Introduction to Page and Stage von Taplin, Oliver 1943-

The Inference of Staging from Deictics, with some Pointers towards Sophocles' Trachiniae von Taplin, Oliver 1943-

Fragments of Aeschylus and the Number of Actors von Taplin, Oliver 1943-

[Rezension von: Ian McPhee (ed.), Myth, Drama and Style in South Italian Vase-Painting: Selected Papers by A.D. Trendall. Studies in Mediterranean archaeology and literature, PB 18... von Taplin, Oliver 1943-

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Stage Directions Leading Towards the Tomb of Aias von Taplin, Oliver 1943-

A Curtain Call? von Taplin, Oliver 1943-

The Homeric Convergences and Divergences of Seamus Heaney and Michael Longley von Taplin, Oliver 1943-

Tragedy von Taplin, Oliver 1943-

A New Pair of Pairs: Tragic Witnesses in Western Greek Vase Painting? von Taplin, Oliver 1943-

War and peace in the Iliad and Michael Longley von Taplin, Oliver 1943-

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Sophocles' Philoctetes, Seamus Heaney's, and Some Other Recent Half-Rhymes von Taplin, Oliver 1943-

Ancient Greek tragedy on the stage von Hart, Mary Louise, Taplin, Oliver 1943-, Hall, P., Sellars, P., Stein, P., Koniordou, L.

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The shield of Achilles within the Iliad von Taplin, Oliver 1943-

Introduction von Taplin, Oliver 1943-

Introduction von Taplin, Oliver 1943-

The spring of the muses: Homer and related poetry von Taplin, Oliver 1943-

Spreading the word through performance von Taplin, Oliver 1943-

Narrative Variation in Vase-painting and Tragedy: The Example of Dirke (pl. 8-9) von Taplin, Oliver 1943-

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The shield of Achilles within the Iliad von Taplin, Oliver 1943-

The pictorial record von Taplin, Oliver 1943-