The material evidence of the drawings by Antonio and Piero del Pollaiuolo is key to a detailed study of their character, function and date [Rezension von: I disegni di Antonio e Pi... von Wright, Alison 1965-

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Compelling radiance Fra Angelico's shine von Wright, Alison 1965-

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[Rezension von: Practice and theory in the Italian Renaissance workshop / Christina Neilson, 2019] von Wright, Alison 1965-

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Authority and vision the painter's position in the Cappella Nova at Orvieto von Wright, Alison

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Michelangelo drawings closer to the master (British Museum, London, 23 March - 25 June 2006) ; catalogue by Hugo Chapman ... von Wright, Alison

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Between the patron and the market production strategies in the Pollaiuolo workshop von Wright, Alison

Renaissance Florence the art of the 1470s ; [published to accompany an exhibition at the National Gallery, London, 20 October 1999 - 16 January 2000] von Wright, Alison

The spirit of Tibet portrait of a culture in exile von Wright, Alison

The patron in the picture von Wright, Alison

Dancing nudes in the Lanfredini Villa at Arcetri von Wright, Alison

[Rezension von:] Butterfield, Andrew: The sculptures of Andrea del Verrocchio. - New Haven : Yale Univ. Press: 1997 von Wright, Alison

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The myth of Hercules von Wright, Alison

Piero de' Medici and the Pollaiuolo von Wright, Alison

Simone Martini in Orvieto von Silver, Nathaniel, Israëls, Machtelt 1969-, Cannon, Joanna 1951-, Etheridge, Christopher, Gritt, Stephen, Pocobene, Gianfranco, Strehlke, Carl Brandon 1955-, Wright, Alison 1965-

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Gold British Library, London : 20th May-2nd October von Wright, Alison 1965-

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The transformation of gold von Wright, Alison 1965-

The politics of the gilded body in early Florentine statuary von Wright, Alison 1965-

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Frame work honour and ornament in Italian Renaissance art von Wright, Alison 1965-

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The Blakes von Wright, Alison

The Pollaiuolo Milan von Wright, Alison 1965-

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