To be an actress labor and performance in Anna May Wong's cross-media world von Wang, Yiman 1972-

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At Translation's Edge von Durovicova, Natasa

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Almost wild, but not quite the indexical and the fantastic animal other in China-Co-Produced (Eco) Cinema von Wang, Yiman 1972-

Chinese Cinema's Other Wrangling over "China-Humiliating" Film (ruHua pian) von Wang, Yiman 1972-

Remaking Chinese cinema through the prism of Shanghai, Hong Kong, and Hollywood von Wang, Yiman 1972-

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City of Youth, Ocean of death Taiyōzoku on the edge of an Island von Wang, Yiman 1972-

Anna May Wong - Toward Janus-faced, border-crossing, "minor" stardom von Wang, Yiman 1972-

Crows and sparrows allegory on a historical threshold von Wang, Yiman 1972-

Remade in China Cinema with "Chinese Elements" in the Dapian Age von Wang, Yiman 1972-

Alter-centring sinophone cinema von Wang, Yiman 1972-

The crisscrossed stare protest and propaganda in China's not-so-silent era von Wang, Yiman 1972-

To write or to act, that is the question 1920s to 1930s Shanghai actress-writers and the death of the "new woman" von Wang, Yiman 1972-

"I am one of them" and "They are my actors" performing, witnessing, and DV image-making in Plebian China von Wang, Yiman 1972-

Anna May Wong a border-crossing 'minor' star mediating performance von Wang, Yiman 1972-

Star Talk Anna May Wong's scriptural orientalism and poly-phonic (dis-)play von Wang, Yiman 1972-

Of animals and men towards a theory of docu-ani-mentary von Wang, Yiman 1972-

Remaking Chinese cinema through the prism of Shanghai, Hong Kong, and Hollywood von Wang, Yiman

Inhaltsverzeichnis

Remaking Chinese Cinema Through the Prism of Shanghai, Hong Kong, and Hollywood von Wang, Yiman

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Wartime China reconfiguration and border navigation von Wang, Yiman 1972-

A star is dead: A legend is born practicing Leslie Cheung's posthumous fandom von Wang, Yiman 1972-