A neglected monument to Sir John Finch in Padua von Wilson, Jean C.

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"Richement et pompeusement parée" the collier of Margaret of York and the politics of love in the late medieval Burgundy von Wilson, Jean C.

[Rezension von:] Carroll, Jane Louise; Stewart, Alison G.: Saints, sinners, and sisters : gender and Northern art in medieval and early modern Europe. - Aldershot : Ashgate, 2003 von Wilson, Jean C.

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[Rezension von:] Llewellyn, Nigel: Funeral monuments in post-Reformation England. - Cambridge : Cambridge University Press, 2000 von Wilson, Jean C.

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Painting in Bruges at the close of the Middle Ages studies in society and visual culture von Wilson, Jean C.

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Workshop patterns and the production of paintings in sixteenth-century Bruges von Wilson, Jean C.

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[Rezension von: Funerary monuments and memorials in the Church of Ireland (Anglican) Cathedral of St Patrick, Armagh / James Stevens Curl. - 1. publ. . - Whitstable, Kent : Histori... von Wilson, Jean C.

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Queen Elizabeth I as Urania von Wilson, Jean C.

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[Rezension von:] Kren, Thomas; McKendrick, Scot: Illuminating the Renaissance : the triumph of Flemish manuscript painting in Europe. - Los Angeles : J. Paul Getty Museum, 2003 von Wilson, Jean C.

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Marketing paintings in late medieval Flanders and Brabant von Wilson, Jean C.

The Harefield entertainment and the cult of Elizabeth I von Wilson, Jean C.

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Adriaen Isenbrant reconsidered the making and marketing of art in sixteenth-century Bruges von Wilson, Jean C.

The authorship of the Fryer monument at Harlton, Cambridgeshire, and the Yelverton monument at Easton Maudit, Northamptonshire von Wilson, Jean C.

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Marketing paintings in late medieval Flanders and Brabant von Wilson, Jean C.

The participation of painters in the Bruges 'pandt' market, 1512 - 1550 von Wilson, Jean C.

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