Picturing Matilda of Canossa Medieval Strategies of Representation von Verzár, Christine B.

The artistic patronage of the returning Crusaders the Arm of St. George and Ferrara cathedral von Verzar, Christine B.

Reflections of Jerusalem, Constantinople and Rome in public monuments of the medieval Italian city-states von Verzar, Christine B.

[Rezension von:] Father and son : Nicola and Giovanni Pisano / Max Seidel. - [1. engl. ed.] . - München : Hirmer. - ISBN: 978-3-7774-5101-5. - (Series of the Kunsthistorisches Inst... von Verzar, Christine B.

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After Burckhardt and Wölfflin was there a Basel School of Art History? von Verzar, Christine B.

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Picturing Matilda of Canossa medieval strategies of representation von Verzar, Christine B.

The inhabited scroll in Romanesque sculpture the morphology from decoration to meaning von Verzar, Christine B.

[Rezension von:] Kendall, Calvin B.; Lieberman, Ralph: The allegory of the church : romanesque portals and their verse inscriptions. - Toronto : University of Toronto Press, 1998 von Verzar, Christine B.

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The capitals of the porch of Sant'Eufemia in Piacenza interacting schools of Romanesque sculpture in the northern Italy von Verzar, Christine B.

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Medieval passageways and performance art art and ritual at the threshold von Verzar, Christine B.

[Rezension von:] Seidel, Linda: Legends in limestone : Lazarus, Gislebertus, and the cathedral of Autun. - Chicago : University of Chicago Press, 1999 von Verzar, Christine B.

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The semiotics of the public monument in 13th- and 14th-century city squares civic values and political authority ; vox civitatis von Verzar, Christine B.