Soft power. Arte Brasil.:
Soft Power. Arte Brasil' is a major exhibition featuring a range of 35 contemporary Brazilian artists and artists? groups working on issues currently facing their country. The exhibition is prompted by the prospect of the Rio Olympics. In 'Soft Power. Arte Brasil', Kunsthal KAdE asks...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | Dutch English |
| Veröffentlicht: |
Amersfoort
Kunsthal KAdE
[2016]
|
| Schriftenreihe: | KA series
25 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Soft Power. Arte Brasil' is a major exhibition featuring a range of 35 contemporary Brazilian artists and artists? groups working on issues currently facing their country. The exhibition is prompted by the prospect of the Rio Olympics. In 'Soft Power. Arte Brasil', Kunsthal KAdE asks what sort of country chooses to showcase itself in this way. Part of the answer to that question can be found in the work of the visual artists and artist collectives currently active in Brazil. Their art addresses a wide variety of issues, from the position of indigenous peoples in the north of the country to the water shortages in São Paolo and government economic policies. The catalogue is designed as a newspaper.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (21.05.-28.08.2016) |
| Beschreibung: | 10.000 exemplaren |
| Beschreibung: | 87 Seiten 32 cm |
| ISBN: | 9789490153243 |
Internformat
MARC
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| 505 | 8 | |a Deelnemende kunstenaars: Efrain Almeida (1964), Jonathas de Andrade (1982), Lucas Arruda (1983), assume vivid astro focus (Eli Sudbrack, 1968 & Christophe Hamaide Pierson, 1973) & Lenora de Barros (1953), Tonico Lemos Auad (1968), Rodrigo Braga (1976), Athos Bulcão (1918 – 2008), Angelo Campos (1981), chameckilerner (Rosane Chamecki, 1964 & Andrea Lerner, 1966), Marcos Chaves (1961), Sandra Cinto (1968), Favela Painting (Haas & Hahn), Frente 3 de Fevereiro (group), Grafica Fidalga (atelier), Cristiano Lenhardt (1975), Cinthia Marcelle (1974), Tiago Mata Machado (1973), Marcellvs L. (1980), Thiago Martins de Melo (1981), Virginia De Medeiros (1973), Gisela Motta (1976) & Leandro Lima (1976), Paulo Nazareth (1977), Maria Nepomuceno (1976), Rivane Neuenschwander (1967) & Cao Guimarães (1965), Paulo Nimer Pjota (1988), OPAVIVARÁ! (group), Poro (Brígida Campbell, 1981 & Marcelo Terça-Nada! 1978), Sara Ramo (1975), Marina Rheingantz (1983), Arthur Scovino (1980), Beto Shwafaty (1977), Gustavo Speridião (1978), Adriana Varejão (1964), Paulo Vivacqua (1971), Roberto Winter (1983), Carla Zaccagnini (1973) | |
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| 520 | |a Soft Power. Arte Brasil' is a major exhibition featuring a range of 35 contemporary Brazilian artists and artists? groups working on issues currently facing their country. The exhibition is prompted by the prospect of the Rio Olympics. In 'Soft Power. Arte Brasil', Kunsthal KAdE asks what sort of country chooses to showcase itself in this way. Part of the answer to that question can be found in the work of the visual artists and artist collectives currently active in Brazil. Their art addresses a wide variety of issues, from the position of indigenous peoples in the north of the country to the water shortages in São Paolo and government economic policies. The catalogue is designed as a newspaper.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (21.05.-28.08.2016) | ||
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Datensatz im Suchindex
| _version_ | 1804176660384186368 |
|---|---|
| adam_text | 3
2INTRODUCTION
2 INDEX
3 INTRODUCTION
NL/EN/PT
10 CONTEMPORARY VISUAL ARTS IN BRAZIL
NL/EN
CHANTAL VAN ERVEN DORENS
16 BRAZILIAN CONTEMPORARY ART MARKET
NL/EN
AMANDA BRANDELLERO
24 GRAFFITI AND WALLS
EN
RENATO SILVA
32 EFRAIN ALMEIDA
33 JONATHAS DE ANDRADE
34 LUCAS ARRUDA
35 ASSUME VIVID ASTRO FOCUS & LENORA DE BARROS
36 TONICO LEMOS AUAD
37 RODRIGO BRAGA
38 ATHOS BULCAO
39 ANGELO CAMPOS
40 CHAMECKILERNER
41 MARCOS CHAVES
42 SANDRA CINTO
43 FAVELA PAINTING
44 FRENTE 3 DE FEVEREIRO
45 GRAFICA FIDALGA
46 CRISTIANO LENHARDT
47 CINTHIA MARCELLE
48 TIAGO MATA MACHADO
49 MARCELLVS L.
50 THIAGO MARTINS DE MELO
51 VIRGINIA DE MEDEIROS
52 GISELA MOTTA & LEANDRO LIMA
53 PAULO NAZARETH
54 MARIA NEPOMUCENO
55 RIVANE NEUENSCHWANDER & CAO GUIMARAES
56 PAULO NIMER PJOTA
57 OPAVIVARA!
58 PORO
59 SARA RAMO
60 MARINA RHEINGANTZ
61 ARTHUR SCOVINO
62 BETO SHWAFATY
63 GUSTAVO SPERIDIAO
64 ADRIANA VAREJAO
65 PAULO VIVACQUA
66 ROBERTO WINTER
67 CARLA ZACCAGNINI
68 BACK TO THE FUTURE.
NL/EN
SEBASTIAAN BREMER
74 17
TH
CENTURY CONNECTIONS
EN
MARIA ANTONIA COUTO DA SILVA
82 MAPPING BRASIL
84 BRASIL, BELEZA?! CONTEMPORARY BRAZILIAN SCULPTURE IN BEELDEN AAN ZEE
86 SIDE PROGRAMME KADE LIVE
87 COLOPHON
INLEIDING
HET IDEE OM EEN TENTOONSTELLING OVER HEDEN-
DAAGSE BRAZILIAANSE KUNST TE MAKEN, ONTSTOND BIJ
HET ZIEN VAN DE UITGEBREIDE MEDIA-AANDACHT TIJ-
DENS HET WERELDKAMPIOENSCHAP VOETBAL IN 2014.
WAT IS NU EIGENLIJK DIT LAND DAT ZICH ZO GLORIEUS
AAN DE WERELD PRESENTEERT? LOS VAN DE HYPE VAN
HAAR BRICS-STATUS ALS OPKOMENDE ECONOMIE, IS
ER EIGENLIJK MAAR WEINIG OVER BRAZILIE BEKEND IN
NEDERLAND (EN EUROPA). NU OOK DE OLYMPISCHE
SPELEN IN RIO DE JANEIRO ZICH AANDIENEN, WERD
HET NOG URGENTER OM AANDACHT AAN HET LAND TE
BESTEDEN DAT IN KORTE TIJD * EEN TIJDSPANNE VAN
TWEE JAAR * DE BELANGRIJKSTE SPORTEVENEMENTEN
TER WERELD ORGANISEERT; ZICHZELF DAARMEE NA
-
DRUKKELIJK ALS EEN BELANGRIJKE WERELDWIJDE SPELER
PRESENTEREND.
KUNSTENAARS ZIJN EEN PERFECT MIDDEL OM ZICHT
TE KRIJGEN OP WAT LEEFT IN EEN LAND. KUNSTENAARS
ZIJN DE THERMOMETER VAN HUN TIJD. ZE HEBBEN DE
SENSIBILITEIT OM DE SAMENLEVING AAN TE VOELEN EN
DE THEMA*S DIE LEVEN TE SPIEGELEN. NATUURLIJK IS
DIT GEEN VANZELFSPREKENDHEID. NIET IEDERE KUN
-
STENAAR IS EEN ACTIVIST OF HEEFT DE BEHOEFTE OM
POLITIEKE EN SOCIALE ONDERWERPEN AAN TE SNIJDEN,
MAAR DEGENE DIE HET WEL DOEN, HEBBEN EEN GROOT
GEVOEL VOOR WAT OM HEN HEEN GEBEURT. ZE ADRES
-
SEREN THEMA*S DIE ZOWEL ALGEMEEN EN SPECIFIEK
ZIJN EN WETEN ONDER DE HUID VAN DE SAMENLEVING
TE KRUIPEN.
BELAST MET DE TAAK OM KUNSTENAARS TE VINDEN DIE
MEER OVER DE ESSENTIE VAN DE CULTUUR KUNNEN
VERTELLEN, HEBBEN WE DRIE RESEARCH-REIZEN GE
-
MAAKT OM KUNSTENAARS, GALERIEHOUDERS EN CRITICI
TE SPREKEN EN ZO EEN GEVOEL BIJ HET GROTE, UITGE
-
STREKTE LAND TE KRIJGEN. GEDURENDE HET ONDERZOEK,
VERANDERDEN DE CONDITIES IN BRAZILIE DRAMATISCH.
HET OMKOOPSCHANDAAL VAN PETROBRAS BEGON DE
REGERING VAN DILMA ROUSSEFF TE VERLAMMEN EN DE
ECONOMIE KWAM IN ZWAAR WEER. TEGELIJKERTIJD BLIJ
-
VEN ANDERE ONDERWERPEN OM AANDACHT VRAGEN,
ZOALS ARMOEDE, ETNISCHE ONGELIJKHEID, HET WATER
-
KORT IN SAO PAULO, VOORTDURENDE CRIMINALITEIT EN
ECOLOGISCHE RAMPEN. MIDDEN IN DE ORGANISATIE
VAN DE TWEE GROTE, INTERNATIONALE MARKERINGSEVE
-
NEMENTEN * WAAR MILJARDEN NAAR TOE GINGEN/GAAN
* HIKT HET LAND AAN TEGEN ZWARE POLITIEKE, ECONO
-
MISCHE EN SOCIALE UITDAGINGEN.
BRAZILIE IS EEN MODERNISTISCH LAND. HET IDEE OM
TE STREVEN NAAR EEN UTOPIA, ZIT STEVIG VERANKERD
IN DE CULTUUR. DIT IS MET NAME TERUG TE ZIEN IN
INTRODUCTION
THE IDEA OF STAGING AN EXHIBITION OF CONTEMPORARY
BRAZILIAN ART WAS PROMPTED BY THE DELUGE OF MEDIA
COVERAGE DURING THE WORLD CUP IN 2014. WHAT WAS
THIS COUNTRY THAT WAS PRESENTING ITSELF SO GLORIOUSLY
TO THE WORLD? APART FROM THE HYPE SURROUNDING ITS
BRICS STATUS AS AN EMERGING ECONOMIC POWER,
LITTLE WAS REALLY KNOWN ABOUT BRAZIL IN THE NETHER-
LANDS (AND TO A CERTAIN EXTENT IN EUROPE). WHEN
IT BECAME KNOWN THAT RIO DE JANEIRO WOULD STAGE
THE OLYMPIC GAMES IN 2016, IT BECAME EVEN MORE
URGENT TO TAKE A CLOSER LOOK AT THIS COUNTRY THAT
WAS DEDICATING ITSELF TO TWO OF THE BIGGEST COM-
MERCIAL SPORTS EVENTS IN THE WORLD - WITHIN JUST TWO
YEARS * AND TREATING THEM AS MAJOR OPPORTUNITIES TO
POSITION ITSELF AS A WORLD POWER.
WHAT BETTER WAY TO GET TO GRIPS WITH THE *REAL*
BRAZIL THAN THROUGH THE WORKS OF ITS CONTEMPORARY
ARTISTS? ARTISTS ARE PERFECT THERMOMETERS OF THEIR
TIMES. THEY HAVE THE SENSIBILITY TO REFLECT ON THE
SOCIETY THEY LIVE IN AND TO MIRROR THE ISSUES THAT
DEFINE THE ZEITGEIST. OF COURSE, THIS IS NOT ALWAYS
STRAIGHTFORWARD. NOT EVERY ARTIST IS AN ACTIVIST OR
WANTS TO ENGAGE WITH SOCIAL OR POLITICAL TOPICS, BUT
THE ONES WHO DO HAVE A GREAT FEEL FOR WHAT*S HAPPE-
NING AROUND THEM. ADDRESSING THEMES THAT ARE BOTH
GENERIC AND SPECIFIC, ARTISTS HAVE THE ABILITY TO GET
UNDER THE SKIN OF A COUNTRY.
BURDENED WITH THE TASK OF FINDING ARTISTS WHO COULD
TELL US MORE ABOUT THE ESSENCE OF THEIR COUNTRY *
AND ABOUT THE PRESSING ISSUES FACING BRAZILIANS
* WE UNDERTOOK SEVERAL RESEARCH TRIPS, SPOKE TO AR-
TISTS, GALLERISTS AND CURATORS, AND DEVELOPED A SENSE
OF WHAT WAS HAPPENING IN THIS LARGE AND IMPRESSIVE
COUNTRY. IN THE COURSE OF OUR RESEARCH, THINGS CHAN-
GED IN BRAZIL. THE PETROBRAS SCANDAL HIT THE DILMA
ROUSSEFF REGIME AND THE ECONOMY TOOK A NOSE-DIVE.
OTHER ISSUES CONTINUED TO DEMAND ATTENTION: PRO-
BLEMS LIKE POVERTY, ETHNIC INEQUALITIES, THE WATER
SHORTAGE IN SAO PAULO, THE ECOLOGICAL SITUATION OF
THE AMAZON, AND RAGING CRIME. IN THE MIDST OF OR-
GANISING TWO BIG SPORTS MARKETING OPERATIONS (AND
SPENDING BILLIONS OF DOLLARS ON THEM), THE COUNTRY
FACES POLITICAL, ECONOMIC AND SOCIAL HARDSHIP.
BRAZIL IS A MODERNIST COUNTRY. THE IDEA OF STRIVING
TO CREATE A UTOPIA IS FIRMLY ROOTED IN THE CULTURE. IT
IS EXEMPLIFIED BY THE CAPITAL BRASILIA, BUILT BY THE
ICONIC ARCHITECT OSCAR NIEMEYER IN THE FIFTIES. VI-
SITING THE COUNTRY, YOU STILL FEEL THIS OPTIMISM THAT
THINGS CAN GET DONE, ALTHOUGH A CERTAIN WARINESS
STARTS TO CREEP IN. ONE OF THE ARTISTS WHO JOINED
|
| any_adam_object | 1 |
| author2 | Meeuwen, Judith van Tucker, Janey |
| author2_role | edt trl |
| author2_variant | j v m jv jvm j t jt |
| author_GND | (DE-588)143706276 |
| author_facet | Meeuwen, Judith van Tucker, Janey |
| building | Verbundindex |
| bvnumber | BV043811442 |
| contents | Deelnemende kunstenaars: Efrain Almeida (1964), Jonathas de Andrade (1982), Lucas Arruda (1983), assume vivid astro focus (Eli Sudbrack, 1968 & Christophe Hamaide Pierson, 1973) & Lenora de Barros (1953), Tonico Lemos Auad (1968), Rodrigo Braga (1976), Athos Bulcão (1918 – 2008), Angelo Campos (1981), chameckilerner (Rosane Chamecki, 1964 & Andrea Lerner, 1966), Marcos Chaves (1961), Sandra Cinto (1968), Favela Painting (Haas & Hahn), Frente 3 de Fevereiro (group), Grafica Fidalga (atelier), Cristiano Lenhardt (1975), Cinthia Marcelle (1974), Tiago Mata Machado (1973), Marcellvs L. (1980), Thiago Martins de Melo (1981), Virginia De Medeiros (1973), Gisela Motta (1976) & Leandro Lima (1976), Paulo Nazareth (1977), Maria Nepomuceno (1976), Rivane Neuenschwander (1967) & Cao Guimarães (1965), Paulo Nimer Pjota (1988), OPAVIVARÁ! (group), Poro (Brígida Campbell, 1981 & Marcelo Terça-Nada! 1978), Sara Ramo (1975), Marina Rheingantz (1983), Arthur Scovino (1980), Beto Shwafaty (1977), Gustavo Speridião (1978), Adriana Varejão (1964), Paulo Vivacqua (1971), Roberto Winter (1983), Carla Zaccagnini (1973) Met literatuuropgave |
| ctrlnum | (OCoLC)960102112 (DE-599)BVBBV043811442 |
| era | Geschichte 2000-2016 gnd |
| era_facet | Geschichte 2000-2016 |
| format | Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog Kunsthal KAdE 21.05.2016-28.08.2016 Amersfoort gnd-content |
| genre_facet | Ausstellungskatalog Kunsthal KAdE 21.05.2016-28.08.2016 Amersfoort |
| geographic | Brasilien (DE-588)4008003-1 gnd |
| geographic_facet | Brasilien |
| id | DE-604.BV043811442 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:35:43Z |
| institution | BVB |
| institution_GND | (DE-588)16170483-9 |
| isbn | 9789490153243 |
| language | Dutch English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029222690 |
| oclc_num | 960102112 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 87 Seiten 32 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Kunsthal KAdE |
| record_format | marc |
| series | KA series |
| series2 | KA series |
| spelling | Soft power. Arte Brasil. auteurs/authors Nynke Besemer, Amanda Brandellero, Sebastiaan Bremer, Maria Antonia Couto da Silva, Chantal van Erven Dorens, Julia Moreira, Juith van Meeuwen, Robbert Roos, Renato Silva ; eindredactie/editorial Judith van Meeuwen, Julia Moreira ; vertaling/translations Janey Tucker, Jeroen Janssen, Julia Moreira Amersfoort Kunsthal KAdE [2016] 87 Seiten 32 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier KA series 25 10.000 exemplaren Deelnemende kunstenaars: Efrain Almeida (1964), Jonathas de Andrade (1982), Lucas Arruda (1983), assume vivid astro focus (Eli Sudbrack, 1968 & Christophe Hamaide Pierson, 1973) & Lenora de Barros (1953), Tonico Lemos Auad (1968), Rodrigo Braga (1976), Athos Bulcão (1918 – 2008), Angelo Campos (1981), chameckilerner (Rosane Chamecki, 1964 & Andrea Lerner, 1966), Marcos Chaves (1961), Sandra Cinto (1968), Favela Painting (Haas & Hahn), Frente 3 de Fevereiro (group), Grafica Fidalga (atelier), Cristiano Lenhardt (1975), Cinthia Marcelle (1974), Tiago Mata Machado (1973), Marcellvs L. (1980), Thiago Martins de Melo (1981), Virginia De Medeiros (1973), Gisela Motta (1976) & Leandro Lima (1976), Paulo Nazareth (1977), Maria Nepomuceno (1976), Rivane Neuenschwander (1967) & Cao Guimarães (1965), Paulo Nimer Pjota (1988), OPAVIVARÁ! (group), Poro (Brígida Campbell, 1981 & Marcelo Terça-Nada! 1978), Sara Ramo (1975), Marina Rheingantz (1983), Arthur Scovino (1980), Beto Shwafaty (1977), Gustavo Speridião (1978), Adriana Varejão (1964), Paulo Vivacqua (1971), Roberto Winter (1983), Carla Zaccagnini (1973) Met literatuuropgave Soft Power. Arte Brasil' is a major exhibition featuring a range of 35 contemporary Brazilian artists and artists? groups working on issues currently facing their country. The exhibition is prompted by the prospect of the Rio Olympics. In 'Soft Power. Arte Brasil', Kunsthal KAdE asks what sort of country chooses to showcase itself in this way. Part of the answer to that question can be found in the work of the visual artists and artist collectives currently active in Brazil. Their art addresses a wide variety of issues, from the position of indigenous peoples in the north of the country to the water shortages in São Paolo and government economic policies. The catalogue is designed as a newspaper.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (21.05.-28.08.2016) Text englisch, teilweise zugleich niederländisch und portugisisch Geschichte 2000-2016 gnd rswk-swf Kunstmarkt (DE-588)4120630-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Brasilien (DE-588)4008003-1 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Kunsthal KAdE 21.05.2016-28.08.2016 Amersfoort gnd-content Brasilien (DE-588)4008003-1 g Kunst (DE-588)4114333-4 s Kunstmarkt (DE-588)4120630-7 s Geschichte 2000-2016 z DE-604 Besemer, Nynke wat Meeuwen, Judith van (DE-588)143706276 edt Tucker, Janey trl Kunsthal KAdE (Amersfoort) (DE-588)16170483-9 isb KA series 25 (DE-604)BV043232177 25 Digitalisierung ZIKG München application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029222690&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Soft power. Arte Brasil. KA series Deelnemende kunstenaars: Efrain Almeida (1964), Jonathas de Andrade (1982), Lucas Arruda (1983), assume vivid astro focus (Eli Sudbrack, 1968 & Christophe Hamaide Pierson, 1973) & Lenora de Barros (1953), Tonico Lemos Auad (1968), Rodrigo Braga (1976), Athos Bulcão (1918 – 2008), Angelo Campos (1981), chameckilerner (Rosane Chamecki, 1964 & Andrea Lerner, 1966), Marcos Chaves (1961), Sandra Cinto (1968), Favela Painting (Haas & Hahn), Frente 3 de Fevereiro (group), Grafica Fidalga (atelier), Cristiano Lenhardt (1975), Cinthia Marcelle (1974), Tiago Mata Machado (1973), Marcellvs L. (1980), Thiago Martins de Melo (1981), Virginia De Medeiros (1973), Gisela Motta (1976) & Leandro Lima (1976), Paulo Nazareth (1977), Maria Nepomuceno (1976), Rivane Neuenschwander (1967) & Cao Guimarães (1965), Paulo Nimer Pjota (1988), OPAVIVARÁ! (group), Poro (Brígida Campbell, 1981 & Marcelo Terça-Nada! 1978), Sara Ramo (1975), Marina Rheingantz (1983), Arthur Scovino (1980), Beto Shwafaty (1977), Gustavo Speridião (1978), Adriana Varejão (1964), Paulo Vivacqua (1971), Roberto Winter (1983), Carla Zaccagnini (1973) Met literatuuropgave Kunstmarkt (DE-588)4120630-7 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4120630-7 (DE-588)4114333-4 (DE-588)4008003-1 (DE-588)4135467-9 |
| title | Soft power. Arte Brasil. |
| title_auth | Soft power. Arte Brasil. |
| title_exact_search | Soft power. Arte Brasil. |
| title_full | Soft power. Arte Brasil. auteurs/authors Nynke Besemer, Amanda Brandellero, Sebastiaan Bremer, Maria Antonia Couto da Silva, Chantal van Erven Dorens, Julia Moreira, Juith van Meeuwen, Robbert Roos, Renato Silva ; eindredactie/editorial Judith van Meeuwen, Julia Moreira ; vertaling/translations Janey Tucker, Jeroen Janssen, Julia Moreira |
| title_fullStr | Soft power. Arte Brasil. auteurs/authors Nynke Besemer, Amanda Brandellero, Sebastiaan Bremer, Maria Antonia Couto da Silva, Chantal van Erven Dorens, Julia Moreira, Juith van Meeuwen, Robbert Roos, Renato Silva ; eindredactie/editorial Judith van Meeuwen, Julia Moreira ; vertaling/translations Janey Tucker, Jeroen Janssen, Julia Moreira |
| title_full_unstemmed | Soft power. Arte Brasil. auteurs/authors Nynke Besemer, Amanda Brandellero, Sebastiaan Bremer, Maria Antonia Couto da Silva, Chantal van Erven Dorens, Julia Moreira, Juith van Meeuwen, Robbert Roos, Renato Silva ; eindredactie/editorial Judith van Meeuwen, Julia Moreira ; vertaling/translations Janey Tucker, Jeroen Janssen, Julia Moreira |
| title_short | Soft power. Arte Brasil. |
| title_sort | soft power arte brasil |
| topic | Kunstmarkt (DE-588)4120630-7 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Kunstmarkt Kunst Brasilien Ausstellungskatalog Kunsthal KAdE 21.05.2016-28.08.2016 Amersfoort |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029222690&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV043232177 |
| work_keys_str_mv | AT besemernynke softpowerartebrasil AT meeuwenjudithvan softpowerartebrasil AT tuckerjaney softpowerartebrasil AT kunsthalkadeamersfoort softpowerartebrasil |