Strolling players of empire: theater and performances of power in the British imperial provinces, 1656-1833
Why did Britons get up a play wherever they went? Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encomp...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York, NY
Cambridge University Press
2022
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Schriftenreihe: | Critical perspectives on empire
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Schlagworte: | |
Online-Zugang: | DE-12 DE-473 Volltext |
Zusammenfassung: | Why did Britons get up a play wherever they went? Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass Kingston, Calcutta, Fort Marlborough, St. Helena and Port Jackson as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural traditions through their own performances, as Englishness also became a production of non-English peoples across the globe |
Beschreibung: | Title from publisher's bibliographic system (viewed on 16 Nov 2022) Prologue: Strollers without borders -- Introduction: Britain's theatrical empire -- Peripheralizing the spheres : theatrical assemblages of the imperial provinces -- Rowe's Fair penitent as global history : colonial family strategies and the imperatives of nation -- The lure of the other : Jews, Nabobs and enslaved Africans in a transcolonial imaginary -- Performances of freedom : Jamaican Maroons in imperial transit -- Blackface empire : or, the slavery meridian -- Zanga's colony : revenge in Sydney -- Performing the wonder in Sumatra : theatrical ethnography in a New World history -- In conclusion: Napoleonic Gothic, or St. Helena as center of the British world |
Beschreibung: | 1 Online-Ressource (xvi, 480 Seiten) Illustrationen |
ISBN: | 9781108786317 |
DOI: | 10.1017/9781108786317 |
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520 | |a Why did Britons get up a play wherever they went? Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass Kingston, Calcutta, Fort Marlborough, St. Helena and Port Jackson as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural traditions through their own performances, as Englishness also became a production of non-English peoples across the globe | ||
650 | 4 | |a Traveling theater / Political aspects / Great Britain / History / 18th century | |
650 | 4 | |a Theater and society / Great Britain / History / 18th century | |
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author | Wilson, Kathleen ca. 20./21. Jh |
author_GND | (DE-588)1275340059 |
author_facet | Wilson, Kathleen ca. 20./21. Jh |
author_role | aut |
author_sort | Wilson, Kathleen ca. 20./21. Jh |
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dewey-search | 306.4/8480941 |
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discipline | Allgemeines Soziologie Anglistik / Amerikanistik |
discipline_str_mv | Soziologie |
doi_str_mv | 10.1017/9781108786317 |
format | Electronic eBook |
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id | DE-604.BV048677398 |
illustrated | Not Illustrated |
index_date | 2024-07-03T21:24:23Z |
indexdate | 2024-07-20T07:20:07Z |
institution | BVB |
isbn | 9781108786317 |
language | English |
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publishDate | 2022 |
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publisher | Cambridge University Press |
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series2 | Critical perspectives on empire |
spelling | Wilson, Kathleen ca. 20./21. Jh. Verfasser (DE-588)1275340059 aut Strolling players of empire theater and performances of power in the British imperial provinces, 1656-1833 Kathleen Wilson Cambridge ; New York, NY Cambridge University Press 2022 1 Online-Ressource (xvi, 480 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Critical perspectives on empire Title from publisher's bibliographic system (viewed on 16 Nov 2022) Prologue: Strollers without borders -- Introduction: Britain's theatrical empire -- Peripheralizing the spheres : theatrical assemblages of the imperial provinces -- Rowe's Fair penitent as global history : colonial family strategies and the imperatives of nation -- The lure of the other : Jews, Nabobs and enslaved Africans in a transcolonial imaginary -- Performances of freedom : Jamaican Maroons in imperial transit -- Blackface empire : or, the slavery meridian -- Zanga's colony : revenge in Sydney -- Performing the wonder in Sumatra : theatrical ethnography in a New World history -- In conclusion: Napoleonic Gothic, or St. Helena as center of the British world Why did Britons get up a play wherever they went? Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass Kingston, Calcutta, Fort Marlborough, St. Helena and Port Jackson as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural traditions through their own performances, as Englishness also became a production of non-English peoples across the globe Traveling theater / Political aspects / Great Britain / History / 18th century Theater and society / Great Britain / History / 18th century English drama / 18th century / History and criticism National characteristics, British, in literature Hegemony / Great Britain Cultural relations Great Britain / Colonies / History / 18th century Great Britain / Civilization / 18th century Erscheint auch als Druck-Ausgabe, Hardcover 978-1-108-47978-3 https://doi.org/10.1017/9781108786317 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Wilson, Kathleen ca. 20./21. Jh Strolling players of empire theater and performances of power in the British imperial provinces, 1656-1833 Traveling theater / Political aspects / Great Britain / History / 18th century Theater and society / Great Britain / History / 18th century English drama / 18th century / History and criticism National characteristics, British, in literature Hegemony / Great Britain Cultural relations |
title | Strolling players of empire theater and performances of power in the British imperial provinces, 1656-1833 |
title_auth | Strolling players of empire theater and performances of power in the British imperial provinces, 1656-1833 |
title_exact_search | Strolling players of empire theater and performances of power in the British imperial provinces, 1656-1833 |
title_exact_search_txtP | Strolling players of empire theater and performances of power in the British imperial provinces, 1656-1833 |
title_full | Strolling players of empire theater and performances of power in the British imperial provinces, 1656-1833 Kathleen Wilson |
title_fullStr | Strolling players of empire theater and performances of power in the British imperial provinces, 1656-1833 Kathleen Wilson |
title_full_unstemmed | Strolling players of empire theater and performances of power in the British imperial provinces, 1656-1833 Kathleen Wilson |
title_short | Strolling players of empire |
title_sort | strolling players of empire theater and performances of power in the british imperial provinces 1656 1833 |
title_sub | theater and performances of power in the British imperial provinces, 1656-1833 |
topic | Traveling theater / Political aspects / Great Britain / History / 18th century Theater and society / Great Britain / History / 18th century English drama / 18th century / History and criticism National characteristics, British, in literature Hegemony / Great Britain Cultural relations |
topic_facet | Traveling theater / Political aspects / Great Britain / History / 18th century Theater and society / Great Britain / History / 18th century English drama / 18th century / History and criticism National characteristics, British, in literature Hegemony / Great Britain Cultural relations Great Britain / Colonies / History / 18th century Great Britain / Civilization / 18th century |
url | https://doi.org/10.1017/9781108786317 |
work_keys_str_mv | AT wilsonkathleen strollingplayersofempiretheaterandperformancesofpowerinthebritishimperialprovinces16561833 |