Beginning with Jewish survival Freud's leaving home von Turim, Maureen Cheryn 1951-

Persönliche Fürwörter/Wörter für persönliches in "Je tu il Elle" und "Portrait d'une jeune fille de la fin des années 60 à Bruxelles" von Turim, Maureen Cheryn 1951-

Avant-Garde film von Turim, Maureen Cheryn 1951-

Germaine Dulac, Maya Deren, Yvonne Rainer and Marina Abramovic the violence of desire in avant-garde films von Turim, Maureen Cheryn 1951-

Flashbacks und das Zeit-Bild von Turim, Maureen Cheryn 1951-

The fantasy image fixed and moving von Turim, Maureen Cheryn 1951-

Poetic realism as psychoanalytical and ideological operation Marcel Carne's Le Jour se leve (1939) von Turim, Maureen Cheryn 1951-

Personal pronouncements in I ... You ... He ... She and Portrait of a young girl at the end of the 1960s in Brussels von Turim, Maureen Cheryn 1951-

The films of Oshima Nagisa images of a japanese iconoclast von Turim, Maureen Cheryn 1951-

Inhaltsverzeichnis

The erotic in Asian cinema von Turim, Maureen Cheryn 1951-

Gentlemen consume blondes von Turim, Maureen Cheryn 1951-

I married a doctor: Main Street meets Hollywood Main Street (1920), Sinclair Lewis von Turim, Maureen Cheryn 1951-

Overlay, Fold, Movement Dore O.'s KASKARA von Turim, Maureen Cheryn 1951-

Next to Chantal Akerman an installation of generations and the Shoah von Turim, Maureen Cheryn 1951-

French neo-noir an aesthetic for the Policier von Turim, Maureen Cheryn 1951-

1926 - Movies and divine stars, defining gender von Turim, Maureen Cheryn 1951-

The interiority of space desire and Maya Deren von Turim, Maureen Cheryn 1951-

Sounds, intervals, and startling images in the films of Abigail Child von Turim, Maureen Cheryn 1951-

The ethics of form structure and gender in Maya Deren's challenge to the cinema von Turim, Maureen Cheryn 1951-

"Tonight golden curls" dislodging The Lodger von Turim, Maureen Cheryn 1951-