Troubled everyday: the aesthetics of violence and the everyday in European art cinema
Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like Catherine Breillat�...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2017]
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| Schlagworte: | |
| Zusammenfassung: | Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like Catherine Breillat's Fat Girl (2001), Gaspar Noe's Irreversible (2002) and Markus Schleinzer's Michael (2011) seem so reliant on everyday routines and settings for their impact? Addressing these questions through a series of case-studies, and considering notorious films in their historical and philosophical context, Alice Taylor offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination. Case Studies include: Salo or the 120 Days of Sodom (Pasolini 1975) Money (Bresson 1983 Come and See (Klimov 1985) The Seventh Continent (Haneke 1989) I Stand Alone (Noe 1998) Fat Girl (Breillat 2001) Irreversible (Noe 2002)Twentynine Palms (Dumont 2003) Michael (Schleinzer 2011) |
| Beschreibung: | v, 137 Seiten Illustrationen 24 cm |
| ISBN: | 9781474415224 1474415229 |
Internformat
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| 505 | 8 | |a Acknowledgements -- List of figures -- "A lightning that illuminates the banal": violence and the everyday -- Everyday moments -- Everyday style -- Everyday structures/everday language -- Return to the everyday -- Conclusion: looking back -- Works cited -- Filmography -- Index | |
| 520 | 3 | |a Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like Catherine Breillat's Fat Girl (2001), Gaspar Noe's Irreversible (2002) and Markus Schleinzer's Michael (2011) seem so reliant on everyday routines and settings for their impact? Addressing these questions through a series of case-studies, and considering notorious films in their historical and philosophical context, Alice Taylor offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination. Case Studies include: Salo or the 120 Days of Sodom (Pasolini 1975) Money (Bresson 1983 Come and See (Klimov 1985) The Seventh Continent (Haneke 1989) I Stand Alone (Noe 1998) Fat Girl (Breillat 2001) Irreversible (Noe 2002)Twentynine Palms (Dumont 2003) Michael (Schleinzer 2011) | |
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Datensatz im Suchindex
| _version_ | 1811034940848996352 |
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| author | Taylor, Alison ca. 20./21.Jh |
| author_GND | (DE-588)103137048X |
| author_facet | Taylor, Alison ca. 20./21.Jh |
| author_role | aut |
| author_sort | Taylor, Alison ca. 20./21.Jh |
| author_variant | a t at |
| building | Verbundindex |
| bvnumber | BV044402979 |
| classification_rvk | AP 50300 |
| contents | Acknowledgements -- List of figures -- "A lightning that illuminates the banal": violence and the everyday -- Everyday moments -- Everyday style -- Everyday structures/everday language -- Return to the everyday -- Conclusion: looking back -- Works cited -- Filmography -- Index |
| ctrlnum | (OCoLC)1002234934 (DE-599)BVBBV044402979 |
| discipline | Allgemeines |
| era | Geschichte 1975-2011 gnd |
| era_facet | Geschichte 1975-2011 |
| format | Book |
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| id | DE-604.BV044402979 |
| illustrated | Illustrated |
| indexdate | 2024-09-24T00:25:08Z |
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| isbn | 9781474415224 1474415229 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029804992 |
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| physical | v, 137 Seiten Illustrationen 24 cm |
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| spelling | Taylor, Alison ca. 20./21.Jh. Verfasser (DE-588)103137048X aut Troubled everyday the aesthetics of violence and the everyday in European art cinema Alison Taylor Edinburgh Edinburgh University Press [2017] © 2017 v, 137 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Acknowledgements -- List of figures -- "A lightning that illuminates the banal": violence and the everyday -- Everyday moments -- Everyday style -- Everyday structures/everday language -- Return to the everyday -- Conclusion: looking back -- Works cited -- Filmography -- Index Extreme violence in contemporary European art cinema is generally interpreted for its affective potential, but what about the significance of the everyday that so often frames and forms the majority of these films? Why do the sudden moments of violence that punctuate films like Catherine Breillat's Fat Girl (2001), Gaspar Noe's Irreversible (2002) and Markus Schleinzer's Michael (2011) seem so reliant on everyday routines and settings for their impact? Addressing these questions through a series of case-studies, and considering notorious films in their historical and philosophical context, Alice Taylor offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination. Case Studies include: Salo or the 120 Days of Sodom (Pasolini 1975) Money (Bresson 1983 Come and See (Klimov 1985) The Seventh Continent (Haneke 1989) I Stand Alone (Noe 1998) Fat Girl (Breillat 2001) Irreversible (Noe 2002)Twentynine Palms (Dumont 2003) Michael (Schleinzer 2011) Geschichte 1975-2011 gnd rswk-swf Film Gewalt Motiv (DE-588)4113748-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Alltag Motiv (DE-588)4212310-0 gnd rswk-swf Europa Europa (DE-588)4015701-5 gnd rswk-swf Motion pictures / Europe Art in motion pictures Violence in motion pictures Motion pictures Europe Europa (DE-588)4015701-5 g Film (DE-588)4017102-4 s Gewalt Motiv (DE-588)4113748-6 s Alltag Motiv (DE-588)4212310-0 s Geschichte 1975-2011 z DE-604 Erscheint auch als Online-Ausgabe, webready PDF 978-1-4744-1523-1 Erscheint auch als Online-Ausgabe, epub 978-1-4744-1524-8 |
| spellingShingle | Taylor, Alison ca. 20./21.Jh Troubled everyday the aesthetics of violence and the everyday in European art cinema Acknowledgements -- List of figures -- "A lightning that illuminates the banal": violence and the everyday -- Everyday moments -- Everyday style -- Everyday structures/everday language -- Return to the everyday -- Conclusion: looking back -- Works cited -- Filmography -- Index Film Gewalt Motiv (DE-588)4113748-6 gnd Film (DE-588)4017102-4 gnd Alltag Motiv (DE-588)4212310-0 gnd |
| subject_GND | (DE-588)4113748-6 (DE-588)4017102-4 (DE-588)4212310-0 (DE-588)4015701-5 |
| title | Troubled everyday the aesthetics of violence and the everyday in European art cinema |
| title_auth | Troubled everyday the aesthetics of violence and the everyday in European art cinema |
| title_exact_search | Troubled everyday the aesthetics of violence and the everyday in European art cinema |
| title_full | Troubled everyday the aesthetics of violence and the everyday in European art cinema Alison Taylor |
| title_fullStr | Troubled everyday the aesthetics of violence and the everyday in European art cinema Alison Taylor |
| title_full_unstemmed | Troubled everyday the aesthetics of violence and the everyday in European art cinema Alison Taylor |
| title_short | Troubled everyday |
| title_sort | troubled everyday the aesthetics of violence and the everyday in european art cinema |
| title_sub | the aesthetics of violence and the everyday in European art cinema |
| topic | Film Gewalt Motiv (DE-588)4113748-6 gnd Film (DE-588)4017102-4 gnd Alltag Motiv (DE-588)4212310-0 gnd |
| topic_facet | Film Gewalt Motiv Alltag Motiv Europa |
| work_keys_str_mv | AT tayloralison troubledeverydaytheaestheticsofviolenceandtheeverydayineuropeanartcinema |