Figured bass accompaniment in Europe:
"In this book sixteen internationally-renowned scholars map the figured bass accompaniment in Europe through a wide timespan: from the early-seventeenth-century Germany to late continuo realisations by Johannes Brahms and Robert Franz. The volume also addresses several issues such as different...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Italian |
| Veröffentlicht: |
Turnhout
Brepols
[2023]
|
| Schriftenreihe: | Musica incarnata
volume 2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In this book sixteen internationally-renowned scholars map the figured bass accompaniment in Europe through a wide timespan: from the early-seventeenth-century Germany to late continuo realisations by Johannes Brahms and Robert Franz. The volume also addresses several issues such as different ways to sketch and write extensively the instrumental accompaniment, its rendition into practice and how to teach and apply formulas for improvising (and realising) a contrapuntal texture over the bass. For the first time, counterpoint, basso continuo and partimento are put into dialogue, overcoming terminological antinomies and underlining the points of continuity amongst different accompaniment practices in France, Germany, England and Spain for over three centuries. Case studies shed some lights on accompaniment of specific instruments such as cello and guitar." |
| Beschreibung: | xiv, 423 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9782503608518 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804186421473312768 |
|---|---|
| adam_txt |
Contents Livio Ticli Introduction. Figured Bass in the European Tradition: Continuities and Changes of a Practice ix Through Alps and Pyrenees to the Sea: Continuity and Discontinuity in Performance Practice David Chung The Significance of the Preludes with Figured Bass in F-Pn Vm81139 for Keyboard Pedagogy in Early Eighteenth-Century France 3 Clotilde VERWAERDE The Three-voice Texture in Eighteenth-Century French Continuo 21 Marie Demeilliez The Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers (1751-1772): A Source for Basso Continuo Accompaniment in Eighteenth-Century France 41 Isaac Alonso de Molina «Acompanamientos con las Hamadas del Baxo y lo que se puede tocar sobre cada uno de ellos»: Partimenti Diminuiti in Manuscript Μ/1188 of the Biblioteca Nacional de Espana (Madrid) 65 Michael Fuerst Hieronymus Praetorius, Multiple-Bass Notation in Organ Parts and Continuo Performance Practices of Polychoral Music in the Hanseatic Cities of Northern Europe 87
Connected by Strings: Cello Accompaniment Pereormance Practice John Lutterman Partimento, German Thoroughbass Practice, and Improvised Solo Performance on the Cello 123 Hilary Metzger National Styles in Lower String Accompaniment of Secco Recitative in the Late Eighteenth and Early Nineteenth Centuries 139 From the Page to the Performance through Space and Time Valeria Mannoia Per ogni tradizione il suo basso. I bassi seguenti italiani in alcune antologie tedesche del Seicento 167 Francesca Mignogna Il basso continuo nelle composizioni per i defunti di Pierre-Louis Pollio (1724-1796). Uso, notazione e problematiche relative all’edizione moderna della partitura 189 Anthony Abouhamad The Principles of Partitura Playing: An Introduction to Basso Continuo Instruction and Practice in Eighteenth-Century Salzburg 211 Martin Ennis «Quod licet Bacho non licet Francisco»: A New Perspective on the Continuo Realisations ofJohannes Brahms and Robert Franz 231 Basso Continuo and Partimento Tool Then and Now as a Pedagogical Thomas Christensen Figured Bass: Then and Now 261
Stephan Lewandowski «With regard to the Now Prevailing Taste in Music» : The Music Theoretical Work ofJohann Gottfried Vierling ( 1750-1813) 281 Matthew Paul Mazanek Improvisation Pedagogy in Nineteenth-Century Guitar Education 301 Justin Ratel Repurpose and Transformation of an Educational Material: Figured Bass as a School Practice in the Early Years of the Paris Conservatory 325 Thomas Allery Thorough Bass Made Easy: The Pedagogical Value of Figured Bass in Musical Education Today 343 Livio Ticli Basso Continuo as a‘Concertato’ Practice: Vocal-Instrumental Improvisation, Ornamentation and Counterpoint 359 Abstracts and Biographies 403 Index of Names 415 |
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| illustrated | Illustrated |
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| isbn | 9782503608518 |
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| spelling | Figured bass accompaniment in Europe edited by Livio Ticli Turnhout Brepols [2023] xiv, 423 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Musica incarnata volume 2 "In this book sixteen internationally-renowned scholars map the figured bass accompaniment in Europe through a wide timespan: from the early-seventeenth-century Germany to late continuo realisations by Johannes Brahms and Robert Franz. The volume also addresses several issues such as different ways to sketch and write extensively the instrumental accompaniment, its rendition into practice and how to teach and apply formulas for improvising (and realising) a contrapuntal texture over the bass. For the first time, counterpoint, basso continuo and partimento are put into dialogue, overcoming terminological antinomies and underlining the points of continuity amongst different accompaniment practices in France, Germany, England and Spain for over three centuries. Case studies shed some lights on accompaniment of specific instruments such as cello and guitar." Beiträge überwiegend englisch, teilweise italienisch Geschichte 1600-1870 gnd rswk-swf Basso continuo (DE-588)4020105-3 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Basso continuo (DE-588)4020105-3 s Geschichte 1600-1870 z DE-604 Ticli, Livio (DE-588)1211440583 edt win aut Musica incarnata volume 2 (DE-604)BV049503484 2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034911816&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ticli, Livio Figured bass accompaniment in Europe Musica incarnata Basso continuo (DE-588)4020105-3 gnd |
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| title | Figured bass accompaniment in Europe |
| title_auth | Figured bass accompaniment in Europe |
| title_exact_search | Figured bass accompaniment in Europe |
| title_exact_search_txtP | Figured bass accompaniment in Europe |
| title_full | Figured bass accompaniment in Europe edited by Livio Ticli |
| title_fullStr | Figured bass accompaniment in Europe edited by Livio Ticli |
| title_full_unstemmed | Figured bass accompaniment in Europe edited by Livio Ticli |
| title_short | Figured bass accompaniment in Europe |
| title_sort | figured bass accompaniment in europe |
| topic | Basso continuo (DE-588)4020105-3 gnd |
| topic_facet | Basso continuo Europa Aufsatzsammlung |
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