Communities of Sense: Rethinking Aesthetics and Politics
Communities of Sense argues for a new understanding of the relation between politics and aesthetics in today's globalized and image-saturated world. Established and emerging scholars of art and culture draw on Jacques Rancière's theorization of democratic politics to suggest that aesthetic...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2009]
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| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Communities of Sense argues for a new understanding of the relation between politics and aesthetics in today's globalized and image-saturated world. Established and emerging scholars of art and culture draw on Jacques Rancière's theorization of democratic politics to suggest that aesthetics, traditionally defined as the "science of the sensible," is not a depoliticized discourse or theory of art, but instead part of a historically specific organization of social roles and communality. Rather than formulating aesthetics as the Other to politics, the contributors show that aesthetics and politics are mutually implicated in the construction of communities of visibility and sensation through which political orders emerge.The first of the collection's three sections explicitly examines the links between aesthetics and social and political experience. Here a new essay by Rancière posits art as a key site where disagreement can be staged in order to produce new communities of sense. In the second section, contributors investigate how sense was constructed in the past by the European avant-garde and how it is mobilized in today's global visual and political culture. Exploring the viability of various models of artistic and political critique in the context of globalization, the authors of the essays in the volume's final section suggest a shift from identity politics and preconstituted collectivities toward processes of identification and disidentification. Topics discussed in the volume vary from digital architecture to a makeshift museum in a Paris suburb, and from romantic art theory in the wake of Hegel to the history of the group-subject in political art and performance since 1968. An interview with Étienne Balibar rounds out the collection.Contributors. Emily Apter, Étienne Balibar, Carlos Basualdo, T. J. Demos, Rachel Haidu, Beth Hinderliter, David Joselit, William Kaizen, Ranjanna Khanna, Reinaldo Laddaga, Vered Maimon, Jaleh Mansoor, Reinhold Martin, Seth McCormick, Yates McKee, Alexander Potts, Jacques Rancière, Toni Ross |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (380 pages) 28 illustrations |
| ISBN: | 9780822390978 |
| DOI: | 10.1515/9780822390978 |
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| 520 | |a Communities of Sense argues for a new understanding of the relation between politics and aesthetics in today's globalized and image-saturated world. Established and emerging scholars of art and culture draw on Jacques Rancière's theorization of democratic politics to suggest that aesthetics, traditionally defined as the "science of the sensible," is not a depoliticized discourse or theory of art, but instead part of a historically specific organization of social roles and communality. Rather than formulating aesthetics as the Other to politics, the contributors show that aesthetics and politics are mutually implicated in the construction of communities of visibility and sensation through which political orders emerge.The first of the collection's three sections explicitly examines the links between aesthetics and social and political experience. Here a new essay by Rancière posits art as a key site where disagreement can be staged in order to produce new communities of sense. | ||
| 520 | |a In the second section, contributors investigate how sense was constructed in the past by the European avant-garde and how it is mobilized in today's global visual and political culture. Exploring the viability of various models of artistic and political critique in the context of globalization, the authors of the essays in the volume's final section suggest a shift from identity politics and preconstituted collectivities toward processes of identification and disidentification. Topics discussed in the volume vary from digital architecture to a makeshift museum in a Paris suburb, and from romantic art theory in the wake of Hegel to the history of the group-subject in political art and performance since 1968. An interview with Étienne Balibar rounds out the collection.Contributors. Emily Apter, Étienne Balibar, Carlos Basualdo, T. J. | ||
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| 700 | 1 | |a Emily, Apter |4 ctb | |
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| author2 | Alexander, Potts Carlos, Basualdo David, Joselit Emily, Apter Hinderliter, Beth Jacques, Rancière Maimon, Vered Mansoor, Jaleh McCormick, Seth Rachel, Haidu Ranjana, Khanna Reinaldo, Laddaga Reinhold, Martin Seth, McCormick T. J., Demos Toni, Ross Yates, McKee |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2024-07-10T09:01:08Z |
| institution | BVB |
| isbn | 9780822390978 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456305 |
| oclc_num | 1226699846 |
| open_access_boolean | |
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| publisher | Duke University Press |
| record_format | marc |
| spelling | Communities of Sense Rethinking Aesthetics and Politics Seth McCormick, Beth Hinderliter, Jaleh Mansoor, Vered Maimon Durham Duke University Press [2009] © 2009 1 online resource (380 pages) 28 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Communities of Sense argues for a new understanding of the relation between politics and aesthetics in today's globalized and image-saturated world. Established and emerging scholars of art and culture draw on Jacques Rancière's theorization of democratic politics to suggest that aesthetics, traditionally defined as the "science of the sensible," is not a depoliticized discourse or theory of art, but instead part of a historically specific organization of social roles and communality. Rather than formulating aesthetics as the Other to politics, the contributors show that aesthetics and politics are mutually implicated in the construction of communities of visibility and sensation through which political orders emerge.The first of the collection's three sections explicitly examines the links between aesthetics and social and political experience. Here a new essay by Rancière posits art as a key site where disagreement can be staged in order to produce new communities of sense. In the second section, contributors investigate how sense was constructed in the past by the European avant-garde and how it is mobilized in today's global visual and political culture. Exploring the viability of various models of artistic and political critique in the context of globalization, the authors of the essays in the volume's final section suggest a shift from identity politics and preconstituted collectivities toward processes of identification and disidentification. Topics discussed in the volume vary from digital architecture to a makeshift museum in a Paris suburb, and from romantic art theory in the wake of Hegel to the history of the group-subject in political art and performance since 1968. An interview with Étienne Balibar rounds out the collection.Contributors. Emily Apter, Étienne Balibar, Carlos Basualdo, T. J. Demos, Rachel Haidu, Beth Hinderliter, David Joselit, William Kaizen, Ranjanna Khanna, Reinaldo Laddaga, Vered Maimon, Jaleh Mansoor, Reinhold Martin, Seth McCormick, Yates McKee, Alexander Potts, Jacques Rancière, Toni Ross In English ART / Criticism bisacsh Aesthetics, Modern Art and society History 20th century Arts, Modern 20th century Philosophy Arts, Modern 20th century Political aspects Alexander, Potts ctb Apter, Emily Sonstige oth Carlos, Basualdo ctb David, Joselit ctb Emily, Apter ctb Hinderliter, Beth edt Jacques, Rancière ctb Maimon, Vered edt Mansoor, Jaleh edt McCormick, Seth edt Rachel, Haidu ctb Rancière, Jacques Sonstige oth Ranjana, Khanna ctb Reinaldo, Laddaga ctb Reinhold, Martin ctb Seth, McCormick ctb T. J., Demos ctb Toni, Ross ctb Yates, McKee ctb https://doi.org/10.1515/9780822390978 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Communities of Sense Rethinking Aesthetics and Politics ART / Criticism bisacsh Aesthetics, Modern Art and society History 20th century Arts, Modern 20th century Philosophy Arts, Modern 20th century Political aspects |
| title | Communities of Sense Rethinking Aesthetics and Politics |
| title_auth | Communities of Sense Rethinking Aesthetics and Politics |
| title_exact_search | Communities of Sense Rethinking Aesthetics and Politics |
| title_exact_search_txtP | Communities of Sense Rethinking Aesthetics and Politics |
| title_full | Communities of Sense Rethinking Aesthetics and Politics Seth McCormick, Beth Hinderliter, Jaleh Mansoor, Vered Maimon |
| title_fullStr | Communities of Sense Rethinking Aesthetics and Politics Seth McCormick, Beth Hinderliter, Jaleh Mansoor, Vered Maimon |
| title_full_unstemmed | Communities of Sense Rethinking Aesthetics and Politics Seth McCormick, Beth Hinderliter, Jaleh Mansoor, Vered Maimon |
| title_short | Communities of Sense |
| title_sort | communities of sense rethinking aesthetics and politics |
| title_sub | Rethinking Aesthetics and Politics |
| topic | ART / Criticism bisacsh Aesthetics, Modern Art and society History 20th century Arts, Modern 20th century Philosophy Arts, Modern 20th century Political aspects |
| topic_facet | ART / Criticism Aesthetics, Modern Art and society History 20th century Arts, Modern 20th century Philosophy Arts, Modern 20th century Political aspects |
| url | https://doi.org/10.1515/9780822390978 |
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