Federico Barocci and the Oratorians: Corporate Patronage and Style in the Counter-Reformation
In 1586, Federico Barocci delivered his Visitation of the Virgin and St. Elizabeth to the Chiesa Nuova in Rome. For the next quarter century, Barocci dominated the art scene in Rome; there was no other artist from whom it was harder to get work and no other artist charged such high prices. Having tw...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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University Park, PA
Penn State University Press
[2021]
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| Schriftenreihe: | Early Modern Studies
14 |
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In 1586, Federico Barocci delivered his Visitation of the Virgin and St. Elizabeth to the Chiesa Nuova in Rome. For the next quarter century, Barocci dominated the art scene in Rome; there was no other artist from whom it was harder to get work and no other artist charged such high prices. Having two important altarpieces in the Chiesa Nuova and two additional commissions discussed was an impressive feat for an artist living exclusively in Urbino. Why did the Oratorians monopolize Barocci's talents in Rome and why does it seem that Barocci was their first choice when considering artists to decorate their church? What was it about Barocci's art that appealed to Oratorian sensibilities and their vision of the artistic program for decoration of their church?This book examines the relationship between Barocci and the Congregation of the Oratory, arguing for a distinct physiognomy of Oratorian patronage and exposing the function the Oratorians expected of religious imagery in contrast to other groups of their time. While explaining Oratorian patronage, it thus deals with a thorny question in social science: how can a collective body have unified intentions and actions? The result is a contribution both to the history of Italian painting and to art historical methodology |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Beschreibung: | 1 online resource (192 pages) |
| ISBN: | 9780271090658 |
| DOI: | 10.1515/9780271090658 |
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| spelling | Verstegen, Ian F. Verfasser aut Federico Barocci and the Oratorians Corporate Patronage and Style in the Counter-Reformation Ian F. Verstegen University Park, PA Penn State University Press [2021] © 2015 1 online resource (192 pages) txt rdacontent c rdamedia cr rdacarrier Early Modern Studies 14 Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) In 1586, Federico Barocci delivered his Visitation of the Virgin and St. Elizabeth to the Chiesa Nuova in Rome. For the next quarter century, Barocci dominated the art scene in Rome; there was no other artist from whom it was harder to get work and no other artist charged such high prices. Having two important altarpieces in the Chiesa Nuova and two additional commissions discussed was an impressive feat for an artist living exclusively in Urbino. Why did the Oratorians monopolize Barocci's talents in Rome and why does it seem that Barocci was their first choice when considering artists to decorate their church? What was it about Barocci's art that appealed to Oratorian sensibilities and their vision of the artistic program for decoration of their church?This book examines the relationship between Barocci and the Congregation of the Oratory, arguing for a distinct physiognomy of Oratorian patronage and exposing the function the Oratorians expected of religious imagery in contrast to other groups of their time. While explaining Oratorian patronage, it thus deals with a thorny question in social science: how can a collective body have unified intentions and actions? The result is a contribution both to the history of Italian painting and to art historical methodology In English ART / History / Renaissance bisacsh Christian art and symbolism Italy Rome Modern period, 1500- Counter-Reformation in art https://doi.org/10.1515/9780271090658 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Verstegen, Ian F. Federico Barocci and the Oratorians Corporate Patronage and Style in the Counter-Reformation ART / History / Renaissance bisacsh Christian art and symbolism Italy Rome Modern period, 1500- Counter-Reformation in art |
| title | Federico Barocci and the Oratorians Corporate Patronage and Style in the Counter-Reformation |
| title_auth | Federico Barocci and the Oratorians Corporate Patronage and Style in the Counter-Reformation |
| title_exact_search | Federico Barocci and the Oratorians Corporate Patronage and Style in the Counter-Reformation |
| title_exact_search_txtP | Federico Barocci and the Oratorians Corporate Patronage and Style in the Counter-Reformation |
| title_full | Federico Barocci and the Oratorians Corporate Patronage and Style in the Counter-Reformation Ian F. Verstegen |
| title_fullStr | Federico Barocci and the Oratorians Corporate Patronage and Style in the Counter-Reformation Ian F. Verstegen |
| title_full_unstemmed | Federico Barocci and the Oratorians Corporate Patronage and Style in the Counter-Reformation Ian F. Verstegen |
| title_short | Federico Barocci and the Oratorians |
| title_sort | federico barocci and the oratorians corporate patronage and style in the counter reformation |
| title_sub | Corporate Patronage and Style in the Counter-Reformation |
| topic | ART / History / Renaissance bisacsh Christian art and symbolism Italy Rome Modern period, 1500- Counter-Reformation in art |
| topic_facet | ART / History / Renaissance Christian art and symbolism Italy Rome Modern period, 1500- Counter-Reformation in art |
| url | https://doi.org/10.1515/9780271090658 |
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