 20-November 24, 2024 Alexandra Munroe ; with contributions by Michael Armitage, Loredana Gazzara, Nico Muhly, and Yu Hong ; photography by Alessandra Chemollo |
title_short | Yu Hong - Another one bites the dust |
title_sort | yu hong another one bites the dust published on the occasion of the exhibition yu hong another one bites the dust a special off site exhibition of the asian art initiative of the solomon r guggenheim museum new york presented concurrently with the 60th international art exhibition la biennale di venezia organized by alexandra munroe chiesetta della misericordia canareggio venice april 20 november 24 2024 |
title_sub | published on the occasion of the exhibition "Yu Hong: Another one bites the dust", a special off-site exhibition of the Asian Art Initiative of the Solomon R. Guggenheim Museum, New York, presented concurrently with the 60th International Art Exhibition - La Biennale di Venezia. Organized by Alexandra Munroe. Chiesetta della Misericordia, Canareggio, Venice. April 20-November 24, 2024 |
topic | Yu, Hong 1966- (DE-588)123073049 gnd |
topic_facet | Yu, Hong 1966- Ausstellungskatalog Chiesetta della Misericordia 20.04.2024-24.11.2024 Canareggio, Venice |
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