Tra Nazaret e Loreto la fusione del tempo nella Madonna di Loreto di Caravaggio a Roma von Unger, Daniel M. ca. 20./21. Jh

Iconography and visual hagiography Saint Carlo Borromeo's portrayal in Bolognese churches (1611-1618) von Unger, Daniel M. ca. 20./21. Jh

Between Nazareth and Loreto the role of the stone bricks in Caravaggio's "Madonna di Loreto" von Unger, Daniel M. ca. 20./21. Jh

Redefining eclecticism in early modern Bolognese painting ideology, practice, and criticism von Unger, Daniel M. ca. 20./21. Jh

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"And my sin is ever before me" (Psalm 51:3) a-temporality in seventeenth-century paintings of King David von Unger, Daniel M. ca. 20./21. Jh

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Titian's "Allegory of Marriage" new approaches von Unger, Daniel M. ca. 20./21. Jh

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Poetic license introduction von Unger, Daniel M. ca. 20./21. Jh

Art and double meaning of reflection in Titian's allegory of marriage von Unger, Daniel M. ca. 20./21. Jh

Redefining eclecticism in early modern Bolognese painting ideology, practice, and criticism von Unger, Daniel M. ca. 20./21. Jh

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Guercino's paintings and his patrons' politics in early modern Italy von Unger, Daniel M. ca. 20./21. Jh

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Titian's allegory of marriage new approaches

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